SheDevilShay
Really Experienced
- Joined
- Jul 30, 2007
- Posts
- 269
Here's some information I found on it, and for some reason I am really really drawn to this....
Rules
* kajira will always act with the utmost respect and honor.
* kajira will speak in the third person no I, me, or my’s.
* kajira are always spoken of in lower cased letters Masters and Mistresses in caps.
* kajira will enter in full karta and beg permission to enter.
* kajira will never touch any weapon or anything that could be considered a weapon.
* kajira should remember they may not always agree with a Master but the kajira’s word are the last in any disagreement they will be, Yes, Master.
* kajira remember that your collar carries the honor of your owner. Your attitude can make is as light as a feather or as heavy as a mountain.
* kajira also remember jealousy and possessiveness have killed more slaves than disobedience.
* kajira know that the merest whim of your owner is your highest law. and lawbreakers are punished
Silks
(ONLINE DEFINITIONS)
White Silks (glana):
The White Silk slave is not necessarily a virgin, merely reserved for their owner's sole use. These slaves are generally permitted to serve drinks and food. They are allowed to converse with any Free Person, but from their knees. No laps and alcoves (sexual use) are permitted to them. Any Free Person insulted, may embarrass, confine or display the slave, but may not strike, punish or abuse the slave in any way, nor permit another to do so. It is the owner's right to punish the slave for their actions and behavior. Remember: A collared slave is someone else's property. Keep your hands to yourself. No Free Person with Honour would cross the restrictions of a White Silk slave.
Red Silks (falara):
The mark of the Pleasure Slave. Red Silk slaves are considered to be well trained to please in all ways: sexual, service wise, and dancing.
There are two types of Red Silk slaves:
Collared Red Silk:
Pleasure slave but reserved solely for the owner's use.
True Red Silk:
Pleasure slave, collared or uncollared, and the slave's sexual pleasures are allowed to be used by ANY Free Person. If an uncollared slave claims to be a Red Silk, then the slave should be prepared to be used as a Red Silk.
Yellow Silks:
Denotes the Tavern owned slave. Her use is rented and negotiated with the Tavern owner and may include sexual favors at the owner's discretion.
Gray Silks:
State owned slaves.
Black Silks:
Denotes the uncollared slave.
Positions
BARA:
This position is used for a variety of reasons, sometimes for punishment. The kajira lies on their stomach, face down and turned to the left, wrists crossed behind the back. Ankles should also be crossed for binding.
BELLY:
This position has varied uses as well, usual just to please the Master/Mistress. The slave falls to the floor face down, forehead resting on the floor, arms to the sides legs spread wide and slides to the Master/Mistress on their belly.
BRACELETS:
This position is used to put a slave in bracelets for chaining a slave. A common place to chain slaves is to their Master’s/Mistress’s bed or at rings in the walls of a tavern/castle. The slave places their hands behind their back, shoulders pushed back, chest thrust forward, hands clasped tightly behind the back…ready to have the bracelets put on.
CRAWL:
This is very similar to belly but there are differences. The slave gets down on all fours, palms to elbows are flat on floor, their ass is in the air with their forehead close but not touching the floor and crawls to just an inch from the Master's/Mistress's feet.
GOREAN BOW:
This position is very painful to maintain for longer than 5 minutes. They kneel in nadu position and bend their body backwards, their head to the floor, they place their hands by their head, and pulls up into a back bend.
HAIR POSITION:
They stand, their feet flat on the floor, and bow gracefully at the waist, that their hair might fall forward for display, to be shorn, seized, or used for any purpose that the Master/Mistress desires.
HEEL COMMAND:
They go to Master/Mistress and kneel behind the left foot, awaiting their movement whereupon they stay to the left and slightly behind following as they move.
HIGH BRACELETS:
They stand with their feet a shoulder width apart, holding their head high with eyes lowered submissively, their arms out before them with wrists pressed together, ready for binding.
HIGH LESHA:
Similar to lesha except done from a standing position. They stand with their back to the Master/Mistress, their hands crossed at the small of the back, their feet shoulder width apart, back and shoulders slightly arched, their breasts/chest thrusting forward, head held high and tilted to the left with their eyes lowered in respect and submission.
KARTA POSITION OF OBESIENCE:
They kneel on the floor, their thighs spread widely to allow them to lay their chest upon the floor, they lean forward placing their breasts/chest and forehead against the floor, then reach out with their arms fully extended, palms against floor, fingers parted. Ankles may be crossed or uncrossed. Shows utmost respect. Requests may be made from this position.
KO LAR or COLLARING POSITION:
Also called "the Position of Female Submission." They kneel at the Master's/Mistress's feet and lean their body back, sitting upon their heels, with their arms extended upward, crossed at the wrists, and their head beneath them lowered in supplication.
LEADING POSITION:
They stand and move behind their Master/Mistress, bending at the waist. They places their hands behind them and puts the side of their head to their Master's/Mistress's hip, that they might lead them easily by the hair or collar while walking.
LESHA:
This position is used to attach a leash. They kneels, their back to their Master/Mistress, with their chin lifted and head turned to the left, offering their collar for leashing. Their wrists are behind their back, ready, if needed, to be snapped into slave bracelets.
NADU:
This is the most basic of all the positions. This is the position a slave is in most of the time. They kneel before their Master/Mistress, their head held high, eyes downcast, knees spread wide open, shoulders back keeping their back straight (or arched slightly), breasts/chest thrust outward. Their hands lie on their thighs, palms facing upward.
OBEDIENCE POSITION:
They go to the floor, lying upon their stomach, face down before the Master/Mistress. They turn their head and place their cheek against their feet, kissing them lightly in a gesture of love and submission.
PROSTRATE:
This is used when waiting to enter a room. They kneel and touch their forehead to the floor stretching their arms out before them with palms face down and fingers spread.
RUN COMMAND:
When this command is given, they run toward their objective, taking short rapid steps, with their legs almost straight, feet hardly leaving the floor. As they move, their back is straight, their head is turned to the left, and arms are at their sides, their palms facing outward at a 45 degree angle to their body. Upon reaching their objective they drop gracefully to their knees and typically resumes the position of Nadu.
SHE-SLEEN POSITION:
Also known as "assuming the modality of the she-quadruped." They fall to their hands and knees, their head down on the floor, their hindquarters thrust high for viewing and/or pleasure use. "Serving in the modality of the she-quadruped" is an instruction whereby the slave performs their regular duties upon hands and knees, without the benefit of the use of their hands. In this mode they may not rise to their feet and may use only their mouth and teeth to grasp and manipulate objects.
"SLAVER'S KISS" POSITION:
They fall to the floor upon all fours, and lower their head to the ground, with their buttocks thrust upward and their thighs widely spread, exposing their hindquarters fully in preparation for the caress of the leather against their body. Common Gorean usage of this position - They falls to the floor upon all fours, and keeps their head straight, their eyes looking forward, with their buttocks thrust upward and their thighs widely spread in preparation for sexual use.
SLAVE LIPS:
When this command is given, they turn their head up to the Master/Mistress, their lips pursed in a sensual kissing position, they remain motionless, their lips thusly puckered and may not move until they are granted a kiss.
SUBMISSION:
They kneel, bending at the waist, placing their cheek to the floor, takes the Master's/Mistress's right foot and places it upon their neck, placing their arms behind their back, crossing them at the wrists.
SUGA:
This is very similar to Karta but in this their wrists are crossed. They kneels, knees wide apart and lays their head to the floor, forehead down and arms stretched over head with wrists crossed, lying quietly.
SULA:
They lay on their back, their hands at their sides, palms facing upward. Their legs are spread wide open... and they await Master's/Mistress's inspection. Sometimes a variation of this is the slave has their arms outstretched above their head, wrists together.
SULA-KI or "ALTERNATE SULA":
This position is almost identical to the Sula position, except once they have assumed the sula position they slowly lift their hips up off the floor, as if beckoning with their body, encouraging their sexual use.
TABLE:
This command is used when a Master/Mistress is in need of a table to rest their drink or to just rest their feet. They go to all fours, locking their elbows, making their back smooth and level, holding their head level as well.
TOWER SLAVE Position:
This is another variation of Nadu in which they kneel the same way, but with their palms down and their knees modestly together. This variation is typically reserved for underage or white silk slaves, or slaves who serve their Master/Mistress in a non-sexual way.
WALK COMMAND:
When this command is given, they turn in a graceful pirouette, their hair swinging. They then walk, gliding across the room, their feet hardly seeming to leave the floor, their hips swaying sensually, their body erect and proud. When they reaches their objective they halt and stand, their body erect, their shoulders back, their chest thrust forward, their belly in. They turn their hip out a bit, their hands at their sides, and points one foot. Their head is up and eyes are lowered.
WHIPPING POSITION:
They first assume the Nadu position, though with their arms crossed in front of them. They then lean forward and place their head to the floor, first sweeping their hair forward over their shoulders in order that their back might be utterly exposed to the whip.
http://en.wikipedia.org/wiki/Kajira
Kajira is the term for "slave-girl" in John Norman's Gor novels. Slaves in the Gorean lifestyle will refer to themselves as kajirae. The phrase "la kajira" is said to mean "I am a slave-girl" in the Gorean language, the most widely-spoken lingua franca in the known regions of the planet Gor (this is one of the few complete Gorean-language sentences given in the Gor novels).
The word is usually seen in the feminine form "kajira" (pl. "kajirae"), as most slaves in the Gorean lifestyle are female; the masculine forms are "kajirus" and "kajiri" (following the rules of Latin nominative adjective morphology, as seen also with words such as "alumnus"/"alumna", etc.). The construction "kajiras" is incorrect, but is occasionally seen in third-party writing.
A common misconception among people practicing the lifestyle or playing out the Gorean theme online is that kajirae never refer to themselves in the first person, using the terms "me" or "I", instead being allowed only to refer to themselves in the third person. If one is adhering to the novels this is inaccurate, as virtually all of the kajirae in the Gor novels do often refer to themselves in the first person (the phrase "la kajira" being an example), with third person speech being uncommon in the text. However, the books do support the idea that third-person speech is considered distinctively slave speech (in Captive of Gor, chapter 15, Ute issues the command "Speak as a slave!", meaning in the third person), and that slaves may be specifically commanded to speak in such a way. In the books, a girl is ordered to speak in the third person usually as a punishment.
There exists various techniques in Gorean culture to teach Gorean slave corresponding conduct. Slave tasks may include not only sexual slavery, but also the ability to maintain a household, possess artistic skills, wear an appealing outfit and address the master in certain manner. Gorean slave women are branded, which means they are marked with certain signs burned into the flesh by the master to indicate their slavery. Another way to mark a slave as her owner's property is to put a collar on her.[2]
Rules
* kajira will always act with the utmost respect and honor.
* kajira will speak in the third person no I, me, or my’s.
* kajira are always spoken of in lower cased letters Masters and Mistresses in caps.
* kajira will enter in full karta and beg permission to enter.
* kajira will never touch any weapon or anything that could be considered a weapon.
* kajira should remember they may not always agree with a Master but the kajira’s word are the last in any disagreement they will be, Yes, Master.
* kajira remember that your collar carries the honor of your owner. Your attitude can make is as light as a feather or as heavy as a mountain.
* kajira also remember jealousy and possessiveness have killed more slaves than disobedience.
* kajira know that the merest whim of your owner is your highest law. and lawbreakers are punished
Silks
(ONLINE DEFINITIONS)
White Silks (glana):
The White Silk slave is not necessarily a virgin, merely reserved for their owner's sole use. These slaves are generally permitted to serve drinks and food. They are allowed to converse with any Free Person, but from their knees. No laps and alcoves (sexual use) are permitted to them. Any Free Person insulted, may embarrass, confine or display the slave, but may not strike, punish or abuse the slave in any way, nor permit another to do so. It is the owner's right to punish the slave for their actions and behavior. Remember: A collared slave is someone else's property. Keep your hands to yourself. No Free Person with Honour would cross the restrictions of a White Silk slave.
Red Silks (falara):
The mark of the Pleasure Slave. Red Silk slaves are considered to be well trained to please in all ways: sexual, service wise, and dancing.
There are two types of Red Silk slaves:
Collared Red Silk:
Pleasure slave but reserved solely for the owner's use.
True Red Silk:
Pleasure slave, collared or uncollared, and the slave's sexual pleasures are allowed to be used by ANY Free Person. If an uncollared slave claims to be a Red Silk, then the slave should be prepared to be used as a Red Silk.
Yellow Silks:
Denotes the Tavern owned slave. Her use is rented and negotiated with the Tavern owner and may include sexual favors at the owner's discretion.
Gray Silks:
State owned slaves.
Black Silks:
Denotes the uncollared slave.
Positions
BARA:
This position is used for a variety of reasons, sometimes for punishment. The kajira lies on their stomach, face down and turned to the left, wrists crossed behind the back. Ankles should also be crossed for binding.
BELLY:
This position has varied uses as well, usual just to please the Master/Mistress. The slave falls to the floor face down, forehead resting on the floor, arms to the sides legs spread wide and slides to the Master/Mistress on their belly.
BRACELETS:
This position is used to put a slave in bracelets for chaining a slave. A common place to chain slaves is to their Master’s/Mistress’s bed or at rings in the walls of a tavern/castle. The slave places their hands behind their back, shoulders pushed back, chest thrust forward, hands clasped tightly behind the back…ready to have the bracelets put on.
CRAWL:
This is very similar to belly but there are differences. The slave gets down on all fours, palms to elbows are flat on floor, their ass is in the air with their forehead close but not touching the floor and crawls to just an inch from the Master's/Mistress's feet.
GOREAN BOW:
This position is very painful to maintain for longer than 5 minutes. They kneel in nadu position and bend their body backwards, their head to the floor, they place their hands by their head, and pulls up into a back bend.
HAIR POSITION:
They stand, their feet flat on the floor, and bow gracefully at the waist, that their hair might fall forward for display, to be shorn, seized, or used for any purpose that the Master/Mistress desires.
HEEL COMMAND:
They go to Master/Mistress and kneel behind the left foot, awaiting their movement whereupon they stay to the left and slightly behind following as they move.
HIGH BRACELETS:
They stand with their feet a shoulder width apart, holding their head high with eyes lowered submissively, their arms out before them with wrists pressed together, ready for binding.
HIGH LESHA:
Similar to lesha except done from a standing position. They stand with their back to the Master/Mistress, their hands crossed at the small of the back, their feet shoulder width apart, back and shoulders slightly arched, their breasts/chest thrusting forward, head held high and tilted to the left with their eyes lowered in respect and submission.
KARTA POSITION OF OBESIENCE:
They kneel on the floor, their thighs spread widely to allow them to lay their chest upon the floor, they lean forward placing their breasts/chest and forehead against the floor, then reach out with their arms fully extended, palms against floor, fingers parted. Ankles may be crossed or uncrossed. Shows utmost respect. Requests may be made from this position.
KO LAR or COLLARING POSITION:
Also called "the Position of Female Submission." They kneel at the Master's/Mistress's feet and lean their body back, sitting upon their heels, with their arms extended upward, crossed at the wrists, and their head beneath them lowered in supplication.
LEADING POSITION:
They stand and move behind their Master/Mistress, bending at the waist. They places their hands behind them and puts the side of their head to their Master's/Mistress's hip, that they might lead them easily by the hair or collar while walking.
LESHA:
This position is used to attach a leash. They kneels, their back to their Master/Mistress, with their chin lifted and head turned to the left, offering their collar for leashing. Their wrists are behind their back, ready, if needed, to be snapped into slave bracelets.
NADU:
This is the most basic of all the positions. This is the position a slave is in most of the time. They kneel before their Master/Mistress, their head held high, eyes downcast, knees spread wide open, shoulders back keeping their back straight (or arched slightly), breasts/chest thrust outward. Their hands lie on their thighs, palms facing upward.
OBEDIENCE POSITION:
They go to the floor, lying upon their stomach, face down before the Master/Mistress. They turn their head and place their cheek against their feet, kissing them lightly in a gesture of love and submission.
PROSTRATE:
This is used when waiting to enter a room. They kneel and touch their forehead to the floor stretching their arms out before them with palms face down and fingers spread.
RUN COMMAND:
When this command is given, they run toward their objective, taking short rapid steps, with their legs almost straight, feet hardly leaving the floor. As they move, their back is straight, their head is turned to the left, and arms are at their sides, their palms facing outward at a 45 degree angle to their body. Upon reaching their objective they drop gracefully to their knees and typically resumes the position of Nadu.
SHE-SLEEN POSITION:
Also known as "assuming the modality of the she-quadruped." They fall to their hands and knees, their head down on the floor, their hindquarters thrust high for viewing and/or pleasure use. "Serving in the modality of the she-quadruped" is an instruction whereby the slave performs their regular duties upon hands and knees, without the benefit of the use of their hands. In this mode they may not rise to their feet and may use only their mouth and teeth to grasp and manipulate objects.
"SLAVER'S KISS" POSITION:
They fall to the floor upon all fours, and lower their head to the ground, with their buttocks thrust upward and their thighs widely spread, exposing their hindquarters fully in preparation for the caress of the leather against their body. Common Gorean usage of this position - They falls to the floor upon all fours, and keeps their head straight, their eyes looking forward, with their buttocks thrust upward and their thighs widely spread in preparation for sexual use.
SLAVE LIPS:
When this command is given, they turn their head up to the Master/Mistress, their lips pursed in a sensual kissing position, they remain motionless, their lips thusly puckered and may not move until they are granted a kiss.
SUBMISSION:
They kneel, bending at the waist, placing their cheek to the floor, takes the Master's/Mistress's right foot and places it upon their neck, placing their arms behind their back, crossing them at the wrists.
SUGA:
This is very similar to Karta but in this their wrists are crossed. They kneels, knees wide apart and lays their head to the floor, forehead down and arms stretched over head with wrists crossed, lying quietly.
SULA:
They lay on their back, their hands at their sides, palms facing upward. Their legs are spread wide open... and they await Master's/Mistress's inspection. Sometimes a variation of this is the slave has their arms outstretched above their head, wrists together.
SULA-KI or "ALTERNATE SULA":
This position is almost identical to the Sula position, except once they have assumed the sula position they slowly lift their hips up off the floor, as if beckoning with their body, encouraging their sexual use.
TABLE:
This command is used when a Master/Mistress is in need of a table to rest their drink or to just rest their feet. They go to all fours, locking their elbows, making their back smooth and level, holding their head level as well.
TOWER SLAVE Position:
This is another variation of Nadu in which they kneel the same way, but with their palms down and their knees modestly together. This variation is typically reserved for underage or white silk slaves, or slaves who serve their Master/Mistress in a non-sexual way.
WALK COMMAND:
When this command is given, they turn in a graceful pirouette, their hair swinging. They then walk, gliding across the room, their feet hardly seeming to leave the floor, their hips swaying sensually, their body erect and proud. When they reaches their objective they halt and stand, their body erect, their shoulders back, their chest thrust forward, their belly in. They turn their hip out a bit, their hands at their sides, and points one foot. Their head is up and eyes are lowered.
WHIPPING POSITION:
They first assume the Nadu position, though with their arms crossed in front of them. They then lean forward and place their head to the floor, first sweeping their hair forward over their shoulders in order that their back might be utterly exposed to the whip.
http://en.wikipedia.org/wiki/Kajira
Kajira is the term for "slave-girl" in John Norman's Gor novels. Slaves in the Gorean lifestyle will refer to themselves as kajirae. The phrase "la kajira" is said to mean "I am a slave-girl" in the Gorean language, the most widely-spoken lingua franca in the known regions of the planet Gor (this is one of the few complete Gorean-language sentences given in the Gor novels).
The word is usually seen in the feminine form "kajira" (pl. "kajirae"), as most slaves in the Gorean lifestyle are female; the masculine forms are "kajirus" and "kajiri" (following the rules of Latin nominative adjective morphology, as seen also with words such as "alumnus"/"alumna", etc.). The construction "kajiras" is incorrect, but is occasionally seen in third-party writing.
A common misconception among people practicing the lifestyle or playing out the Gorean theme online is that kajirae never refer to themselves in the first person, using the terms "me" or "I", instead being allowed only to refer to themselves in the third person. If one is adhering to the novels this is inaccurate, as virtually all of the kajirae in the Gor novels do often refer to themselves in the first person (the phrase "la kajira" being an example), with third person speech being uncommon in the text. However, the books do support the idea that third-person speech is considered distinctively slave speech (in Captive of Gor, chapter 15, Ute issues the command "Speak as a slave!", meaning in the third person), and that slaves may be specifically commanded to speak in such a way. In the books, a girl is ordered to speak in the third person usually as a punishment.
There exists various techniques in Gorean culture to teach Gorean slave corresponding conduct. Slave tasks may include not only sexual slavery, but also the ability to maintain a household, possess artistic skills, wear an appealing outfit and address the master in certain manner. Gorean slave women are branded, which means they are marked with certain signs burned into the flesh by the master to indicate their slavery. Another way to mark a slave as her owner's property is to put a collar on her.[2]
