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Hello. This is an excerpt from an interview-article on Gael Garcia Bernal, the Mexican actor, who plays Che Guevara in the new movie, "The Motorcycle Diaries". I've been following his career since seeing him in "Amores Perros" and "Y Tu Mama, Tambien" (both brilliant films I've mentioned before). He's only 25 or so and yet more intelligent and studied about global politics than most people his age that I know. This is not so politically revealing a piece as others I've read, but the one statement (in bold) below I found refreshing and even hopeful. That's all, I just wanted to share it with you. - Perdita
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Bernal was born in Guadalajara and raised in Mexico City. Both his parents are stage actors. He has been thinking about Che Guevara for half his life -- and even played the revolutionary in a two-part miniseries on Showtime about Fidel Castro, which he would appreciate it if everyone forgot. It goes back, for him, like most kids, to middle-school social studies class.
"It happens when you are about 12 or 13," he says. "When you grow up in Mexico you have a very strong connection to Cuba. As a kid you listen to this story, it's incredibly, incredibly exciting to hear. [The revolutionaries] changed Latin America forever and they changed the world. So you start early, identifying with where [Guevara] comes from, and identifying with his ideas in a way, and identifying with the struggle, and therefore you're able to agree with it or criticize it. Leftist ideas redefine themselves constantly. I think my generation is much more critical of what works in Latin American socialist movements and what didn't. There used to be a stigma that any leftist revolution had to come with violence. I don't think we believe that anymore," he says, mentioning Zapatistas in jungles who carry wood carvings of rifles instead of actual guns, just for the symbolism.
. . .
He says he can't believe how hamstrung American actors arewhen it comes to saying anything political. He wonders if the United States has forgotten how to hold a real election, with real debates. He shows up in gossip columns lamenting the lumbering, impervious quality of American imperialism.
"The U.S. is a great nation that's becoming a war machine. But it is a great people, which can save it," he says. "Some of us fall into traps where we can't say what we think. But it shouldn't be this way. Actors are free. That's the nature of being an actor, to do anything you want to do, to say anything. It's why we're here. And if I were an American, I could be pigeonholed for what I just said."
full article
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Bernal was born in Guadalajara and raised in Mexico City. Both his parents are stage actors. He has been thinking about Che Guevara for half his life -- and even played the revolutionary in a two-part miniseries on Showtime about Fidel Castro, which he would appreciate it if everyone forgot. It goes back, for him, like most kids, to middle-school social studies class.
"It happens when you are about 12 or 13," he says. "When you grow up in Mexico you have a very strong connection to Cuba. As a kid you listen to this story, it's incredibly, incredibly exciting to hear. [The revolutionaries] changed Latin America forever and they changed the world. So you start early, identifying with where [Guevara] comes from, and identifying with his ideas in a way, and identifying with the struggle, and therefore you're able to agree with it or criticize it. Leftist ideas redefine themselves constantly. I think my generation is much more critical of what works in Latin American socialist movements and what didn't. There used to be a stigma that any leftist revolution had to come with violence. I don't think we believe that anymore," he says, mentioning Zapatistas in jungles who carry wood carvings of rifles instead of actual guns, just for the symbolism.
. . .
He says he can't believe how hamstrung American actors arewhen it comes to saying anything political. He wonders if the United States has forgotten how to hold a real election, with real debates. He shows up in gossip columns lamenting the lumbering, impervious quality of American imperialism.
"The U.S. is a great nation that's becoming a war machine. But it is a great people, which can save it," he says. "Some of us fall into traps where we can't say what we think. But it shouldn't be this way. Actors are free. That's the nature of being an actor, to do anything you want to do, to say anything. It's why we're here. And if I were an American, I could be pigeonholed for what I just said."
full article
