Switching to audio

Zenith77

Virgin
Joined
Feb 20, 2023
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328
Has anyone tried recording audio of yourself reading one of your own stories and publishing it in the audio section?

Thinking about doing this, in my posh, super-villain-esque English accent.

Though it probably wouldn't work so well for the first-person female POV stories I've written.
 
I've had someone else read a few, who had the right equipment. I've thought about it, but don't have recording or editing gear. It involves a bit more skill than talking into your phone, I think.
 
All of my stories get converted to audio during the final editing to allow me to hear the words but these are not for any type of distribution.

I have several stories written in the third-person that would probably be fine for a single-voice recording but as EB mentioned, having the right equipment is critical to producing anything of quality.

When I finish the project I am working on now, I might go back and dabble with converting an existing story into audio using Amazon Polly. I am more intrigued with playing around with the technology than producing marketable audio versions of my work.
 
Has anyone tried recording audio of yourself reading one of your own stories and publishing it in the audio section?

Thinking about doing this, in my posh, super-villain-esque English accent.

Though it probably wouldn't work so well for the first-person female POV stories I've written.

I've thought about it. I went to the point of installing audacity and recording myself reading a small part of one of my stories. Getting a good result wasn't easy.

You can find some audio book-like recordings in the audio section here, but that isn't what you normally find, and it may not have much of an established audience. The normal recording has a single voice, is fairly short, and amounts to jerk-off encouragement. Some are mostly noises.

There's a sub-forum at the top of the page. If you haven't already, then you might ask questions there.
 
All of my stories get converted to audio during the final editing to allow me to hear the words but these are not for any type of distribution.

I have several stories written in the third-person that would probably be fine for a single-voice recording but as EB mentioned, having the right equipment is critical to producing anything of quality.

When I finish the project I am working on now, I might go back and dabble with converting an existing story into audio using Amazon Polly. I am more intrigued with playing around with the technology than producing marketable audio versions of my work.
I spent several months last year working with "Natural Readers" voices and using a different voice for the characters to create an audio play. It took a lot of work removing those dialog tags and assigning the voice to each line or paragraph of that character's dialog. And Natural Readers web interface only allowed a max of one hundred lines/paragraphs for each audio file. That wouldn't be a problem for a final version. But it became a problem when I edited and added lines at the beginning of the story. (It would have been easier if they accepted a text file upload with the web voice tags, but their interface didn't.) Then I had to play with ways to cause strategic pauses to get even close to a human tempo.

Ultimately, the best I could do was a rather emotionless rendition of the story. But it was worth the effort to learn that technology and the possibilities.
 
Oh God no. I can't even stand it when I get one of those phone echoes and hear myself talking.
 
I spent several months last year working with "Natural Readers" voices and using a different voice for the characters to create an audio play. It took a lot of work removing those dialog tags and assigning the voice to each line or paragraph of that character's dialog. And Natural Readers web interface only allowed a max of one hundred lines/paragraphs for each audio file. That wouldn't be a problem for a final version. But it became a problem when I edited and added lines at the beginning of the story. (It would have been easier if they accepted a text file upload with the web voice tags, but their interface didn't.) Then I had to play with ways to cause strategic pauses to get even close to a human tempo.

Ultimately, the best I could do was a rather emotionless rendition of the story. But it was worth the effort to learn that technology and the possibilities.
I know what you mean. It can be like a new toy at Christmas.

I've used Amazon Polly to create a few audio files for one of my stories about a ten-year-old boy getting reunited with a father he had never met. I found a voice that works for the boy, and since the story is told in third-person, I used that voice to "read" the story. The dialog sounds almost realistic to that of a child that age reading a written story, which makes the somewhat robotic cadence tolerable.

It is a cumbersome process though, especially with a long story of more than 100K words.
 

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I know what you mean. It can be like a new toy at Christmas.

I've used Amazon Polly to create a few audio files for one of my stories about a ten-year-old boy getting reunited with a father he had never met. I found a voice that works for the boy, and since the story is told in third-person, I used that voice to "read" the story. The dialog sounds almost realistic to that of a child that age reading a written story, which makes the somewhat robotic cadence tolerable.

It is a cumbersome process though, especially with a long story of more than 100K words.
My stories are mostly first-person, so and I used the MC's voice for both his thoughts and narration, as well as his dialog. I selected different voices for each character in the scenes, trying to not use the same one for two different characters. In that way, I could eliminate all dialog tags.

If I try doing that again, I think I'll alter the MC's voice to make it a more obvious difference between his narration and his spoken dialog.

But you're right, it's interesting to see what can be done with different new toys.
 
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