HappySpouse
Really Experienced
- Joined
- Dec 10, 2019
- Posts
- 201
I think in all writing (erotica, short stories, novels, biographical, anything), this is one of the toughest things to get right. A lot of people, like me, see the story as they read it. Waiting too long to describe part of a person or room becomes a hitch in the story while my mind redecorates or switches out actors.
In erotica we are usually going to see the bodies eventually, but the worst time to have to stop and re-sketch the characters is in the middle of sex scene. However, I doubt anyone enjoys gratuitous descriptions of body parts during the opening scene of a story. It feels so mechanical.
There is an option I've seen on this site of not trying to fit in an organic description and just putting a detailed description of the characters before the story starts. It can look a bit jarring a first, but it is effective at removing that awkward passage from the story and is not unheard of in other writing.
A method I was taught was not to write a description (or much of one) when you first start writing. Then make a note of every time you use a physical description in the story, and add those attributes to the description at the beginning. That way the reader has everything they need and nothing more. For instance, if you write about someone "clenching their fingers in the curls of her hair", then make a note. Later, add either curly hair to the beginning description or her curling her hair somewhere else.
P.S. I like that line. Someone in one of the three stories I'm working on will be clenching their fingers in the curls of her hair later tonight.
In erotica we are usually going to see the bodies eventually, but the worst time to have to stop and re-sketch the characters is in the middle of sex scene. However, I doubt anyone enjoys gratuitous descriptions of body parts during the opening scene of a story. It feels so mechanical.
There is an option I've seen on this site of not trying to fit in an organic description and just putting a detailed description of the characters before the story starts. It can look a bit jarring a first, but it is effective at removing that awkward passage from the story and is not unheard of in other writing.
A method I was taught was not to write a description (or much of one) when you first start writing. Then make a note of every time you use a physical description in the story, and add those attributes to the description at the beginning. That way the reader has everything they need and nothing more. For instance, if you write about someone "clenching their fingers in the curls of her hair", then make a note. Later, add either curly hair to the beginning description or her curling her hair somewhere else.
P.S. I like that line. Someone in one of the three stories I'm working on will be clenching their fingers in the curls of her hair later tonight.