Handley_Page
Draco interdum Vincit
- Joined
- Aug 18, 2007
- Posts
- 78,287
Chloe, sitting on someone's face is not the place to giggle.
I understand that it's actually illegal over here now.
Ah, the kettle's hot; tea for now, I think.
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Chloe, sitting on someone's face is not the place to giggle.
It was 75f here this afternoon so I spent so time in the yard and shop. High in the mid 50's tomorrow.
Now to figure out what I want for supper.
Fresh coffee for the evening group and a fresh kettle for HP's tea but he'll share.
Chloe, as I have noted before, you are one strange young lady.

Chloe, as I have noted before, you are one strange young lady.
As if a man of your caliber would find 'normal' young ladies at all interestng...![]()

Precisely my point, sir.
Porridge is normal. Macaroni is normal. Ketchup is normal.
They may be normal but I ain't mixing them together.![]()
How do you describe those noises, anyway?

I mean, how DO you describe your housemate wailing her head off wordlessly through the shared bedroom wall. "aaahhhhoooooooghhhh." LOL. You can only repeat that so often and it gets boring in the story. In real life, maybe not so much coz by then you're not really thinking![]()
I'm not going for onomatopoeia. Maybe some do. I use things like "she chanted his name," " groaned through clenched teeth," "caught her breath and screamed." etc.
I came across a recording once that was of the sounds that men make during sex. It was rather pig-like. I find it more pleasant to describe sweat-slicked skin, wet lips, teeth on tender places, all mostly out of control.
Pig-like noises--maybe not so sexy.
"she chanted his name" to me isn't as intimate an experience for the reader as "Gerry .... Gerry ... oh Jesus ... do it to me Gerry" or whatever your character is saying. I guess it's also style."
For me, I'm trying to take my readers right inside my character's head so that they're as close to experiencing what she's thinking and feeling as I can make it without actually being her.
Pig-like noises? LOL. That's what guys do and I love those big piggies being all piggy. It's what makes them so wonderful. Now how do you make those piggy noises sexy when you write them? The challenge... I guess it's to get your reader so involved and wound up in the story that when you use those onomatopoeic piggy grunts, it gets them going coz they're so in the moment of what you're writing.
I think I prefer references to words which are inarticulate noises.
Getting the idea into the reader's head is more important that graphically illustrating them.
It's a cold, cold morning here, with bright sunshine. I feel the urgent need for
COFFEE
The best treatment I find for a cold is drinking plenty of liquids (I favour a nice 12-year old pot-still) and staying in bed for two or three days with a warm friend. It doesn't cure the cold, but it makes having it worthwhile.
Good morning, all.
Chelsey buns, anyone? Hot and gooey!
(Tex in 3, 2, 1...)

I knew I should have gotten up early butt... Housemate had other plans for me. I love me some sticky buns in the morning.
Chloe, quit being mean to HP.
I'm with Tio on the best cold treatment.
Groundhog Day? I never did figure out how them varmints got a day of their own. Have you seen the holes these guys dig in perfectly good pasture land? Anyway, they don't look like they would have much bacon on their belly.
Fresh coffee is now available. Help yourself, I think I'm going back for seconds on what I had earlier.![]()
Trolls! Someone came along and ran a series of one bombs from the top of my story list to the bottom. Cleared off almost all the red 'H's'. Some people . . .