Desiremakesmeweak
Literotica Guru
- Joined
- Jun 7, 2012
- Posts
- 2,060
I watched the Executive Chairman of the global leading ad agency Saatchi & Saatchi today on Tom Keene's Bloomberg business morning show.
He said a few interesting things about the state of today's marketing. Pretty much everything he said amounted to the value of, for instance, writers here being able to gain numerous readers and followers by having an emotional or empathetic dimension that was in tune with a lot of people, or at least a particular selected group of people.
I'm not sure if the mainstream ad agencies will ever accept that they need to be 'locking-in' to the types of creative people in places like Lit (they should, but whether they will easily move or not...?), who know how to go after a certain audience and have the genuine ability to attract their interest. This is a different, let's say, 'skill' compared to brand-building or devising visual and video adverts that communicate a particular product or brand 'message.'
To some extent it is a shame that there are so many people who feel compelled both to fabricate the numbers of their readerships and the 'favoriting' and so on, and then go on and lie about these numbers in threads too - it's really very clear to anyone who has the least bit of web and computing (and other) knowledge and skill that so much of this apparent self-promotion IS faked when you peel away certain contrivances from the aggregations of these numbers.
Because it makes interaction by the big league ad companies with those writers who can get the real audience that much more complicated. And that's a big shame.
I think one of the genuine tests of whether or not a writer has a complete handle on their audience is when they can predict with fair accuracy the numbers of initial readers based on the themes they use and other, let's call them 'proprietary confidential' variables per story.
This site, by by-passing the old system's commercial gatekeeper filters and letting the reader have a truly open 'democratic' choice of what the want to read, and what they enjoyed reading, is a perfect example of what Kevin Roberts was alluding to. Freely moving foot traffic, as it were, is distinctly different from the mass commercial market audience that has to check out 50 Shades because that's all they're given (relatively speaking).
He said a few interesting things about the state of today's marketing. Pretty much everything he said amounted to the value of, for instance, writers here being able to gain numerous readers and followers by having an emotional or empathetic dimension that was in tune with a lot of people, or at least a particular selected group of people.
I'm not sure if the mainstream ad agencies will ever accept that they need to be 'locking-in' to the types of creative people in places like Lit (they should, but whether they will easily move or not...?), who know how to go after a certain audience and have the genuine ability to attract their interest. This is a different, let's say, 'skill' compared to brand-building or devising visual and video adverts that communicate a particular product or brand 'message.'
To some extent it is a shame that there are so many people who feel compelled both to fabricate the numbers of their readerships and the 'favoriting' and so on, and then go on and lie about these numbers in threads too - it's really very clear to anyone who has the least bit of web and computing (and other) knowledge and skill that so much of this apparent self-promotion IS faked when you peel away certain contrivances from the aggregations of these numbers.
Because it makes interaction by the big league ad companies with those writers who can get the real audience that much more complicated. And that's a big shame.
I think one of the genuine tests of whether or not a writer has a complete handle on their audience is when they can predict with fair accuracy the numbers of initial readers based on the themes they use and other, let's call them 'proprietary confidential' variables per story.
This site, by by-passing the old system's commercial gatekeeper filters and letting the reader have a truly open 'democratic' choice of what the want to read, and what they enjoyed reading, is a perfect example of what Kevin Roberts was alluding to. Freely moving foot traffic, as it were, is distinctly different from the mass commercial market audience that has to check out 50 Shades because that's all they're given (relatively speaking).
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