Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
Make it a different surprise than what you've telegraphed. Hint and tease along the way, aiming at some obvious twist, then twist 180 degrees off. Suggest that they're incestuous -- but they're interracial! -- but it's incest anyway! Oy!I am having difficulty with plot bunnies for April Fool.
If it is to be an April Fool story, there will be an obvious twist at the end. Disguising from the reader that is awkward. They expect the story to be an April Fool. How can I make it a surprise when they know there will be a surprise?
Make it a different surprise than what you've telegraphed. Hint and tease along the way, aiming at some obvious twist, then twist 180 degrees off. Suggest that they're incestuous -- but they're interracial! -- but it's incest anyway! Oy!
How do I register for this contest?
Yes, I'd reasoned that out, but I think Ogg has a point that having to telegraph stuff (often for readers who can't/won't take responsibility for themselves while reading on a Web site that they probably are too delicate to be reading on anyway) can easily prevent the posting of stories here that are bread and butter in the marketplace.
For my last-posted Lit. story, for instance, I had to put a note on it to explain to Laurel that the whole point of the story was that what might get it kicked out or put in the wrong category here wasn't happening. The whole story revolves on that, and in the mainstream I wouldn't have had to explain that to a submissions editor and I most certainly wouldn't want it put in a proslug for the squeamish (who shouldn't be reading erotica/porn anyway, I think) and ruin the whole hook of the story. (In the case of my story, what looks like incest and possible underage isn't--it's the whole linchpen of a scam. In the mainstream, structuring a story like this wouldn't cause an eye to be batted among the readership.)
Yes, I'd reasoned that out, but I think Ogg has a point that having to telegraph stuff (often for readers who can't/won't take responsibility for themselves while reading on a Web site that they probably are too delicate to be reading on anyway) can easily prevent the posting of stories here that are bread and butter in the marketplace.
For my last-posted Lit. story, for instance, I had to put a note on it to explain to Laurel that the whole point of the story was that what might get it kicked out or put in the wrong category here wasn't happening. The whole story revolves on that, and in the mainstream I wouldn't have had to explain that to a submissions editor and I most certainly wouldn't want it put in a proslug for the squeamish (who shouldn't be reading erotica/porn anyway, I think) and ruin the whole hook of the story. (In the case of my story, what looks like incest and possible underage isn't--it's the whole linchpen of a scam. In the mainstream, structuring a story like this wouldn't cause an eye to be batted among the readership.)
If it is to be an April Fool story, there will be an obvious twist at the end. Disguising from the reader that is awkward. They expect the story to be an April Fool. How can I make it a surprise when they know there will be a surprise?
If a reader finds a story on the respective Contest page, they *may* pay attention to the theme. If they find the story on a Newest page, they might not even know it's a contest entry. In any case, I think the story is read more for itself than for its adherence to the contest's theme. This can be tested, of course. Write a midwinter story and submit it to the Summer contest. See if readers notice.Do you think April Fool's stories will tend to be judged on the quality of the "twist" as opposed to the quality of the story itself?
If a reader finds a story on the respective Contest page, they *may* pay attention to the theme. If they find the story on a Newest page, they might not even know it's a contest entry. In any case, I think the story is read more for itself than for its adherence to the contest's theme. This can be tested, of course. Write a midwinter story and submit it to the Summer contest. See if readers notice.
Good point! I can't believe the stories that I see in the contests, not even trying to acknowledge the theme. I'll just yet leave out the: "The following story is an April Fool's contest entry..." that I'd usually use to introduce the story.
Why would you introduce the story, contest or otherwise?
Habit, I guess. All the old pulp SF stories I read decades ago had intros, so I write'em like that, too. Not all pieces need intros, especially essays, but I find them handy for fiction, even if only for an extra layer of snark. Some have said they like my intro to Big Banana.Why would you introduce the story, contest or otherwise?
If a reader finds a story on the respective Contest page, they *may* pay attention to the theme. If they find the story on a Newest page, they might not even know it's a contest entry. In any case, I think the story is read more for itself than for its adherence to the contest's theme. This can be tested, of course. Write a midwinter story and submit it to the Summer contest. See if readers notice.
It seems to be a common practice for contest stories, maybe because people are worried they won't be posted otherwise? I'm with you though, not a fan of those forewords that everyone seems to use. It's awfully tempting to explain away your story before it gets started, which is why a lot of people do it I suppose.
This can be tested, of course. Write a midwinter story and submit it to the Summer contest. See if readers notice.
Because, last I looked, July in Oz is not Summer. A southern hemisphere XMas tale would perfectly fit the Summer Lovin' contest. Hmmm, maybe I'll work on an Autumn-in-Argentina April Fool's story. Or just ignore or finesse the themes and submit whatever, whenever.Why not, if you are Australian?
Because, last I looked, July in Oz is not Summer. A southern hemisphere XMas tale would perfectly fit the Summer Lovin' contest. Hmmm, maybe I'll work on an Autumn-in-Argentina April Fool's story. Or just ignore or finesse the themes and submit whatever, whenever.
That would be a really stupid Syracusan or Albanian who didn't check the forecasts before buying tickets. And I can nominate some candidates from Rochester and Buffalo. Lots of dumb fucks around Rochester, I'll testify. (And the old Eastman Kodak would back me up. They only hired locals for apework.)An Australian-setting one that could be fun would be someone from upstate New York, all bundled up in snow gear, arriving in Sydney on April 1st and looking forward to a skiing holiday.
Still no ideas.![]()