burgwad
Really Experienced
- Joined
- Feb 19, 2020
- Posts
- 220
Ah, to post a multi-chapter, slow-burn, I/T work.
Chapters one and two are well-received. Two beautiful teens flirt by a scenic, unnamed lake. No time period specified. No twists. No kinks. Story proceeds breezily, with a slow but steady escalation of sexual tension culminating in initial release by the end of chapter two. I know in my bones, before I post these chapters, that they are crowd-pleasers.
Chapter three is different. The twins sneak out. Two new characters are introduced. They have strong personalities. They are assertive, sexual, and reckless. Problematically, what sex does happen is not explicitly I/T. A minor sin in itself, made worse by the absence of any I/T elsewhere in the chapter.
Chapter four commits the much more serious I/T sin of depicting male MC bisexuality. Nevermind that it has been both tagged and foreshadowed. Male bisexuality is a full time no-no, and I am informed that I have ruined the story. Also, I am taking too long to get my MCs to fuck. Two whole chapters have elapsed without explicit I/T sex? Ridiculous.
Chapter five sees the teens back home. They process recent events. They flirt. Readers finally get another dose of I/T content. But it isn’t nearly enough. Readers demand to know: Why are these biological siblings so hesitant to fuck in a stone silent cabin with their parents home? Why am I wasting everyone’s time trying to build up tension and stakes, when I could just be writing wall-to-wall I/T? Explain myself!
Is it a bad time to announce that both MCs are also now grounded, thwarting their plans of an all-day orgy with their new friends? It is? Shoot.
I’m still learning. But what I’m learning is hard to articulate. I know by now from a big picture perspective how to please the readers. I do! I know that each chapter should build on the last, escalate the sex a notch at a time, and deliver unerringly on the central premise. But my latest is a sincere effort to craft something like that, and still it’s only in hindsight that I can make sense of where I went wrong.
Did you ever put out a series that started off popular and then declined? If so, what was your interpretation of what happened?
Chapters one and two are well-received. Two beautiful teens flirt by a scenic, unnamed lake. No time period specified. No twists. No kinks. Story proceeds breezily, with a slow but steady escalation of sexual tension culminating in initial release by the end of chapter two. I know in my bones, before I post these chapters, that they are crowd-pleasers.
Chapter three is different. The twins sneak out. Two new characters are introduced. They have strong personalities. They are assertive, sexual, and reckless. Problematically, what sex does happen is not explicitly I/T. A minor sin in itself, made worse by the absence of any I/T elsewhere in the chapter.
Chapter four commits the much more serious I/T sin of depicting male MC bisexuality. Nevermind that it has been both tagged and foreshadowed. Male bisexuality is a full time no-no, and I am informed that I have ruined the story. Also, I am taking too long to get my MCs to fuck. Two whole chapters have elapsed without explicit I/T sex? Ridiculous.
Chapter five sees the teens back home. They process recent events. They flirt. Readers finally get another dose of I/T content. But it isn’t nearly enough. Readers demand to know: Why are these biological siblings so hesitant to fuck in a stone silent cabin with their parents home? Why am I wasting everyone’s time trying to build up tension and stakes, when I could just be writing wall-to-wall I/T? Explain myself!
Is it a bad time to announce that both MCs are also now grounded, thwarting their plans of an all-day orgy with their new friends? It is? Shoot.
I’m still learning. But what I’m learning is hard to articulate. I know by now from a big picture perspective how to please the readers. I do! I know that each chapter should build on the last, escalate the sex a notch at a time, and deliver unerringly on the central premise. But my latest is a sincere effort to craft something like that, and still it’s only in hindsight that I can make sense of where I went wrong.
Did you ever put out a series that started off popular and then declined? If so, what was your interpretation of what happened?