The Hook....

My I

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Most will agree that the opening line, paragraph, first page are crucial to any good story or book. It's what immediately sets the tone and gets the reader's attention.

So what are some of your best opening lines or paragraphs?

Bolting across the expanse of the green plain, the albino struck the leader of the herd, scattering them across the field in every direction, caroming off the low walls and each other. With a soft thump a victim fell and all was still again.

From the edge of the field she relaxed, straightening to her full height and dropping the butt of her weapon next to her foot. She surveyed the results of the attack, taking mental notes of the positions of her prey and selecting her next victim.

From 'Corner Pocket' (unfinished)
 
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The sun dominated above. Even the shadows wilted under the oppression of the day star as it reached it's zenith over the fields surrounding Aedor. The cool breeze, coming down from the mountains to the north, brought small relief from the stifling heat. The worst of the long summer months were behind, but that was no balm for the adventurer. She grimaced, brushing sweat from her brow as she looked out upon the parched grasslands.

The road was empty for now, but that was how she liked it. Too many people had failed her over the years, leaving her jaded and trust in short supply. No, the Orc was a loner, through and through.

Maybe this road would be the one she'd been searching for. Maybe, at the end of this stretch of dirt where the grass refused to grow, at the end of another long, tiring walk, she would find the answers she sought. Maybe they were even the answers she needed.

Small for an Orc at a mere six foot five, she was nevertheless a vision of muscle and beauty. Her arms were as thick as braided dock rope. Her legs, even thicker, like rounded slabs. She had a hard look about her underneath her shaggy black hair. Scars adorned her toned body like badges of honor. She had the look of a woman who'd seen the very face of hell, only to claw her way back.

"Stop describing me."

"She said, to no one in particular."

"You're being very over-dramatic," Val said

"It breaks the fourth wall if you address me directly," the Narrator whined.

Terrible Company
 
Opening paragraph from "A Slut's Triangle" (part 20) - my most recent chapter

Soft, warm candlelight flickers from the inside of Brenda's bedroom, mimicking my beating heart. The aroma of French vanilla incense drifts through her half opened door and into the hallway, stimulating my senses even more. Hidden from their view in the hall, I stare through the half opened door in silence with lustful eyes, my heart pounding in my chest.
👠👠👠Kant🌹
The chapter is dedicated to "voyeurism" that will lead to a threesome between two women and a T-girl😎
 
Opening of "The Third Ring"

Forgive me, for I am but a simple teller of ancient tales. I’m old now and modern life passes me by. I study the old texts so that on long winter nights like this I might relate them to you. Hush now that I may speak.
 
Years ago now we had a author contest on opening hooks that was fun. Did a search and it looks like it's been purged.
 
The gentle clickity-clack of the steel wheels across the joints in the rails was almost hypnotic as I stared thoughtlessly out the window into the growing darkness, my coffee cooling. The distant wail of the horns warning traffic at the next crossing of the trains impending arrival almost masked her soft voice.

“May I join you?”

From 'Ghost of a Chance'. (unfinished)
 
My personal favourite opening in my own stories is this one, from "Running Riot":

The footage was grainy, a low-quality cell phone video shot on the sly. A young brown-skinned man climbing out of a Chevy sedan. His hands raised. Lacing fingers behind his head. Sirens flashing. A cop walking toward him from back and to the left, gun raised, yelling at him. The young man turning, fingers still laced, shouting the words "I'm trying to--"

A flash from the pistol's muzzle, a pop. Next thing you knew he was down. The video cut off abruptly. It was seventeen seconds long all told: more than enough to set a city on the boil.
 
I admittedly suck at hooks....just ask any woman I've ever tried to pick up.:rolleyes:

A lot of times I do something that many people tell me 'real writers' shouldn't do...I open with dialogue.

“Shit, bones, this gotta be the lowest thing we ever done.” Jamie grunted while working the crow bar under the slab atop the stone coffin.
 
My personal favourite opening in my own stories is this one, from "Running Riot":

... A flash from the pistol's muzzle, a pop. Next thing you knew he was down. The video cut off abruptly. It was seventeen seconds long all told: more than enough to set a city on the boil.

That's gorgeous. I'd have been tempted to put a sub-chapter break right there and move to a character introduction with no immediately obvious tie in.
 
That's gorgeous. I'd have been tempted to put a sub-chapter break right there and move to a character introduction with no immediately obvious tie in.

Thanks. Might have been the better play. I'm actually thinking about that b/c I'm considering a rewrite of that one.
 
Of my own, I like Angelwatch, because I decided to be playful and slightly surreal in writing it.

"Where am I?"

"In the Village."

The darkness lifted. I was in a room, a living room of sorts, with an odd architectural style. There was a woman sitting across from me, with reddish hair.

"What do you want?"

"I think at this point I'm supposed to say 'information', but I'm not going to."

"I don't understand."

"Sorry. Inside joke, of sorts. I don't want anything, except your well-being."

I felt extremely odd, as if I'd been drugged.

"I feel extremely odd."

"You've been drugged."

"Oh. Why am I... not frightened?"

"I'm not very scary, for one thing," said the red-head. "You came here of your own accord, for another. It will take some time to sort through your memories – you've had a very trying few hours."

"Um," I said. "Why am I naked?"

"You're a newborn. It's how we all start out."

The red-head's answers get increasingly... not quite right, but it all makes sense by the end.

In other people's fiction, I always liked the opening to MacLean's "Bear Island". Light humor, but it pulls you in hard and fast.
 
More an opening paragraph than an opening line.... I have to work on those memorable opening lines.....

"You know you’re a nerd when it’s late on Friday night and you’re sitting in the College Library studying up for an assignment that’s due at the end of the following week. You know your boyfriend’s a nerd when he’s just called to say he's studying at home and he'll see you tomorrow night for a study date. You know you shouldn't have smiled back when the hunky guy in the next cubicle smiles and tells you he wants to take you to a party where you can suck on his cock and you know, you really know, that he's not really joking. You know you've just made a huge mistake when you walk out of the library with him. I knew that. I did. But I wanted some excitement in my life and I did it anyhow."

Nope. Not good. I'd delete except then you'd wonder what I'd deleted. Oh well. Have to really work on my books. I can see that.
 
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There was a thread by Rumpledforeskin called "Happy Hookers" way back when that had some great opening lines in it.

It must be in the deepest cellar of Lit by now, I'm sorry to say.
 
The opening of FALSE WITNESS by Dorothy Uhnak:


SHE HAD BEEN LEFT for dead. Had Sanderalee Dawson been, in fact, dead, a great many lives and reputations and careers and ambitions and relationships would now be quite different. Including mine. Especially mine. When my phone rings in the middle of the night, I have a facility

Uhnak, Dorothy. False Witness: A Novel (Kindle Locations 46-48). Open Road Media Mystery & Thriller. Kindle Edition.

Uhnak was a cop detective. All her novels launch with human wreckage such as 1st responders encounter. The reader gets what the cop gets. A great big WTF
 
I have several of mine I like, but tonight I feel like sharing this one from "Tango with a Vampire".

"Good evening." The voice interrupted her daydreaming but that was fine with her. According to the clock ringed in neon over the bar, Halloween would be over in less than an hour. Midnight. The witching hour. The hour when things were not always as they appeared to be.

I may post a few more later.
 
From my latest story, published 8 days ago, Late Night on the Loveseat with Mom:

"The mid-summer heatwave enveloped the city for seven days straight. It drove everyone a little crazy. Evening brought some relief, but even as night fell the heat lingered, hours past sunset. With heat so constant and so intense, everything loosened up: clothes, morals, and passions that otherwise would have stayed buried deep."

It seems to have done the trick, because the story has done well.
 
A couple of mine:

I booked the snakes for St. Patrick's Day. I'd like to say it was because of my innate sense of the perverse. But truth be told, I didn't even notice the date until after I'd hung up the phone, written it in my diary, and started typing up the permission note.

It's funny, the things I've forgotten. I can't remember what Mel looked like. Not her eyes, her hair, her shape, not even the color of her skin. If I close my eyes I feel like I can visualize her perfectly, but when I try to write it down? Like grasping smoke.
 
GLYNNDAH knows what hooks are but the rest aren't close. Its like looking at TEX RATS old limp peepee and he thinks its a boner. Awful.
 
Here's another good hook.

When a fresh-faced guy in a Chevy offered him a lift, Parker told him to go to hell. The guy said, “Screw you, buddy,” yanked his Chevy back into the stream of traffic, and roared on down to the tollbooths. Parker spat in the right-hand lane, lit his last cigarette, and walked across the George Washington Bridge.

Stark, Richard. The Hunter: A Parker Novel (p. 3). University of Chicago Press. Kindle Edition.
 
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