bloodsimple
Experienced
- Joined
- Jul 26, 2004
- Posts
- 78
As we're all writers of various genres, I wondered who was each Lit author's favourite (commercial) writer (as opposed to their Lit favourite). Maybe we'll all discover some new books to delight in.
My fave would be James Ellroy (LA Confidential, The Cold Six Thousand, White Jazz, etc). because
1 He's never been sued. Work with me on this one, people. Ellroy frequently makes obscene and potentially damaging references to famous people (Sinatra, JF Kennedy, etc), but has never been sued by those individuals or their relatives/beneficiaries. This implies to be that Ellroy is right on the money (or close to it) and damned brave while he's at it.
2 Complexity. His books are involved and complex, both in terms of plot and syntax. Keeping track of the various characters references and interrelationships must demand an almost project management approach.
3 Style (1). Ellroy's style could best be described as permanent rage. It's energetic, brutal, almost flat-out anger from every sentence. To keep this up over a whole book, never mind a whole series of them, is incredible. To then reign it in to allow a tight, well-formed storyline is remarkable.
4 Style (2). Put simply, no-one writes remotely like Ellroy. Think how many thrillers there are out there, and how many are similar in some regard to something else. Nothing is like Ellroy, and that unique style in a crowded genre is amazing.
I would (literally) give my right arm to write this way, and that's probably the highest recommendation.
What's your choice?
My fave would be James Ellroy (LA Confidential, The Cold Six Thousand, White Jazz, etc). because
1 He's never been sued. Work with me on this one, people. Ellroy frequently makes obscene and potentially damaging references to famous people (Sinatra, JF Kennedy, etc), but has never been sued by those individuals or their relatives/beneficiaries. This implies to be that Ellroy is right on the money (or close to it) and damned brave while he's at it.
2 Complexity. His books are involved and complex, both in terms of plot and syntax. Keeping track of the various characters references and interrelationships must demand an almost project management approach.
3 Style (1). Ellroy's style could best be described as permanent rage. It's energetic, brutal, almost flat-out anger from every sentence. To keep this up over a whole book, never mind a whole series of them, is incredible. To then reign it in to allow a tight, well-formed storyline is remarkable.
4 Style (2). Put simply, no-one writes remotely like Ellroy. Think how many thrillers there are out there, and how many are similar in some regard to something else. Nothing is like Ellroy, and that unique style in a crowded genre is amazing.
I would (literally) give my right arm to write this way, and that's probably the highest recommendation.
What's your choice?