Workshop: Chicklet

KillerMuffin

Seraphically Disinclined
Joined
Jul 29, 2000
Posts
25,603
Chicklet brings us a work in progress! Keep in mind that this story isn't published and she's coming to you for your thoughts and ideas! And, as always, if you quote this post, please remove anything that you do not use to prevent the screen from being clogged with lots of unnecessary repetition. Also, if you quote, you quote me and not the author!


From the Author

Okay, questions, questions, questions...

I wrote this story as it came to me, bit by bit, so when I went to put it on paper it was even more fragmented than the piece you see right now. I've rearranged it some from its original rough draft form and I'd like opinions on whether it works that way or not: Is it too fragmented? Are the sections too short? Did you have a horrible time following the story? Why or why not?

The conversation sections, where the reader sees nothing but dialogue, are how I intend to keep them. No amount of nagging is going to get me to change it, no matter how much better an idea it would be for me to change it. I picture it like two people on a stage, on a dark set, and all the audience is allowed to sense is the voices out of the darkness. So, my questions about the dialogue are: Was the dialogue interesting enough? Did it make sense who was saying what? Could you follow it without having to count lines?

The ending of my story is definitely weak. I’ve run out of ideas on how to keep it powerful. I want it to be a good ending, but it definitely needs to end like it did…sad. Do you have any suggestions?

The title is always the hardest part for me. Sometimes people read my story and come up with a clever title, and I guess I’m hoping that happens again. Any suggestions on that?

Ice Queen (working title)

“If you were going to dump me-“

“I wouldn’t dump you.”

“Well, if you were going to dump me, for a guy, who would you choose?”

“That’s a baited question, isn’t it?”

“I’m just wondering.”

“I’m not straight, and I’m not going to dump you, so why does it matter?”

“Well…you’re always pretty friendly with Kevin. More so lately. Aren’t you?”

“Oh my god, Rae. Can you give it a rest?”

“Seriously, Kim. I need to know. Do you like Kevin?”

“Not like you mean.”

“But you like him.”

“I’m allowed to have friends.”

“Friends aren’t people that you go off and whisper with, and giggle around. You don’t flirt with friends.”

“I wasn’t flirting with him.”

“Right.”

“Sometimes, being friendly might look like flirting. But it wasn’t.”

“Right.”

“What’s your problem with Kevin?”

“You guys go off together, hang out, spend time alone all the time. It makes me, well, jealous. It hurts my feelings that you’d rather hang out with him than with me.”

“There’s no reason for you to be jealous. You’re my girlfriend.”

“There’s plenty of reason.”

“What’s that?”

“You’ve been with men.”

“So? Some people don’t start out knowing exactly what they want. I had to find out for myself.”

“You’ve never been with me.”

“Okay, I get it. You’ve made your point, okay?”

“How do you even know you’re gay if you’ve never been with a woman before?”

“Maybe I don’t. I’m allowed to be confused, aren’t I?”

* * *

Rae’s hands touched me in the middle of the night. I knew too well the soft skin, the insistent fingers that worked their way under the blankets and up my nightgown. Cold air swept into my bed and sent a chill down my spine.

“Go to bed, Rae,” I whispered, pulling away from her touch and tucking the blanket back under my chin.

She didn’t say anything, but I could hear her heavy breaths. Soon she turned away, and I heard her soft footsteps travel down the hall until she reached her own bedroom.

In the darkness I opened my eyes, the tears gathering like heavy puddles. I struggled to keep them back, but was either too tired to do it effectively or really wanted them to come. They flowed freely, and I tried to shift my mind to other things, to keep it blank. To concentrate on anything but the pain I knew I caused Rae each night, each rejection. Rejection. Not my word; hers.

Images danced behind my closed eyes. The park. My first look at the girl I would grow to love. My stomach tightened as I remembered the mystery surrounding her, the group of people she was with that I longed so badly to belong to. I fell asleep again, and twisted fitfully as dreams refused to come.

* * *

I met Rae in the summer during one of my few trips into the city. She sat with friends under the shade of a large tree, smiling, laughing, talking. I sat alone in the sun, my sketchbook in my lap, my eyes squinting even behind sunglasses due to the bright glare bouncing back from nearby pavement. With her short hair and punky look she caught my eye, and them I was drawing her slowly with my pencil, tracing the lines of her face in my lap. Carefully I drew her youth, captured her smile, shaded her eyes.

“Nice drawing,” a voice from above startled me.

“Thanks,” I muttered, pulling the book up close to my chest. It seemed childish but I wanted to keep the girl to myself, not to share her with anyone else, not even her picture. I hadn’t met her and yet I was as possessive as if she were already mine.

To my horror, the one that had complimented my work went right to the group in which my muse sat, and bent over to whisper something into her ear. Her eyes widened, and she looked at me. Before waiting for any accusations, I jumped up and left the park.

I tried not to think of what the girl must think of me. Pervert. Stalker. Sicko. Dyke. It wasn’t until months later that she and I would cross paths again.

* * *

“Do you love me, Kim?”

“What?”

“Do you love me?”

“I don’t know why you’d ask me something like that, Rae.”

“Maybe to find out if you love me.”

“You already know.”

“Maybe you need to tell me, anyways.”

“You can’t force me to say it out of the blue. I say it when I want to.”

“Fine.”

“You know I do, so why should I have to say it all the time?”

“Because I like to hear it.”

“Well, I’m sorry.”

“Why can’t you just say it to make me feel good?”

“Why can’t you just leave it alone?”

“Why can’t you admit that you don’t love me anymore?”

“I do love you.”

“You don’t do a very good job of it.”

“Well. What am I supposed to say to that?”

* * *

Jason came to bed later than usual the last night we were together. His breath was bitter with the scent of beer, his shirt scuffled, his hair messed. I was already in bed, sitting up, knees pressed protectively against my body, reading a book when he came home.

The door slammed loudly when he entered our apartment, the windows shaking with the force. He was never an angry drunk, but sometimes he forgot his own strength. “Kim,” he mumbled, coming into the bedroom.

I put the book aside and straightened out my legs, watching my boyfriend as he watched me.

“Hey baby. Don’t be mad.” His words were slurred, and he took the few steps towards me required to reach the bed. Smiling, he dropped himself down on top of the blankets, and I grunted with the weight forced on me. “My pretty lady Kim,” he said. His stale breath made me grimace. “I love you, baby.”

Busy hands were stroking my legs through the thick blanket. My body was pinned underneath his weight, and I struggled to free myself. Even with someone I trusted so much, the restriction scared me.

“Jason, get off me, okay?” I hated being weak. I hated being weaker than him.

“Sexy lady Kim.”

He moved quickly for someone under the influence, his lips bruising mine in a heavy kiss while his thick breath filled my mouth. He descended upon me like an animal in heat. His tongue penetrated my lips, pushing deep into my mouth; his strong hands grabbed my breasts roughly through the blankets. I twisted my head, trying to escape, trying to get away, struggling to release my mouth from his sour taste, but he was much too strong.

It was a useless struggle as Jason pulled the blankets aside and rolled on top of my body, pushing my nightgown up my legs and straddling me with his heavy weight. I cried out, shouting for him to stop, trying to convey that I was serious and that everything he was doing to me was wrong. My protests fell on deaf ears, and soon my throat was sore, my voice hoarse.

His thickly erect cock pushed through my painfully dry flesh. It felt as though he were ripping a hole right through me, breaking straight through my skin to get into my warm body. I stopped struggling as the burning pain spread through my body, my cries turned to mere whimpers as he pushed and shoved his way inside me. I don’t know if I blacked out, but I don’t remember what happened between the first real hard thrust and the last, when he came inside of me.

Is it rape, I wondered to myself afterwards, if the aggressor is someone you know and love? To him, it may have been like every other time we’d joined, but something had been much, much different. Can it be rape when he thinks he is making love to his girlfriend?

Jason fell asleep on top of me, his breath deep and heavy in my ear, his weight almost dead on top of me. I rolled him off gently, unwilling to hurt him. I went to the bathroom and turned on the shower, hoping the hot water would make some of the pain inside me go away. The water did nothing to cleanse me.

I slept on the couch that night, and I left the next morning. I couldn’t bear the thought of climbing back under those sheets, of sleeping peacefully next to the man who had hurt me so much. It almost made it worse to think that he didn’t even know why I was upset. After Jason there were no other men; no lovers, no boyfriends, no dates. Whenever I thought of the power a stronger being could have over me, I shuddered. Such strange, unfamiliar feelings of doubt inside me.

* * *

“You’re the prettiest girl I’ve ever seen.”

“You don’t mean that.”

“I do. That day in the park, when I drew you, I thought to myself ‘that girl is the prettiest girl to ever walk this earth.’”

“And at the bookstore?

“Same thoughts. You were like some sort of angel, descended from heaven to smile at me and only me.”

“Love at first sight, huh?”

“Well, lust anyway.”

“Not love? Not even a little bit of love?”

“Well, maybe love.”

“Maybe?”

“Well I didn’t know you, then.”

“Do you now?”

“Sometimes I think I do. But sometimes you surprise me, Rae, and I’m not sure again.”

“Well, Kim, surprises are the spice of life.”

“Maybe.”

“’Maybe’ again?”

“Well, a little predictability can be good, too.”

“That’s why I come home every night.”

* * *

Accepting Rae into my life was the hardest and the easiest thing I’d ever had to do. All I had to do was stay seated and listen to her, but forcing myself to remain with her instead of running away at first sight was very, very difficult.

I hadn’t forgotten the girl from the park. Sometimes strange waves of uncharacteristic sentimentality would flood me and I’d find myself flipping back through my sketchbook to the partially finished picture. The eyes disturbed me in a way I couldn’t describe.

The bookstore I frequented had a large supply of art books and a staff that wouldn’t bother me if all I wanted to do was sit and read, no matter how much time I spent there. I liked to sit for hours, lost in the shiny pictures of great paintings I might never see. My fingers lightly traced the words as I read a description of Andrea Montegna, a picture of one of his frescos on the opposite page.

“You like that?”

I looked up sharply, startled out of the world I had dreamed myself in to. It was her, the girl from my dreams. So much time had passed since I’d last seen her face, and yet I knew every line. Her short hair curled just at the level of her eyes, nearly blocking the dark orbs from my sight.

“Yeah,” my response was hardly audible, more of a croak than a word. The girl smiled, and to my horror and delight took the seat across from me.

“Me too.” She lifted the heavy book she was carrying so I could see the title, her cheeks flushing in quick embarrassment. Naked Truths: Women, Sexuality and Gender in Classical Art & Archaeology. “Go art.”

I smiled and looked down.

“You drew me, didn’t you?”

The color must have flooded my cheeks faster than anything ever had before. Embarrassment heated my blood, and mumbling something along the lines of an apology I jumped up from the table.

“No, please,” she cried out, “stay.” Her words were as effective as hands pulling me back down into the seat. “I’m Rae. What’s your name?”

* * *

I could hear her in the kitchen. Rae could be loud when she wanted to be. I rolled over and tried to block it out, pulling a pillow over my head. I hated facing her after what she called a ‘rejection.’

Rejection was the title she gave it, not me. I didn’t think there was anything wrong with saying ‘no;’ after all this was something very new to me.

A long series of crashes and swear words came from the kitchen. Staying in bed seemed better and better, but I knew that if I wanted to stay on Rae’s good side I’d need to pull myself up soon.

Rae made the decision for me, her footsteps loud in the hall. My door banged open.

“Good morning, sleepy-head.” Her petite body was wrapped in that sheer robe that made my heart flutter. She was naked underneath, her tanned skin showing through the fabric. I could see everything, her large nipples and soft breasts, the slight curve of her belly, the v of hair between her legs. “I made you pancakes.”

“I’m coming, give me a second.”

She glared at me, her eyes narrowing for just a moment before she seemed to relax again. Slowly, obviously trying to be seductive, she reached down and pulled the tie to her robe. The soft fabric fell away, exposing her bare flesh. The ploy was working; I could feel heat traveling through my body straight to the hot place between my legs. But as hot as she made me, the feeling was accompanied by the usual twisting of my stomach, something quite painful and scary. Anxiety flooded me, and as quickly as I’d been turned on, I was frightened away, and averted my eyes. It had been like this from the first night we’d spent together. Guilt seemed to be my constant state around her.

“I’ll be out of bed in a minute, okay?”

She turned and left, not saying anything.

* * *

We didn’t start dating, the relationship between Rae and I seemed to just happen. We went to movies, bookstores, concerts, lunches; neither of us was really taking the other out. We were just hanging out together, like friends would do. I was coming into the city almost every week, and soon I just couldn’t afford another trip.

“Stay with me,” Rae coaxed. “There’s no reason to pay such high hotel prices when you have me. I’ll even pay for half your gas, too…just come, alright?”

“I don’t know,” I said, fingers fiddling with other fingers in my lap. It made me uncomfortable to think I’d be at her mercy to come and go, unable to escape her if the urge overtook me. I didn’t like thinking I might be helpless around her…around anyone. But the thought of seeing her again made my heart flutter.

“My roommate moved out last week and I’m lonely Kim,” she whimpered. I could see the smile on her face even though miles separated us. “Look, no pressure. I have the extra room, I have an extra key. I’d love to have you over, it’d be ‘girls night’ okay?”

“Well,” I said, drawing it out, “We can’t have you lonely. I’ll come.”

Rae squealed happily into the phone, and a smile that threatened to break me in half spread across my face. I was happy to hear her happy, and that was all that mattered.

That Saturday was the best ‘girls night in’ I’d ever experienced. We popped popcorn, watched movies, and drank a whole bottle of wine. My head was spinning but I’d never felt so alive.

As the last movie ended, Rae scooted closer to me on the couch. Her bare knee touched my skin, and she put an arm loosely around my shoulders.

“I love having you here,” she said softly, looking into my eyes. I quickly averted my gaze, my stomach twisting into knots as she went on. “I’ve been trying to get you into my apartment for months now, you know that?”

I nodded, and looked back at her. Her eyelids were heavy, her lips parted slightly. I could see the tips of her pearly white teeth, the soft redness of her tongue.

“I’m lusting over you big time, Kim. You know that?” Her hand moved to my leg, the fingers lightly brushing against my skin, sending goose bumps up and down my body. I shivered, and she bent in closer. “Ever since that first time in the park, I’ve wanted you. Tell me you want me, too.”

I nodded again, and shut my eyes. She took the lead and lowered her face to mine, her sweet breath filling my nostrils as she pressed those soft lips against mine. I moaned into her mouth, opening my lips and letting her tongue penetrate me. She was so gentle. I’d never felt the touch of another woman, and it felt like heaven.

Rae’s hand stroked my leg more intently, moving up towards the hem of my nightshirt. Slowly she moved on top of me, her lips never leaving mine as her kiss became more intent. The arm around my shoulders slid down behind my neck, pressing my face into her kiss as she started to suck at me, dragging me out through my mouth into hers. I tasted her, tasted the sweet flavor of her body, the smoothness of her teeth, the gentle roughness of her tongue. She moaned into me and pushed her hips towards my body. Something inside me broke, then, and I felt hot tears begin to roll down my cheeks.

Busy hands found their way under my shirt and lightly stroked my breasts, my nipples coming to life at once and tensing into hard nubs. I whimpered, the tears coming heavier and faster, as Rae tickled my flesh. She opened her mouth wider and pushed deeply into my mouth, her moans filling me completely. A sob escaped my throat, hiccupping, and she pulled back with a start.

Closed eyes opened wide and she gasped at the sight of my tears, her hands yanking back from my body in an instant. One moment on my lap, the next she was standing in front of me, hands limply at her side, chest heaving as she stared at my tear-filled eyes, my red face, my open lips.

“Kim?” she whispered.

I couldn’t meet her eyes, my humiliating tears burning my cheeks like acid as they slipped down my face. I was ashamed to have such a reaction to her touch, the knots in my stomach twisting from good to bad. I felt sick.

“Are you okay?” she said, but her voice was shaky. “I’m sorry,” she said, and she walked away from me.

If I’d known her then like I know her now, I would have followed her as she walked away seeming so defeated. That’s what she wanted. She walked away in hopes that I would follow and beg forgiveness. But I didn’t know her then, I didn’t know how her thought process worked. I didn’t understand that she felt rejected. I thought she was rejecting me. Instead of going to her I went to the spare room and curled up on the bare bed and cried myself to sleep.

* * *

“Why don’t you want me?”

“I want you.”

“But you don’t want me.”

“I do. I just…I don’t know.”

“You want me, but you don’t.”

“Please, Rae, just give me time?”

“We’ve been living together for four months, been going out for six. You haven’t even kissed me in weeks.”

“Can’t you just give me time? Please? I’ve never had a relationship with a girl, I’ve never loved a girl…I don’t want to move too fast and spoil it.”

“Maybe something’s wrong.”

“With me?”

“No, Kim. Maybe there’s something wrong with us.”

* * *

The kitchen smelled good, but the sweet smell of pancakes made my stomach churn. Even good scents can be bad ones if you can see disaster coming. I sat down and Rae set a plate in front of me, taking the seat across the table.

“What do you think?” she asked. I hadn’t even taken my first bite.

“They look great,” I said, staring at the plate of food. I glanced up at Rae, her dark eyes wide with expectations. Whatever I said next would be the wrong thing, and I knew it.

“Well, eat up.”

I took a forkful of food and slowly fed it into my mouth, my eyes watching Rae as she watched me. I was wary of her in this mood. I’d experienced her bitterness before and it never left me feeling good. My heart pounded in anxious anticipation of an argument to come.

“About last night,” she started. My face heated up at the mere mention of the incident. “I’m sorry, you know? I just want to be close to you.”

I didn’t answer, only nodded, my eyes falling down to my plate. I choked down my mouthful, the food seeming dry in my tight throat.

“Sometimes I don’t understand my own actions, you know? I don’t know why I’m so stupid, why I seem to want to hurt myself. I hate being rejected and I keep setting myself up for it.”

“I don’t mean to reject you,” I whispered, my heart sinking with each word that left her lips. Sometimes she made me angry, talking like this, other times she made me sad.

“You mean to, but that’s not the point. The point is, Kim, that we’ve been living together for a long time, and you don’t want me to even talk to you.”

“That’s not true,” I said quietly. She went on as though she hadn’t heard my protest.

“Maybe it’s time we spent some time apart. Maybe I ought to move out, let you have the place to yourself.”

“I don’t want you to move out,” I said.

“Don’t bother. I’ll get my stuff and be out by this afternoon.”

“It’s your apartment.”

“I know, but I should still move out. After all, I’m the one causing the problems, right?”

I set my fork down, my eyes hot with tears that refused to be shed. “I don’t want to live without you,” I told her, looking at the table. “I want to live with you. I love you. I wouldn’t want to live without you.”

Rae was quiet and took a bite of her pancakes. I looked up into her face, into her stony eyes, her hard expression. She looked distant, but there was the undertone of being pleased with herself; a small curl of the lips, a twinkling of the eyes. She had reminded me of my place, all right. My helplessness without her. She loved being my one and only, the reason for my existence, and she liked me to remind her of how I felt about her daily.

“If you don’t want me to leave you ought to make me feel more welcome,” she said harshly.

“I know. I’m sorry. Sometimes, at night, I don’t know what I’m doing.”

“I mean in general,” she said coldly. “I feel like a stranger towards you. I’m supposed to be the woman you love. Do you love me?”

“Yes,” I whispered.

“Then show it, okay? Or else I’ll leave.”

“I will. I promise.”

“I’m going to hold you to that. Seriously this time, Kim. It’s about fucking time.”

* * *

“Let’s go to a movie.”

“I don’t feel like going to a movie today.”

“Why not?”

“I don’t know, Rae. I just feel like staying in.”

“You never want to go out and do things with me anymore.”

“I just don’t feel like it right now, okay?”

“You just don’t feel like doing anything with me.”

“Why don’t we do something here?”

“Like what, Kim? Suggest something.”

“I don’t know. We could play a game.”

“Okay, let’s play ‘why doesn’t Kim like living with Rae.”

“Oh come on.”

“No, seriously, why don’t you want to do anything with me?”

“I just don’t feel like it.”

“You never feel like it anymore.”

“I just haven’t been feeling good lately.”

“Neither have I, and I don’t see your life being ruined because of it.”

“Am I ruining your life?”

“Yes.”

“How?”

“You know how.”

* * *

Rae’s apartment smelled like cinnamon, the scent wafting through my nostrils and putting all of my senses at ease. But even that amount of comfort couldn’t compare to the thought of having someone near, the idea that if I needed someone, she was there. Rae was like a blanket that I could wrap around myself, tight, to keep the dangers of the rest of the world away.

My job had moved into the city, the whole office relocating for convenience. It became necessary for me to move, and Rae had instantly invited me to come live with her.

”I need some freedom,” I explained, rejecting her offer. “I love you, and I want to be with you. I’m afraid that if we move in together it’ll be too fast, too intense, and I don’t want to smother our relationship.”

“No pressure, Kim. Seriously. You’ll have your own room, you’ll pay your half of the bills, it’ll be just like any roommate situation.”

“Except you’ll be more than my roommate.” I frowned at her enthusiasm. She was so tempting, her elfin good looks and wide dark eyes. She made me want to agree with anything she said, just to see the excitement light her up.

“We can reserve that for later. I told you I’m okay with waiting.”

It seemed too perfect to be true, to have found a partner that respected my fears and anxieties. I’d had girlfriends before, and the same bad feelings about intimacy with them. Usually after a couple of attempts they left me standing alone, cold, unhappy. Rae had made moves on me twice, and nearly tempted me both times. But, inevitably, the sickness came, along with the fear, and I had to push her away. Although unhappy with my actions, she seemed understanding.

“If we have any problems I’m going to move out.”

“That’s fine. I’m willing to bet that we won’t have any problems.”

“Okay,” I said tentatively. “On a trial basis, understood that it’s just a trial, I would love to move in with you.”

We moved my stuff in the next weekend, and began our life together.

* * *

“What if one day I’m not here anymore?”

“What do you mean?”

“I mean, what if I left you?”

“Please don’t say that, Rae.”

“Well?”

“I would die.”

“You wouldn’t really die, though. What would you do?”

“I’d miss you so much.”

“So you don’t want me to leave?”

“No! I want to be with you forever!”

“I don’t know. Forever is a long time.”

“Well don’t talk like that, please? You scare me.”

“I don’t know. Sometimes I scare myself.”

“I love you, Rae.”

“Thank you.”

* * *

Rae’s temper always left me scared, exhausted, confused. She blew through a room like a tornado, screaming things that didn’t even make sense to me. Then she would collapse, a body full of tears and sobs, crying for me to bring meaning to her pain. I never knew what to do; she always caught me by surprise. Sitting next to her, I would draw her into my arms, cradling her like a baby.

“I love you,” I whispered into her ear. “I’ll never leave you.”

She didn’t need to answer at that point, just bury herself deeper in my shoulder. Her wet face soaked my shirt; I could feel her hot tears. Twisting thoughts in my mind, twisting feelings in my stomach. How could Rae be so unhappy? I tried so hard to keep her happy. Some days she seemed fine, and then others she would be in my lap again. The problems would arise when I needed to express my feelings, too.

I sat on the couch, head bent, hands in my lap. My whole being seemed miserable, and the worst part was that I couldn’t pinpoint why. There seemed to be this dark pit inside me that had swallowed all my good feelings, leaving only an empty shell, something to be despised. The door opened and Rae came in, bouncy and cheerful, one of her good moods for once.

“Hey babe,” she greeted, tossing her things on the floor next to the door and plopping down on the couch next to me.

Without looking up I scooted my way over to her, leaning into her small body, laying my head in her lap.

“You okay?” she asked, seeming concerned.

“No,” I replied, my voice barely a whisper. “I don’t know what’s wrong with me.”

“There’s nothing wrong with you.”

“I know, it’s just, I feel bad.” I closed my eyes and touched Rae’s leg gently with my hand. The contact felt good, like something solid to hang on to.

“Why?”

“I don’t know. Please, just hold me.” Squeezing my eyes shut I imagined Rae’s arms around me, imagined the comfort of her embrace. But instead she pushed me away.

“You can’t just feel bad. You have to have a reason. I don’t understand why I have to come home and put up with this crap after a bad day at work.”

I sat up and looked at her, her little eyebrows bent in a frown that engulfed her whole face.

“I’m sorry,” I said, feeling even worse. “I didn’t know you had a bad day. What happened?”

“Everything went wrong from the minute I stepped outside. I just feel like shit, you know?” Without warning tears sprang to the corners of her eyes and her bottom lip started to quiver. “Everyone at work hates me. My boss seems to have made it her goal to get me to quit. Sometimes I wish I could quit, but then how would I pay all our bills?”

“Hey, shh, it’s okay,” I pulled her in, and she rested her head on my shoulder, hot tears wetting the skin of my neck. She lay like a baby in my arms as I rocked her and cooed gently into her voice. Ironic, I thought to myself, that my unhappiness seemed so obsolete. Rae was what mattered, and a voice inside me said that it should make me feel important to be able to comfort the woman I loved. But another voice argued that all I needed was her touch, and she denied it to me. Then the first voice said that I’d been denying her my touch all along, and guilt flooded me as I pulled her smaller body closer to mine.

* * *

The apartment still smelled like cinnamon when Rae got home from work. I put the papers I’d been working on to the side, and got up to greet her with the open arms she loved to see. I held myself open to her, reached out for her, smiled for her, but she shrugged me away.

“Did you make anything for dinner?” she asked coldly, walking towards the kitchen. “I’m starving.”

“No,” I said, my arms dropping stupidly to my sides. “I didn’t think about it. But I will…”

“Don’t bother.”

I followed into the kitchen and leaned against the doorway, watching as Rae pulled a pot out of the cupboard and filled it with water.

“Pasta sound good to you?”

I nodded in response and she turned on the stove.

“Rae, I’m really sorry about this morning.”

“Already forgiven. Can you hand me the salt?” Her voice was flat, toneless, frightening.

“I’m sorry about last night, too.”

Rae walked over and grabbed the salt from my hand without making eye contact. I put my arms defenselessly at my side, stomach doing flip-flops from the treatment I was getting.

“Please don’t be mad at me,” I pleaded. “I’m really sorry.”

“You want to leave until I’m done with dinner?”

The backs of my eyes burned with tears that I refused to shed. I choked back unhappiness and stepped towards her, reaching out and putting my hands on her shoulders. Gently I rubbed her, pushing my fingers into the tense knots that always seemed to be there. “Please forgive me,” I whispered, bending down and kissing her neck. My lips moved up towards her ear and I gently took her lobe into my mouth, tonguing it softly.

Rae turned around and took me in her arms, pulling her ear away from my lips and finding them with her own. Her hot tongue probed into me, and I let her kiss me, feeling lost about what to do for her. She helped me, though, guiding my hands to her hips, and I gripped her flesh with my fingers. Moaning into my mouth, she stepped backwards, taking me with her into the living room.

Lips only breaking apart for moments, we sat on the couch, Rae pushing me into a sitting position and then crawling into my lap. She straddled me, her skirt moving up her legs as her hands pushed me back, her mouth taking control of mine. I whimpered softly as her insistent fingers moved up my shirt, pulling the fabric up over my breasts, revealing my flesh to the cool room. I felt my nipples tingle and tighten, and squirmed as she took them in her hands.

“Touch me,” she demanded, and closing my eyes, I did.

Moving up her smooth leg I tentatively felt her hot body, touching curiously at the crotch of her panties. It was as if heat radiated from that secret place, the place I had never touched before. Panic gripped my insides, twisting my stomach, nausea rising in my body as I moved a finger past the elastic and into her private flesh. The hot liquid of her arousal felt like acid on my fingers, burning me, and while Rae moaned, delighted, into my ear, I choked back another sob.

Something primitive inside me clicked on even as my mind drifted away. I stroked her hot flesh easily, my fingers sliding in her slick warmth to find the small nub of her clitoris. I rubbed it gently, experimentally, even as the bile rose in my throat. I felt sick, but the sounds coming from her throat said I was doing just right.

Fright. Panic. Claustrophobia set in. I couldn’t escape, there was no way to move, she was pinning me down just as Jason had pinned me down. Whimpering pitifully I pulled out of her, throwing my head to the side, eyes squeezed tightly shut.

Rae pressed on, one hand squeezing my breast, one hand moving down and unzipping my fly. I felt an overwhelming helplessness as her hand eased inside my panties, touched me the way I had touched her. Her finger seemed like an alien invader as it stroked my dry pussy and pushed through the tight walls into me. I cried out, then, and shook my head. She pushed in further and I bit my lip hard, forcing my mind to shut off.

I don’t know what happened then. Her hands took what they wanted from me, putting my hand back into her underwear, and my automatic stroking. I was floating above the scene, watching from behind a window as we stroked each other. I watched as she climaxed around my fingers, her body clenching around my hand as she exploded with pleasure. I was a freak for not feeling the same pleasure. Freak, I said to myself again.

She pulled out from between my legs and kissed me on the cheek, then with a satisfied sigh moved off of my body. She went into the bathroom while I remained on the couch, zipping my pants back up like a zombie and pulling my knees close to my body. Tears began to flow then, I couldn’t stop them. Confusion. Distress. Anger. Pain. Freak, I thought.

* * *

My new apartment smelled like cinnamon. I closed my eyes and breathed it in, relishing the spicy scent. An image of Rae formed in my mind and I shuddered, opening my eyes again and looking around the rooms. It seemed so empty, so alone. My body felt cold.

Like an automaton I opened the boxes and unpacked my belongings. Dead to emotion, dead to the world. Hatred for myself bubbled inside me. I’d ruined everything I’d ever loved. I deserved to be alone.

Memories flashed through my brain like photographs, like a slide show, like an old film. Rae, Jason, happy times, unhappy times. Memories seemed to be more perfect than realities. Leaving was always so hard, but I couldn’t force myself to stay. Escape always seemed to be the only option.

* * *

“You’re everything special to me.”

“You make me feel complete.”

“Every time I look at you, I feel like I’m home, like I’m where I belong, like I could never go anywhere else and be happy.”

“Every time I look at you, I think I’m so lucky to have you, I’m so lucky to have found you, I’m so lucky every minute we’re together.”

“When I’m with you I feel safe.”

“When I’m with you I feel happy.”

“When I’m with you I know I’m happy.”

“You’re so wonderful.”

“You make me feel so good.”

“Kiss me.”

“I love you.”

“I love you too.”

“Forever?”

“Of course. How could it not be forever?”
 
Hey Chicklet,

The story is intense. The disjointed way you have strung the segments together dosen't take anything from the story, if anything it really highlights the confusion in your main character. I didn't find the story difficult to follow in this format, I think it works well overall.

The only real problem I had with the fragmented style was on the sections that are purely dialogue. I know you wish to keep them as they are but I feel at least a clue of setting would help. I can not place this in time or space and it caused me to have to read back. It's very Quinton Tarrantinoesque, but in the medium of movies or even on stage the viewer has at least the setting to give visual clues. Even the dark stage with voices and no lighting that you envision, gives the theatre gower an idea of what you are trying to relate. As a reader I don't have any clue of your intent and it causes more confusion than it would onstage or screen. You don't have to be specific as to time or locale, but giving some clue to the surroundings that is independent of the dialogue would, in my opinion make it read better.

“Do you love me, Kim?” Rae asked as she sat on the sofa or looked out the window, or stared up at the sky. Any small indication of setting should suffice to make the passage less ethereal. I know you don't intend to change them, but they are the only sections that threw me as a reader, so I decided to mention it. I think by giving a tiny clue as to setting you can help your reader visualize it without having to know when it occured in relation to the story. I'll stop nagging now :)

The dialogue itself was fine. It reads well and with the exception of the ending I never lost who was saying what. It's really concise and the characters well developed enough that you don't need anything more to keep up with who is speaking. I never had to count lines or read back to know who said what.

I thought the ending was appropriate to the story. You have built fleeing from closeness and physical contact so strongly into Kim's pshyche that I don't think any other ending would work. Both characters have a lot of emotional instability and from square one the relationship seems preordained to fail.

For me, I think it would end more powerfully if you ended it with Kim back in the park, on another beautiful day, sketching another person from the crowd. Repeating the process of looking for someone when the reader knows that she can never be happy with anyone until she is happy with herself.

As usual I will leave technical problems to the experts. I saw one typo.

and them I was drawing her slowly with my pencil

and then

There are probably others, but it was well written and gripping enough that I got into the story and didn't notice any others.

-Colly
 
Colleen Thomas said:
I know you wish to keep them as they are but I feel at least a clue of setting would help. I can not place this in time or space and it caused me to have to read back.
---
As usual I will leave technical problems to the experts. I saw one typo.

and them I was drawing her slowly with my pencil

and then

Hey Colly,

Whether I'm going to change it or not, I appreciate your opinions. I really do like the way the dialogue works as it is, with no clues, I want it to be sort of a random break from the other sections...but that doesn't mean I'm not listening to all the people who would like to see a setting = )

As for the typo, thank you, it has been changed = )

Thanks for taking the time to read and respond.

Chicklet
 
WOW

Chicklet-

Okay, can I throw up now? Sheesh, girl, you drug me up and down and around with this one. Talk about intense!

My only quarrel is with the ending... I think you just need to tighten up the second and third from the end segments and ditch the last one.
***********************
a la:

She pulled out from between my legs and kissed me on the cheek, then with a satisfied sigh moved off of my body. She went into the bathroom while I remained on the couch, zipping my pants back up like a zombie and pulling my knees close to my body.
* * *

My new apartment smelled like cinnamon. An image of Rae formed in my mind and I shuddered, opening my eyes again and looking around the rooms.

************************

Also, I think that I would have her come to a freer ending. But, that is just me. The scene with finally giving in to Rae followed by her finding her own apartment made me think that perhaps the unwilling sex was a wake up call for her. Perhaps she leans down and strokes her adopted dog and says "Let's go for a walk in the park, Judson."

Very compelling writing, Chicklet!

:rose: b

ps.. and the dialogue was great.. no problems here
 
Re: WOW

bridgetkeeney said:
Also, I think that I would have her come to a freer ending. But, that is just me.

I guess I'm more of a sadist than I thought, because personally I want to make the ending more painful for Kim...I was hoping to make the scene with her and Rae seem more like the rape scene between her Jason. In my vision she leaves as distraught or more distraught than before, and basically without any hope of achieving happiness in the near future...

As for the last segment going bye-bye, I think you're right. Or maybe in another re-arrangement put it somewhere else if for some reason I grow too attached.

Here's your barf bag, be my guest.

-Chicklet
 
Let me splain...

Chicklet-

I hope I didn't offend you. I needed to throw up because you had my stomach knotted up with all the pain. I meant it as a compliment.

The mind games preceding the control and rape at the end were worse than the bf scene in the beginning. The parallels were very well drawn.

I think you can show her walled off by having her talking to a pet. Saying something along the lines of "you're all i need. you won't hurt me." She can be hopeless regarding relationships, but be pulling her life back together.

But, she is yours to torment.

:rose: b
 
Chicklet,

I'm impressed. As one of the folks who looked over the earlier version of this story you posted on the Story Feedback forum, I know how much work you've put in on this story.

Of course, I thought that early version was pretty good, but this one has cleared up the two quibbles I had at the time. IMHO, the characters are more fully developed and the transitions are smoother.

You've done did good, kid. Congratulations.

Rumple Foreskin
 
Re: Let me splain...

bridgetkeeney said:
I hope I didn't offend you.

Actually I took it to mean that my story was like a really intense roller coaster ride... = ) Not offended at all.

RF,

Thank you.

-Chicklet
 
alrighty...here are a few more of my comments...do with them what you like.

First off I like the dialogue as you have it...the pointed questions and terse replies create a really great space to let all the emotions build up in. IMHO there's plenty of description in Kim's personal experiences, and the lack of them in the dialogue segments adds to the tension and keeps the reader from avoiding the intricacy of the mind fuck by admiring how you've written the scenery.

In the first dialogue one thing did strike me as akward:

“If you were going to dump me-“

“I wouldn’t dump you.”

“Well, if you were going to dump me, for a guy, who would you choose?”

“That’s a baited question, isn’t it?”

“I’m just wondering.”

“I’m not straight, and I’m not going to dump you, so why does it matter?”

I know you're just trying to make things clear about the volley over Kim's sexuality and Rae's insistence in getting in her pants, but for some reason Kim stating the sentence "I'm not straight" as part of her reply at that point is a little disjointed. It seems a little too argumentative for Kim, she strikes me more as someone who is always trying to keep peace between them. It seems to me she would reply something more along the lines of

"I'm not interested in anyone else, especially not a guy, and I'm not going to dump you, so why does it matter?"

or i could just be being nit picky:)


Ok when they meet for the first time face to face in the libarary, when Rae asks Kim to "stay" I think it should be switched to "don't go" to show a bit of Rae's vulnerability and also contrast Kim's pleading for Rae not to go later on.

As far as the ending goes...I was confused about Kim's location at first...that it was a new apartment...I know you come right out and state it...but the transition still isn't clear.

To make the rape a little more brutal (ok that doesn't sound very good but you know what I mean) I would add a part where Rae notices Kim crying, as Rae forcibly pumps Kim's dry pussy she looks up and sees the distress and tears writ across Kim's face. They make eye contact for a moment and Rae looks down as if more intent on her work, grinding even more anxiously into Kim's unwilling hand. Kim turns away and you pull completely into her mind, even more intensely than you're already doing. Go full throttle and make sure the reader wants to barf, the tightness of her stomach the clamminess of her free hand which she robotically rubs over Rae's back, the tears and how and salty they are and how this makes it even harder for her to keep from vomitting out all the confustion and fear that are mixing about within her. The numbness in legs and how it creeps up her spine and closes around her throat, keeping her from speaking or even whimpering in pain. Something like that.

I would end perhaps with Kim's physically leaving. I think it would be very sad but at the same time cathartic for Kim to leave while Rae is there. To have to make that physical and emotional break, because I get the feeling she is always running away in secret. Whether from her boyfriend or her emotions or whatever. and because of all of this, she's just leaving in the middle of a huge emotional storm...Rae completely freaking out...but this time she doesn't give in, she just leaves...and you're left with a small sense of hope for Kim while at the same time you're totally hit with the sadness and fear and confusion they're both feeling.

then of course a sequel from our lovely chicklet
 
Thanks Indigo = )

I appreciate your comments. I really like your ideas about making the sexual encounter between the girls even more brutal. Way to think like a sadistic chicklet = )

-Chicklet
 
I don't want to confuse things but I have to disagree with Indigo on one point


To me the opening dialouge seemed entirely appropriate. It goes to the mood of the story frustration confusion ect


“If you were going to dump me-“

“I wouldn’t dump you.”

“Well, if you were going to dump me, for a guy, who would you choose?”

“That’s a baited question, isn’t it?”

“I’m just wondering.”

“I’m not straight, and I’m not going to dump you, so why does it matter?”



Also I like the answer

“I’m not straight, and I’m not going to dump you, so why does it matter?”

because it seems slightly out of character, which shows me that she's just as confused and frustrated with the situation as Rae. When people get frustrated,or mad or stressed they generally do break from their regular charcteristics. Later on in the story when you develop Kim's character more it becomes apparent that she is the peaceable one and makes the begining dialouge and her response seem even more signifigant.



Not a criticism just a question. In the scence with jason does Kim feel afraid of him when he first pins her as a portend to the upcoming events or does she not like being weaker even before the rape?


Okay moving right along in the First night between rae and Kim
Kim thought tell us she's never been with a woman

I nodded again, and shut my eyes. She took the lead and lowered her face to mine, her sweet breath filling my nostrils as she pressed those soft lips against mine. I moaned into her mouth, opening my lips and letting her tongue penetrate me. She was so gentle. I’d never felt the touch of another woman, and it felt like heaven.



Then later on when she flashes back to the experience of living with Rae her thoughts indicate that she has had other girlfriends.

It seemed too perfect to be true, to have found a partner that respected my fears and anxieties. I’d had girlfriends before, and the same bad feelings about intimacy with them. Usually after a couple of attempts they left me standing alone, cold, unhappy. Rae had made moves on me twice, and nearly tempted me both times. But, inevitably, the sickness came, along with the fear, and I had to push her away. Although unhappy with my actions, she seemed understanding.



Is this simply stating that she had other girlfriends before she was with Rae and after Jason but never been intimate with anyone since Jason raped her? It seems inconsistent.



In the scene the following scene when Kim needs Rae to comfort her is Rae
Feigning interest? Also why does she seem so happy if she had a shtty day. Was it all just a mind game?

“You okay?” she asked, seeming concerned.

“No,” I replied, my voice barely a whisper. “I don’t know what’s wrong with me.”

“There’s nothing wrong with you.”

“I know, it’s just, I feel bad.” I closed my eyes and touched Rae’s leg gently with my hand. The contact felt good, like something solid to hang on to.


I got a little confused at the end with mention of a new apartment then the dialouge after did she move and go back or what. Personaly I wouldn't add anything more to the sex scene with Rae because she doesn't seem like a sadist. A person who plays mind games yes a rapist or whatever no. Although it could be aurgued that since she doesn't know about the rape that it wouldn't be the least bit sadistic for her to be a rough lover but then we would have to take Kim's Terrified reation into account and things would get confusing. Would rae stop or not care?
 
destinie21 said:
I don't want to confuse things but I have to disagree with Indigo on one point:

To me the opening dialouge seemed entirely appropriate. It goes to the mood of the story frustration confusion ect

Hmm...you make a very good point too. Now I have to *think* about it. Sheesh = )

destinie21 said:
Not a criticism just a question. In the scence with jason does Kim feel afraid of him when he first pins her as a portend to the upcoming events or does she not like being weaker even before the rape?

I consider Kim to be the kind of person that panics if cornered, that doesn't want to be as helpless as she knows she is. She's afraid, and the thing she's most afraid of is what he does: forces himself on her.

destinie21 said:
Is this simply stating that she had other girlfriends before she was with Rae and after Jason but never been intimate with anyone since Jason raped her? It seems inconsistent.

At first I thought I'd have her have been with others, then I decided in the second draft Rae would need to be her first. Thanks for pointing this out, since I thought I had taken out the references to other girls.



destinie21 said:
In the scene the following scene when Kim needs Rae to comfort her is Rae
Feigning interest? Also why does she seem so happy if she had a shtty day. Was it all just a mind game?

It's head games, or such...Rae can't stand for Kim's attention to be anywhere but on Rae. Get it? She's totally self-centered and needs Kim's pity and love constantly.

Thank you for your opinions and I'll try to work more into the story so that these questions you've answered won't need to be asked. = )

Chicklet
 
This is a superb story Chicklet. I apologise for the fact that I seem unable to deconstruct it, but I couldn't find any major errors and the story kept dragging me back in. As people have mentioned the jumpy plot skitting all over the place was a bit confusing, but I think I kpet up with which bit went where. A bit of a depressing ending though.

The Earl
 
Jumpy Plots

Thanks for your comments, Earl.

As fr the Jumpy-Plot, I've been thinking about it, and although my writing history at Literotica doesn't show many examples, it seems that whenever I write a peice that is more emotions than story I always end up with a Jumpy Plot. Maybe I'll copy a story I wrote in middle school to Lit one day to share with my friends.

While the disconnected sections may be harder for people to understand, I think I like them because sometimes when a person is messed up mentally things don't work linearly for them. Kim's *not* in her right mind, neither is Rae. So I think having their story told in such jarring sections is good for them.

-Chicklet
 
First of all, it's a great story.

I wouldn't change any of the jumpiness of it. I think it works well for the emotional turmoil of both characters.

The second rape sequence seems to be a shadow of the first. In every way, the pain and suffering is less. This might OK. Having been through it once, Kim may be better able to deal with the trauma.

Her prior experience would give her a small amount of security in that she knows what to expect, whereas the first time she didn't know what it felt like nor how bad it would be. At least the second time, she knows that she can survive.

Part of this is shown in the fact that she is "out of body" rather than blacked out. She is able to dissassociate and endure rather than having to completely repress.

So, here's the point: If you want the second rape to have the feeling of "OK, I've been here before, I hate it, I'm betrayed again but I can go to a safe place and get past it," then leave it exactly as it is.

However, if you want it to be as brutal and as terrifying as the first, you need to add another dimension. Perhaps, as a woman, Rae knows how to hurt her in ways that Jason didn't. Perhaps she does so deliberately for revenge...

Rae isn't drunk. She has more command of her emotional state than Jason did. She might be able to "get to" Kim by touching her in some way that forces her to actually feel what is happening, instead of floating away and watching the action from outside her body.

If you want to make it terrifying, keep Kim inside her body and have her body betray her. Make her feel it.

Personally, I think the "shadow of a previous experience" effect is fine the way it is but I have the impression that you want it to be more brutal.

A mechanical point: How about putting all of Rae's dialog in italics? That would make it easier to read without having to add even one word of text.

On a darkened stage, we would be able to hear two distinct voices. Putting Rae's voice in italics would emulate that.

Finally, it's still a great story.
 
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Goddamn, Chicklet, you always write well, but I think you've outdone yourself this time.

The dialogue interspersed with the other sequences is masterful - I love flashback sequences, especially if they're *so* numerous that they're obviously part of the 'story' rather than just 'background information'.. Especially when the flashbacks 'catch up', chronologically with the rest of the story at the end.. And here - You can't really tell what's current and what's flashback. It works really, really, really well.

A story is, after all, more than just a plot.

Don't change the dialogue, and don't change the section lengths. They work just fine - I had absolutely no problems figuring out who was saying what, and flipping back and forth between dialogue and flashback.

Okay, good stuff out of the way ... Onto the ending *grins*..

The ending of my story is definitely weak. I’ve run out of ideas on how to keep it powerful. I want it to be a good ending, but it definitely needs to end like it did…sad. Do you have any suggestions?

I wouldn't say it was weak, but I do know what you mean. It does seem to trail off into a pastel-shaded watercolor sadness, rather than the emotional sledgehammer sadness the intensity of the story seems to be leading up to.

Suggestions? Har, I'm not sure... My thoughts may get a little random here, so bear with me..

She leaves Rae, yes? After the second rape, Kim leaves Rae, but is forever scarred by her experiences with Rae and Jason..

Ending with the dialogue is great, because it's been such a strong component throughout the entire story..

However - To use your play/movie analogy, what I picture is the last set of dialogue is actually Kim speaking to herself .. Or at least, the voices in Kim's mind, rather than a 'real' conversation.. That's got a LOT of emotional impact and definitely has an effect, BUT it's a whole bucketful tougher to do with the written word, where you don't have individual voices to play with and distinguish between

So, without actually having a non-cheesy method of differentiating between the two voices, how about tipping the entire idea on its head...

End the story with dialogue from the THREE characters, Rae, Kim and Jason. Pick easily recognizable lines and string them together in a way that makes sense, conversationally, but not chronologically. Sort of like a reverse movie trailer, if that makes sense..

Err, off the top of my head, something like:

--
"Do you love me?"

"Sexy lady Kim"

"Why don't you want me?

"I just don't feel like it"

"Sexy lady Kim"

"You're the prettiest girl I've seen"

“You’ve never been with me.”

"Am I ruining your life?"

"Yes"

"Sexy lady Kim"
--

Just trying to put myself into Kim's position here, what words would SHE remember, what words would echo around her head long after their speakers had gone. What kind of bizarre 3-way conversation would she construct in her head, blaming herself (incorrectly) for all the shit that happened in the story..

I may be way off-base, in which case... totally disregard everything that I've said, hehe ... I just thought maybe a reconstruction (in a kinda fucked up schitzophrenic way) of all the conversations that she's had during the story would make for a good ending, and throwing Jasons "Sexy lady Kim" in there as a repetitive note serves two purposes - one, as a writer's device, it highlites to the reader that there's more going on in this last dialogue snippet, because with luck they'll remember it from the first rape scene because it's not just Kim and Rae talking anymore, and two, as a plot-device, it's something that really would be going round and round in her head, since he said it as he was raping her.

Phew. That was a long paragraph. Sorry.

Just a bunch of rambling thoughts anyway.. Hope some of them helped you.

*smiles*
 
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Hi Chicklet. Not sure whether this story is up or not yet but seeing as there are no other workshop stories to go at, I thought I'd throw my two pennies worth at you...

Overall, it was a very competent story and really well written. e.g "Her words were as effective as hands pulling me back down into the seat." Excellent, liked that.

I managed to follow the jumpy/fragmented story easily at first but it did get tougher to work out whether we were present or past towards the end. Also, the ending dialouge was a little confusing in that all the way through it had been the present when at the end I presume it must have been the past. It kind of works but I did have to go back and read the last two paragraphs a couple of times to figure it out. Tough one.

Some minor points:

To my horror, the one that had complimented my work went right to the group in which my muse sat, and bent over to whisper something into her ear.

This didn't make good reading - seemed over descriptive and didn't flow. I think something like "To my horror, he/she went over to the group in which my muse sat and bent over to whisper something in her ear." would be better.



“Me too.” She lifted the heavy book she was carrying so I could see the title, her cheeks flushing in quick embarrassment. Naked Truths: Women, Sexuality and Gender in Classical Art & Archaeology. “Go art.”

Go art? Just seems like a strange thing to say. Maybe that's 'cos I'm English but hey, it struck me as odd so I thought I'd mention it!

Have to agree with Destine about the shitty day too. If she'd had such a bad day (surely no one could make that lot up on the spot to get sypmathy!) why so happy when coming home?

There was one bit (that I can't find now) that said something like "we've been together 4 months and going out 6." I sat there for a minute or two trying to work out the difference. The clue is later in the story but you could clear it up by saying 'living together' for 4 months so that the together and going out no longer sound like the same thing.

Anyway, well done. Did you come up with an alternative title yet? Maybe you did and it's posted. Only one I could think of (I keep thinking this is terrible and then not so bad so I'm just going to put it anyway!) was "Rae of light." Sorry!

Amsterdam
 
My story is not posted yet. I still have changes I´d like to make that I haven´t gotten to yet.

Am, your suggestions are great. Let me just explain my `go art´ because it´s something I really like. It´s like saying `yeah art´´go team´´go art´see? I was iffy about it, since it´s not really common slang, but it *does* get said every once in a while in my age group and my friend Susan happens to really like that line.

Thanks again, and I´m still looking for titles.

Chicklet

edited to add:

About Rae coming in in a good mood and shifting to get attention...that´s the way I wrote her. she *is* selfish enough to change her mood to suit her.

like me that way :rolleyes:

Chicklet
 
Thanks again, and I´m still looking for titles.

No problem - I'm guessing that Rae of light didn't cut the mustard then! :(

Good luck in your title search :)
 
Update:

I'm finished. Thank you everyone for your suggestions, editing, support, and help = ) I appreciate it.

Chicklet
 
Hey Chicklet,

How does Fractured, sound for a title. It seems the best way to describe the characters (fractured psyche) and the style. Just a thought.

-Colly
 
I seem to be a little late on this, but seeing as yours is one of the latest to be put up for feedback, I did read it and come up with a couple of things. Most of it is from a grammatical standpoint. It may be things you have already changed or things you think are fine the way they are.

The story is a good one, though the jumps between the dialogue and the other parts of the story can get confusing. I think, though, considering the tone of the story, the set up is the way it should be.

Here's the few thoughts I had, take them or leave them as you see fit.

"Sometimes strange waves of uncharacteristic sentimentality would flood me and I’d find myself flipping back through my sketchbook to the partially finished picture."

Strange waves paired with uncharacterisitic sentimentality here kind of interrupts the flow of the story. It's awkward. I think just using one of them gets across what you are trying to say. *Strange waves* lets you know this is something the character does not normally experience. You don't really need uncharacteristically, or vice versa.
_________________________________________________________________________________________________
“Me too.” She lifted the heavy book she was carrying so I could see the title, her cheeks flushing in quick embarrassment. Naked Truths: Women, Sexuality and Gender in Classical Art & Archaeology. (“Go art.”)

The part in parenthesis is a little confusing. Is this your character thinking to herself? It needs to be separated from the above sentence and framed so we know it's something in the characters thoughts and not said aloud. Plus, you have it in the same paragraph as the spoken word from the second character. A different character's thoughts or spoken words should be in a new paragraph.
____________________________________________________________________________________________
"Anxiety flooded me, and as quickly as I’d been turned on, I was frightened away, and averted my eyes."

The sentence would flow a little better if it was broken into two. "Anxiety flooded me. As quickly as I'd been turned on, I was frightened away and averted my eyes."
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"Her wet face soaked my shirt; I could feel her hot tears."

Both parts of this sentence tell the same thing. "Her face against me, I could feel the hot tears as they soaked through my shirt." That might be a better way to word it. It still gets across what you are trying to day without it being repetitive.
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Colleen Thomas said:
Hey Chicklet,

How does Fractured, sound for a title. It seems the best way to describe the characters (fractured psyche) and the style. Just a thought.

-Colly

Colly, I think I love you.
 
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