MattblackUK
Experienced and old
- Joined
- Jun 7, 2012
- Posts
- 80
http://www.literotica.com/s/out-of-the-mouths-of-drunks is an example of this.
My original idea would be for a heartfelt reconciliation with several twists on the way.
But somehow I could not hear the voice of the character Steve. The idea came into my head that Steve had died.
But how could I write the death of Steve, when I had not warned the reader that he was even ill?
Then I thought: "Hang on!" I read back and found this line: "She kissed his forehead and squeezed his hand. She was worried. He felt cold and clammy. Like he was ill, or something."
So, yes, I'd placed a clue there. He had been ill. And fatally, too.
Has this ever happened to you? A story suddenly and completely changing?
My original idea would be for a heartfelt reconciliation with several twists on the way.
But somehow I could not hear the voice of the character Steve. The idea came into my head that Steve had died.
But how could I write the death of Steve, when I had not warned the reader that he was even ill?
Then I thought: "Hang on!" I read back and found this line: "She kissed his forehead and squeezed his hand. She was worried. He felt cold and clammy. Like he was ill, or something."
So, yes, I'd placed a clue there. He had been ill. And fatally, too.
Has this ever happened to you? A story suddenly and completely changing?