... not specially the characters nor even the action (by which I mean the actual description of intercourse). I'm well aware that this thought conflicts with the vast majority of what's served up as "erotic" in the Lit. archive, but for me a cleverly constructed, titillating situation or set of circumstances is worth its weight in gold, particularly if it has a bit of that much sought-after quality: originality. Am I the only one here who spends many a frustrating moment trying to work something of that into a story?
Often, it seems to me, if you can succeed on that front, the depiction of sex itself can become almost secondary.
Often, it seems to me, if you can succeed on that front, the depiction of sex itself can become almost secondary.