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elfin_odalisque said:I've read your stuff, you are really on the same side.
Everyone sees through her, but we do like to humour her. It keeps her nice and crabby and she's funny when she's crabby.
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elfin_odalisque said:I've read your stuff, you are really on the same side.
English Lady said:herecomestherain -yeah I know what you meanI had one guy chase me down the street once to tell me my lace was undone..he didn't want me to trip over. How sweet is that?
herecomestherain said:That is very sweet El.
Don't get me started on songs -- there are many I can't hear without crying, both the Cyndi Lauper ones mentioned do it to me. There's a Peter Allen song called Tenterfield Saddler that does it everytime.
dr_mabeuse said:Well, I don't want to be cold-hearted, but a lot of these posts involve children, which, let's face it, is pretty easy to do. I mean, kids are hard-wired to our hearts, and it's hard to think of a parent who won't start blubbering at any number of things their offspring has done.
I remember some terribly sophisticated and intellectual woman writer who always decried sentimentality and kitcsh in her writing. Then she had a daughter late in life and shocked everyone by turning into a real maudlin tear-factory once her daughter was born. Anyhow, she said that having kids was like having an operation where they remove your heart and sew it back on the outside of your chest. You suddenly feel everything.
So I'm more interested in the non-children related stuff that gets to us.
It's funny, but aside from a few songs, most of the music that gets to me seems to be Bach, which seems like it should be very unsentmental and unemotional music. Of course it's not, but the way the emotion is constrained by the form of the music really gets to me. It's like the feelings are too intense to be expressed directly, so they have to be filtered through this strict musical formaliam. The tension between the emotion and the control is what does it.
"Partita for Unaccompanied Violin in E" is a real weeper for me, the violin struggling so manfully against the silence. And there was another Bach piece used in the movie "Master and Commander" that I think was originally for fiddle but transcribed for cello and played by Yoyo Ma. It was played when they landed on the Galapagos Islands. It too was very mathematical and formal, but so much emotion in there! It's like crying at the beauty of a mathematical equation.
--Zoot