The idea of the Internet as a state, and thus requiring state control, can be read in three ways. Firstly, there are the powers-that-be, in this case the various chat site hosts and moderators, who are in turn governed by national and international legal requirements. Therefore, we may initially think of Literotica as a semiautonomous state (domain) where those who enter have in effect moved from one state to another, but discover that many of the same rules still apply, in principle. This movement is more than a metaphor for travel. The Literotica user has instantaneously 'travelled without moving', and in this second state (a 'state of mind', 'of consciousness') confronts the possibility for altered states of existence. All three 'states' - the law of the 'land', the 'land' itself (or the journey through this 'land'), and any individual (or group of individuals) - are constantly impacting upon the construction of (cyber) identities, but:
In the case of Literotica, the same reasoning can be used, but only to a point. The very nature of Internet technologies means that, perhaps more than ever, identities are 'matters of social dispute', with the added twist that the 'society' where disputation takes place (on-line) could be thought of as being an entirely different paradigm compared to that used in the preceding quote. I see no value in collapsing arguments into the dilemmas described therein. Given this, if Literotica is to be viewed as offering an 'alternative', as utopian in some way, we are presented with a curious (and thus paradoxical) dialectic; identities (in cyberspace) are not only 'matters of social dispute', they become / are also 'things'. Of course, this claim regarding so-called 'postmodern identity' is not restricted to the Internet, but Literotica does offer opportunities for the postmodern subject to effect a (personal) paradigm shift:
This highlights both the utopian and dystopian elements of the Internet, yet while at Literotica one can indulge in 'universal harmony' safe in the knowledge that the destruction of the Tower of Babel was the very moment (/metaphor) when we did not all speak with one voice / language. The new technologies can be seen to provide access to the ruins of the Tower where, while inside / on-line, one immediately becomes 'hidden from view', and logging on can become a virtual 'coming out', not (necessarily) in the sense of sexuality, but more in a way which formulates entirely new ideas about how we define sexual pleasure in the first place. Access to erotic poems, for example, opens up a psycho-sexual experience, gives a (new?) pleasure which can be lacking in RL. An obvious example here would be the act of 'cybering' in the Chat Room:
Is Literotica Utopian? A suburb of a greater electronic Utopia perhaps? Please check your 'thought-policed' thoughts at the door and come in. Discussion is welcome.
The constructed character of identities is not asserted here as opposed to something presumably more 'real'. From my point of view, the proposed dilemmas 'real vs. imagined', 'authentic vs. false', or 'genuine vs. spurious' are simply not pertinent. Asserting that identities are socially constructed does not imply that they are false or arbitrary, but that identities are not things, but matters of social dispute. -- Daniel Mato, "On the Making of Transnational Identities in the Age of Globalization: the US Latina/o - 'Latin' American case," Cultural Studies 12:4 (October 1998) 604.
In the case of Literotica, the same reasoning can be used, but only to a point. The very nature of Internet technologies means that, perhaps more than ever, identities are 'matters of social dispute', with the added twist that the 'society' where disputation takes place (on-line) could be thought of as being an entirely different paradigm compared to that used in the preceding quote. I see no value in collapsing arguments into the dilemmas described therein. Given this, if Literotica is to be viewed as offering an 'alternative', as utopian in some way, we are presented with a curious (and thus paradoxical) dialectic; identities (in cyberspace) are not only 'matters of social dispute', they become / are also 'things'. Of course, this claim regarding so-called 'postmodern identity' is not restricted to the Internet, but Literotica does offer opportunities for the postmodern subject to effect a (personal) paradigm shift:
Diversity is the key to both time and space ... As always, there is a utopian idea that the wiring of the world will allow the global connection to provide the ability for all persons to exchange mimetic information and thus reach a level of sharing in some form of universal harmony of learning. Yet the wisdom of the age tells us that we can never close Pandora's box nor can we undo what has been wrought in attempting to construct the Tower of Babel. -- Tom P. Abeles, "The Academy in a Wired World," Futures 30:7 (1998) 611.
This highlights both the utopian and dystopian elements of the Internet, yet while at Literotica one can indulge in 'universal harmony' safe in the knowledge that the destruction of the Tower of Babel was the very moment (/metaphor) when we did not all speak with one voice / language. The new technologies can be seen to provide access to the ruins of the Tower where, while inside / on-line, one immediately becomes 'hidden from view', and logging on can become a virtual 'coming out', not (necessarily) in the sense of sexuality, but more in a way which formulates entirely new ideas about how we define sexual pleasure in the first place. Access to erotic poems, for example, opens up a psycho-sexual experience, gives a (new?) pleasure which can be lacking in RL. An obvious example here would be the act of 'cybering' in the Chat Room:
He was two men: the one inside fusing with her in total cellular communion [on-line], and the shell who sat casually on a stool at the bar [computer], elbows on either side of his drink [keyboard], fingers toying with a swizzle stick [mouse]. Smiling benignly into [cyber]space. Calm in the cool dimness. ... They were mating, and no one knew. [my insertions] -- John Shirley and William Gibson, "The Belonging Kind," Burning Chrome, William Gibson (London: Voyager, 1995) 74-5.
Is Literotica Utopian? A suburb of a greater electronic Utopia perhaps? Please check your 'thought-policed' thoughts at the door and come in. Discussion is welcome.
