FortySixtyFour
Experienced
- Joined
- Oct 25, 2015
- Posts
- 54
I want to do two different things with my story that come close enough to Literotica TOS violations that my mind keeps going, "Hey, that's dumb, don't try to do that," but then at the same time, "Hey, maybe I could just..."
The characters are of-age in the story now, I want to go through a sequence of flashbacks to show who they used to be/what made them what they are.
I have a girl who's been the protagonist's best friend all throughout high school, who's developed a semi-secret crush on him. I want to go back through flashbacks to the first day they met, which would've been freshman year of high school, and continue on through 'till their senior year where she tries to kiss him. I want to show how she first became interested with him, and how she started to develop feelings for him. Sorta show how they've grown and changed in those years to become who they are in the current story.
As if that wasn't enough, I then also through these flashbacks want to hint at (but not show) how the protagonist was abused by his parents to explain how he became somewhat of a doormat for his overbearing girlfriend later on in his life/in general had problems forming trust and developing intimacy in relationship. The unrequited-crush girl would develop some of her feelings for the protagonist when she found out and tried to help him with these issues.
I know that I can write all of that out in a non-sexual manner, and I know that I can make it interesting. But does that matter? Is it too close or right on top of a line that just shouldn't be crossed? I mean, I recognize and appreciate that the line is there for a good reason, and even my own first knee-jerk reaction in giving myself advice for this is to write it out if I have to, but not submit it/include it in the chapters posted online.
One of my snippets:
I'm hoping you guys have run into this problem already and found a better solution for this kind of situation, or at the least you can tell me it's just a no-go no matter what so that I can stop trying to make excuses for myself.
The characters are of-age in the story now, I want to go through a sequence of flashbacks to show who they used to be/what made them what they are.
I have a girl who's been the protagonist's best friend all throughout high school, who's developed a semi-secret crush on him. I want to go back through flashbacks to the first day they met, which would've been freshman year of high school, and continue on through 'till their senior year where she tries to kiss him. I want to show how she first became interested with him, and how she started to develop feelings for him. Sorta show how they've grown and changed in those years to become who they are in the current story.
As if that wasn't enough, I then also through these flashbacks want to hint at (but not show) how the protagonist was abused by his parents to explain how he became somewhat of a doormat for his overbearing girlfriend later on in his life/in general had problems forming trust and developing intimacy in relationship. The unrequited-crush girl would develop some of her feelings for the protagonist when she found out and tried to help him with these issues.
I know that I can write all of that out in a non-sexual manner, and I know that I can make it interesting. But does that matter? Is it too close or right on top of a line that just shouldn't be crossed? I mean, I recognize and appreciate that the line is there for a good reason, and even my own first knee-jerk reaction in giving myself advice for this is to write it out if I have to, but not submit it/include it in the chapters posted online.
One of my snippets:
Should I risk toe-ing the line here? I'm half-sure that even written out in a non-sexual way, and even if I only hint/imply abuse without showing it, I'll still get the chapter taken down or reported regardless. I just keep wanting to write it out so that readers can understand who they are and why it becomes significant years later (when they're of legal age, in their early twenties) that characters come together.“What, ‘fraid your dad’ll beat the shit out of you if he finds out?” Emily wise-cracked, a split second before realizing she might’ve said something she shouldn’t have. She’d danced around the subject all year, and whenever the topics of his parents, his home-life, or his childhood came out, it always felt like he was shutting her out, like her friend had become a wall.
“I’m fine,” he said casually, adjusting the straps of his backpack.
Uh… she shot him a glance and held it for a moment. The hell kind of response is that?
“I was joking, you know?” She teased, facing forward again.
“Yep,” he acknowledged.
“It’s not actually funny, though,” she said, getting annoyed. “Does your dad ever really… you know, hit you?”
“It’s...” he began, before shaking his head evasively. “Ah, you wouldn’t understand.”
“What the fuck, dude?” Emily said, surprised at how quickly her temper was rising up. “The fuck’s there to understand? Does he hit you or not? Yes, or no.” When he didn’t answer her after a few long moments she stopped, planting her feet firmly on the sidewalk, and glared at him.
“C’mon, Emily,” Brian said in exasperation. “Let’s go.”
“Answer me,” she insisted, her eyes radiating seriousness.
“Talking about it won’t change anything,” he said, getting annoyed himself. “Can we just go? Walking with you always makes me late.”
“Well, sorry for not having your long legs, Mister Salty McStilt-Strider. So, he hits you,” Emily decided. “That’s child abuse. We can call the cops.”
“I didn’t say he hits me.”
“Does he?”
“Just… back off, alright?” He grumbled, turning and walking on without her.
“Why don’t you make me back off, huh, punk?” She called, chasing after him. “Whose side are you on, anyways?”
“There aren’t any sides here.”
“Yeah? Good. I’m coming over this weekend.”
“And what’s that supposed to accomplish?” Brian griped, shaking his head. “What, if my dad doesn’t throw a punch at me while you’re there, he’s in the clear? Just let it go. None of it matters once I turn eighteen anyways. It’s pointless.”
“I just… fuck, I don’t know, man. Just help me understand, alright? Tell me that you’re okay, and I’ll drop it. I don’t really want to go over there anyways, it sounds boring.”
“I’m fine, Emily.”
She searched his features carefully and then began to scowl. Fuck. You think I can’t tell when you’re lying? Fuck. What the fuck.
“...I’m coming over this weekend,” she insisted.
I'm hoping you guys have run into this problem already and found a better solution for this kind of situation, or at the least you can tell me it's just a no-go no matter what so that I can stop trying to make excuses for myself.