The top floor of Moresby Innovations is nothing like the rest, which is such typical office space that the floor plan is identical from ground to penultimate. The top floor belongs to Farridan Calder, and like everything else the man involves himself in, is so off-kilter as to be unrecognizable.
The elevator doors open onto dark-tinted glass, sliced diagonally across the level; visitors can stare down into the city below, the glass translucent under their feet, and follow the walkway around and up a half-spiral into Farridan's domain proper. A set of visors await visitors, and then the floor opens up onto the Green Room, where the man accomplishes most of his work. The walls and floors are all featureless and bland to the human eye, with an omnipresent faint electric hum, but through the visors in Augmented Reality, Farridan's latest flagship work, the room comes alive with holographic presentations. Files and folders hover just out of reach in collating star systems, open pages hover in the distance at eye-watering sizes, a panorama of a white cliff with waves crashing against it hangs far underneath, a huge change from the smoky, smoggy city that reality enforces upon the residents.
Above that is Farridan's private residence, and he does not take visitors often.
The company wants a personal assistant to keep Farridan on track; he's been playing with private models of his latest project for months now, tweaking some facet of his design he doesn't care to share about. The board's decision that he's reluctantly agreed to is to install an assistant that will help him keep on track and focused on developing a production model. Unfortunately, Farridan has a controlling share in the company itself, and no one can make him do anything.
Therefore, the best response is to wheedle it out of him.
The contract simply states that the job is to, as best as possible, persuade Farridan to work on and drive towards production his latest product, and to remove obstacles from his life that would otherwise obstruct that process. The language is loose and faintly ominous, but the pay and benefits were amazing for such a low-barrier job, with the only restrictions being female and a face-to-face interview beforehand.
"Come on in!" Farridan calls from the back of the room, where he's slumped back in a revolving chair with his feet up on his desk; long-limbed, flexible, hands up over his head scrolling down a code display that looks like a wall of triangles with occasional characters thrown in. It's nothing familiar. "I understand that time is valuable at the lower altitudes."
His voice is whimsical, a little curl at the corner of his mouth as he flicks at the display again then types four lines of code in the time someone else would use to yawn. He hasn't looked down at his guest yet, the infamous green stare that cores right through whatever he looks at as yet undeployed. This is a man impatient with the physical world and its limitations.
The elevator doors open onto dark-tinted glass, sliced diagonally across the level; visitors can stare down into the city below, the glass translucent under their feet, and follow the walkway around and up a half-spiral into Farridan's domain proper. A set of visors await visitors, and then the floor opens up onto the Green Room, where the man accomplishes most of his work. The walls and floors are all featureless and bland to the human eye, with an omnipresent faint electric hum, but through the visors in Augmented Reality, Farridan's latest flagship work, the room comes alive with holographic presentations. Files and folders hover just out of reach in collating star systems, open pages hover in the distance at eye-watering sizes, a panorama of a white cliff with waves crashing against it hangs far underneath, a huge change from the smoky, smoggy city that reality enforces upon the residents.
Above that is Farridan's private residence, and he does not take visitors often.
The company wants a personal assistant to keep Farridan on track; he's been playing with private models of his latest project for months now, tweaking some facet of his design he doesn't care to share about. The board's decision that he's reluctantly agreed to is to install an assistant that will help him keep on track and focused on developing a production model. Unfortunately, Farridan has a controlling share in the company itself, and no one can make him do anything.
Therefore, the best response is to wheedle it out of him.
The contract simply states that the job is to, as best as possible, persuade Farridan to work on and drive towards production his latest product, and to remove obstacles from his life that would otherwise obstruct that process. The language is loose and faintly ominous, but the pay and benefits were amazing for such a low-barrier job, with the only restrictions being female and a face-to-face interview beforehand.
"Come on in!" Farridan calls from the back of the room, where he's slumped back in a revolving chair with his feet up on his desk; long-limbed, flexible, hands up over his head scrolling down a code display that looks like a wall of triangles with occasional characters thrown in. It's nothing familiar. "I understand that time is valuable at the lower altitudes."
His voice is whimsical, a little curl at the corner of his mouth as he flicks at the display again then types four lines of code in the time someone else would use to yawn. He hasn't looked down at his guest yet, the infamous green stare that cores right through whatever he looks at as yet undeployed. This is a man impatient with the physical world and its limitations.