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I would say yes, and in most cases
Seminal artists change the possibilities for all. But those who follow don't necessarily take the baton.
But Sam, if they don't pick up the baton they are destined to become mariginalised and fade away. Just look at the British Jazz and Skiffle musicians!
In 1957, Lonnie Donnigan was at his peak of popularity and when they played The Cavern, the intermission band were completely star-struck and none more so than the front man (I have it first-hand from one of the musicians involved that evening). His name and the name of the star-struck youngsters? John Lennon and the Silver Beatles.
Thirty years later, those who did pick up the baton played in front of crowds numbering in the tens of thousands whereas the Old Guard played minor gigs in front of 300-500 die-hard fans.
I don't disagree, Nicole. And you choose a good example. But the audiences for 'the old way' hang around. Just look at the way people still flock to view Impressionist paintings and listen to pre-Stravinsky/pre-Cage music. Last Night of the Proms, anyone?
I don't disagree, Nicole. And you choose a good example. But the audiences for 'the old way' hang around. Just look at the way people still flock to view Impressionist paintings and listen to pre-Stravinsky/pre-Cage music. Last Night of the Proms, anyone?
Last Night of the Proms isn't a good example. The first half of the programme always includes some new or unfamiliar music. The whole series of Promenade Concerts that END with the last night showcases new and lesser known works among the classics.
I'm afraid I'll have to disagree with you, Oggbashan. The whole phenomenon is a throwback, as you yourself say - "showcases new and lesser known works among the classics". Do people go or watch solely in order to hear the "new and lesser known" works? No! The reason it's so popular is that is is traditional, the airing of the rousing old classics such as Pomp and Circumstance, Rule Britannia with the sea of waving Union Jacks and Jerusalem, a glorious reminder of a bygone, happy age.
As a former Promenader I'll disagree again. The Last Night (second half) is traditional but it is a party for those who been to many of the Proms through the season. The programme for the whole Promenade concerts is massive. It features unusual and new compositions, new interpretations and is one of the most innovative musical festivals anywhere.
To judge the Promenade Concerts on the second half of the last concert is to miss the point. They were established to showcase good music old and NEW.
As you're involved you should of course be in a perfect position to know, Oggbashan. Yet, the public image is one of the second part with its sea of British flags and rousing anthems which would imply that both public and organisers have missed the point.
But of course, naturally!
In science, we speak of paradigm shifts when the full understanding of a new discovery makes what we thought we knew obsolete. Soon everyone is busy churning out papers to demonstrate their allegiance to the new testament in the hope of some (minor) recognition such as a chair. It's much the same in the Arts with the creative genius blazing a new trail (to use an AmE expression) and the copycats rushing in as fast as they can to get aboard the gravy train.
What would be the point of blazing a new trail if you didn't intend for others to use it?
rj
I guess this is an opportune moment to quote a favourite phrase of that immortal genius, Robert Heinlen:
"There is no such thing as a free breakfast."
TANSTAAFL predates Heinlein's use of the concept by several decades. So I guess he was a copycat trying to climb aboard the gravy train.
rj