Reserved for the incomparable PearlNecklace
A mirror turned in place, reflecting the same woman in a thousand different forms.
The writer Jorge Luis Borges saw this place in a fraction of a vision, and called it the Aleph: the place from which all other places could be seen, distinct yet co-located. It was Mill's Panopticon, the gaol of unbounded observation, where one watcher could see the entire span of the world, yet be imprisoned by her omniscience. It was Lovecraft's throne-room of Azathoth, at once the centre and ultimate extremity of the universe. It was the borders of Fantasia, the quantifiable limits of reality surrounded by the infinity of imagination.
Shown within the glass was a curved sliver of ruby on a gold chain. It was a jewel necklace in the shape and symbolism of a heart, twirling and twinkling in the light. It reflected more light than struck it, seemingly filled with fire.
Is it done? asked Venus. Her toga glistened like snow in the reflection, her skin like ivory.
The mirror turned. Yes, said Hathor, tawny beneath her queenly garb.
Branwen's reflection tossed its auburn locks. Will it be enough?
Aphrodite smiled, reaching out to hook a finger through the chain.
Blond and stern, Freya answered Branwen's query. It must. Our time is coming to an end, sisters. They will no longer have us to watch over them, by their own choice.
P'an Chin-lien continued, her silk robe shining like rose petals. We will leave them this gift, this Heartstone, to ensure that love blooms where it should, and that passion and pleasure follow.
The Goddesses of Love reached out as one, taking the Heartstone in their hands. Together, they reached into the mirror, and sent the crimson necklace tumbling away into the darkness, a final benediction to an ungrateful race of children.
Where did it fall? Who picked it up? That is a long, long tale. Suffice to say, it has adorned many breasts in its time: it hung at Cleopatra's neck, and against the throat of Helen of Troy. Lisa Gherardini wore the Heartstone when Leonardo da Vinci painted her portrait, though he later erased it. Around Wallis Simpson's throat, it helped bring about the abdication of Edward VIII.
But we are not telling that tale today. Instead, let us look to the present. The Heartstone lies, dusty and all but forgotten on the shelf of the Golden Cornucopia, itself a dusty and almost forgotten antiques shop. Surrounded by old chests of draws, standing lamps, faded tapestries, claw-footed tables and luxuriously upholstered chairs, no-one had worn the necklace for a long time. Nevertheless, people often remarked on the nearly seventy-year marriage of the old couple that owned and ran the shop, which seemed as strong, loving and romantic as ever.
The bell above the door added a querulous note to the warm tones of I Can't Help Falling In Love With You coming from the old gramophone. A young woman stepped into the Golden Cornucopia, looking around the age-subdued furniture appreciatively.
A mirror turned in place, reflecting the same woman in a thousand different forms.
The writer Jorge Luis Borges saw this place in a fraction of a vision, and called it the Aleph: the place from which all other places could be seen, distinct yet co-located. It was Mill's Panopticon, the gaol of unbounded observation, where one watcher could see the entire span of the world, yet be imprisoned by her omniscience. It was Lovecraft's throne-room of Azathoth, at once the centre and ultimate extremity of the universe. It was the borders of Fantasia, the quantifiable limits of reality surrounded by the infinity of imagination.
Shown within the glass was a curved sliver of ruby on a gold chain. It was a jewel necklace in the shape and symbolism of a heart, twirling and twinkling in the light. It reflected more light than struck it, seemingly filled with fire.
Is it done? asked Venus. Her toga glistened like snow in the reflection, her skin like ivory.
The mirror turned. Yes, said Hathor, tawny beneath her queenly garb.
Branwen's reflection tossed its auburn locks. Will it be enough?
Aphrodite smiled, reaching out to hook a finger through the chain.
Blond and stern, Freya answered Branwen's query. It must. Our time is coming to an end, sisters. They will no longer have us to watch over them, by their own choice.
P'an Chin-lien continued, her silk robe shining like rose petals. We will leave them this gift, this Heartstone, to ensure that love blooms where it should, and that passion and pleasure follow.
The Goddesses of Love reached out as one, taking the Heartstone in their hands. Together, they reached into the mirror, and sent the crimson necklace tumbling away into the darkness, a final benediction to an ungrateful race of children.
Where did it fall? Who picked it up? That is a long, long tale. Suffice to say, it has adorned many breasts in its time: it hung at Cleopatra's neck, and against the throat of Helen of Troy. Lisa Gherardini wore the Heartstone when Leonardo da Vinci painted her portrait, though he later erased it. Around Wallis Simpson's throat, it helped bring about the abdication of Edward VIII.
But we are not telling that tale today. Instead, let us look to the present. The Heartstone lies, dusty and all but forgotten on the shelf of the Golden Cornucopia, itself a dusty and almost forgotten antiques shop. Surrounded by old chests of draws, standing lamps, faded tapestries, claw-footed tables and luxuriously upholstered chairs, no-one had worn the necklace for a long time. Nevertheless, people often remarked on the nearly seventy-year marriage of the old couple that owned and ran the shop, which seemed as strong, loving and romantic as ever.
The bell above the door added a querulous note to the warm tones of I Can't Help Falling In Love With You coming from the old gramophone. A young woman stepped into the Golden Cornucopia, looking around the age-subdued furniture appreciatively.