Raimondin
Homosapien Like You!
- Joined
- Nov 22, 2004
- Posts
- 2,659
In this case, G as in Gay. I'd like to start this thread for any GLBT news, events, commentary, or whatever relevant going on around our world.
How Did Brokeback Lose? Theories Abound
by Jocelyn Noveck, Associated Press March 6, 2006
(New York City) It was chatted about, joked about, argued about, spoofed. Brokeback Mountain was everywhere in our popular culture - yet it lost the big Oscar it was supposed to win.
Was there a Brokeback backlash? Or was Crash, directed and co-written by Canadian Paul Haggis, just the worthy contender that came on strong in the final best-picture stretch? There were as many theories being offered up Monday as there are Brokeback parodies on the Internet.
One theory was that, despite the hoopla, the endless late-night monologues and the clever imitations, people (Academy voters, that is) didn't really love the soulful saga of two gay cowboys - and perhaps even felt uncomfortable with its themes.
``Sometimes people pretend to like movies more than they actually do,'' said Richard Walter, who heads the screenwriting program at UCLA's film school. ``But this film wasn't really THAT good. What it tried to do was great, sensational. But what it actually accomplished wasn't so great. You can't really buy the love story.''
Film critic Kenneth Turan, writing in the Los Angeles Times, said the problem wasn't with the film's quality. Rather, he said, ``you could not take the pulse of the industry without realizing that this film made people distinctly uncomfortable.''
``In the privacy of the voting booth ... people are free to act out the unspoken fears and unconscious prejudices that they would never breathe to another soul, or likely, acknowledge to themselves. And at least this year, that acting out doomed Brokeback Mountain.''
Gay activists did not necessarily agree.
``I don't think it has anything to do with the subject matter,'' said Joe Solmonese, president of the Human Rights Campaign, the largest American gay rights group. He noted that Brokeback and Crash both dealt with ``tough issues like indifference and intolerance.''
``I was certainly disappointed,'' Solmonese said. ``But I would trade that Oscar for all the positive conversations that this movie spurred between parents and their gay children, or between employees and their gay co-workers. That impact transcends any accolades...''
(The rest of the article is at 365gay.com.)
But it did win three Oscars, including the highly coveted Best Director.

How Did Brokeback Lose? Theories Abound
by Jocelyn Noveck, Associated Press March 6, 2006
(New York City) It was chatted about, joked about, argued about, spoofed. Brokeback Mountain was everywhere in our popular culture - yet it lost the big Oscar it was supposed to win.
Was there a Brokeback backlash? Or was Crash, directed and co-written by Canadian Paul Haggis, just the worthy contender that came on strong in the final best-picture stretch? There were as many theories being offered up Monday as there are Brokeback parodies on the Internet.
One theory was that, despite the hoopla, the endless late-night monologues and the clever imitations, people (Academy voters, that is) didn't really love the soulful saga of two gay cowboys - and perhaps even felt uncomfortable with its themes.
``Sometimes people pretend to like movies more than they actually do,'' said Richard Walter, who heads the screenwriting program at UCLA's film school. ``But this film wasn't really THAT good. What it tried to do was great, sensational. But what it actually accomplished wasn't so great. You can't really buy the love story.''
Film critic Kenneth Turan, writing in the Los Angeles Times, said the problem wasn't with the film's quality. Rather, he said, ``you could not take the pulse of the industry without realizing that this film made people distinctly uncomfortable.''
``In the privacy of the voting booth ... people are free to act out the unspoken fears and unconscious prejudices that they would never breathe to another soul, or likely, acknowledge to themselves. And at least this year, that acting out doomed Brokeback Mountain.''
Gay activists did not necessarily agree.
``I don't think it has anything to do with the subject matter,'' said Joe Solmonese, president of the Human Rights Campaign, the largest American gay rights group. He noted that Brokeback and Crash both dealt with ``tough issues like indifference and intolerance.''
``I was certainly disappointed,'' Solmonese said. ``But I would trade that Oscar for all the positive conversations that this movie spurred between parents and their gay children, or between employees and their gay co-workers. That impact transcends any accolades...''
(The rest of the article is at 365gay.com.)
But it did win three Oscars, including the highly coveted Best Director.