sirhugs
Riding to the Rescue
- Joined
- Jan 25, 2002
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they are fake American history, modified to be politically correct (what the current regime calls "woke", but that's anopther forum)Aren't Hamilton spoilers just...American history?
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they are fake American history, modified to be politically correct (what the current regime calls "woke", but that's anopther forum)Aren't Hamilton spoilers just...American history?
Aren't Hamilton spoilers just...American history?
I don't want to turn this into a politics discussion, but the musical is based on a well-regarded biography of Hamilton by Ron Cherrow. It did not take particularly more liberties with the history than any other musical ever does.they are fake American history, modified to be politically correct (what the current regime calls "woke", but that's anopther forum)
Sexy polka battle. I'm in:
Agree without qualification! It's a great song, thank you Guns N Roses for writing it, and it has been done very interestingly by other artists. This is an acoustic version by singer and guitarist Chloe Le Page. It's my favorite version of the song.The problem for me with the original version of this song, Guns N Roses is that Axl Rose's voice is strained to the point it sounds painful to me.
Perspective/tense styles and preferences are interesting. Some writers seem to almost resist using the same one for two stories in a row, while others never ever diverge from their chosen combination.I started on my Valentine's Day story. I actually got the idea from some other thread here, where there was a talk about people being each other romantic "backups". But the details of the plot aren't too important for now (most of them don't exist anyway; outlining is outside of my kinks).
I also settled on trying out a (semi-)peripheral PoV, where the PoV character is not the main character, because I feel it will be the best perspective to tell this tale. But again, that's not too important for now.
What is the point is that I stumbled upon some writing advice video which discussed various PoVs, and which contained a fascinating idea about the third person present tense. I'm usually not a fan of narrating in the present, because reading I feel like I'm being hurried by the writer to go faster, but the video convinced me that it is qualitatively different from 3P past in meaningful ways. The present tense gives the story a vibe of being told without the characters' consent, maybe even against their will, as if they didn't have a say in whether it's gonna be told or not.
3P past definitely does not have that vibe, and so it got me intrigued. Such 'forcefulness' would fit my VD story, so I was eager to try it out and see how it flows.
....Yeah, no. I balked after like 200 wordsPresent tense just doesn't jive with my style at all, or at least 3P present doesn't. The moment I had to veer into some background info and a smattering of exposition, I realized there is a tremendous value in how past tense narration allows you to blend the narrative "now" with the narrative "abstract". When you narrate in the present, you just don't have such freedom, because everything is either now or in the past. Maybe you can work around this limitation through a clever use of present perfect, but I haven't read enough present-tense fiction to be able to pull off such tricks.
Oh well... At least it was just 200 words, so the change to past tense wasn't too difficult![]()
Perspective/tense styles and preferences are interesting. Some writers seem to almost resist using the same one for two stories in a row, while others never ever diverge from their chosen combination.
As a reader, I've always found present tense a bit unreal. Like the entire story is sort of a dream sequence that isn't really happening. I can kinda see the idea of it feeling a bit invasive against the characters though.
Invasive against the characters? Like....good for an E/V type story?Perspective/tense styles and preferences are interesting. Some writers seem to almost resist using the same one for two stories in a row, while others never ever diverge from their chosen combination.
As a reader, I've always found present tense a bit unreal. Like the entire story is sort of a dream sequence that isn't really happening. I can kinda see the idea of it feeling a bit invasive against the characters though.
That's kind of what Lobster was saying, or at least how I read it.Invasive against the characters? Like....good for an E/V type story?
The present tense gives the story a vibe of being told without the characters' consent, maybe even against their will, as if they didn't have a say in whether it's gonna be told or not.
ShaelinWrites is the queen, in my opinion. I found her way way way before I found Brandon Sanderson, and her advice over the years is top notch and practical. And she's always so calm and relaxing to listen to. In general I'd recommend her over even Brandon Sanderson because she's hit just about every topic in writing multiple times and has noted the differences over time. She's been going for so long that she's got something to say to writers at lots of different places in their careers.The whole channel seems pretty good overall.
She resonates with me because her writing process is very similar to my own. I try not to listen to too much writing advice, but hers and Carl Duncan's are the two channels I subscribe to and can recommend.ShaelinWrites is the queen, in my opinion. I found her way way way before I found Brandon Sanderson, and her advice over the years is top notch and practical. And she's always so calm and relaxing to listen to. In general I'd recommend her over even Brandon Sanderson because she's hit just about every topic in writing multiple times and has noted the differences over time. She's been going for so long that she's got something to say to writers at lots of different places in their careers.
what about the racially blind casting?I don't want to turn this into a politics discussion, but the musical is based on a well-regarded biography of Hamilton by Ron Cherrow. It did not take particularly more liberties with the history than any other musical ever does.
Because of her, I get snobby too and like the term "discovery writer." It makes it feel like it's a real process that you've experimented with, and that you know where to trust yourself.She resonates with me because her writing process is very similar to my own. I try not to listen to too much writing advice, but hers and Carl Duncan's are the two channels I subscribe to and can recommend.
If you got so much of your early American history from musicals that you arent aware that Hamilton was a white man, you either didnt go to an American school or something else has gone very, very wrong.what about the racially blind casting?
There's probably a whole generation plus of people outn there thinking that Hamilton was several shades darker then white.
Hamilton was mixed race by the standards of the day and not accepted by parts of society. That part is 100% true.what about the racially blind casting?
There's probably a whole generation plus of people outn there thinking that Hamilton was several shades darker then white.
Um, he wasn't.If you got so much of your early American history from musicals that you arent aware that Hamilton was a white man, you either didnt go to an American school or something else has gone very, very wrong.

White-passing, then.Um, he wasn't.
He was considered Mulatto (from mixed grandparent in Bahamas) He wrote letters to people complaining about facing racism.White-passing, then.