dmallord
Humble Hobbit
- Joined
- Jun 15, 2020
- Posts
- 5,402
Sometimes sleeping late is caused by fucking... not that that is a bad habit.I think this is the fifth or sixth day in a row I've slept late. This is a fucking bad habit.
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Sometimes sleeping late is caused by fucking... not that that is a bad habit.I think this is the fifth or sixth day in a row I've slept late. This is a fucking bad habit.
I've tried to open your latest, but something strange is going on with Safari and it will not open. Will try another approach.I've now put four stories out in Romance. The scores in order are 4.86, 4.76, 4.69, and 4.51.
I can see where that trend is taking me. Maybe four is enough.
I think the female character is the main reason for the decline. 1st story--a perfect ballerina with a commitment to public service. 2nd story--an artist breaking away from her family traditions, 3rd story--a divorced professional woman who likes sex. 4th story--a divorced office woman with a fear of commitment and a ticking biological clock.I've tried to open your latest, but something strange is going on with Safari and it will not open. Will try another approach.
If you are happy with the quality of your work and the effort you put into it, I would let that be the guide for writing more than a fickle score pattern that you believe is a trend. It may not be what you think it is.![]()
Do the comments indicate that your thoughts are unwelcome? Worth considering... before you shift away from romance.
I read it (partly because she sounded a bit like my character Rachel in a story called Meaningless Kisses). I liked the various messed-up characters (your Rachel has some similarities with mine, including a friend called Emily!), and it worked, but the ending was a bit rushed, which made their decision to settle together seem rather too sudden. If that evening had had another 500 words of discussion, I think it would have worked very well - though the haters wouldn't have been happier.4th story--a divorced office woman with a fear of commitment and a ticking biological clock.
Perfect characters get a cheering section. More complicated characters don't. I don't feel a lot of need to write perfect women, so the trend will probably continue.
Comments mostly indicate that Rachel in "Meaningless Sex," isn't Miss Popular.
I've now put four stories out in Romance. The scores in order are 4.86, 4.76, 4.69, and 4.51.
I can see where that trend is taking me. Maybe four is enough.
Oh, my stories always lead me!Still on my first cup of coffee. I'm trying to figure out what to do with my ongoing. On the one hand, my original idea is still live. There's no reason I can't do it. I want to do it. And I'll be a bit sad if I burn this setup without trying to do that story. On the other hand, like... the tone's not exactly what I had anticipated. It's more gauzy and romantic than I'd originally planned, and that doesn't quite match where I was intending to go. And I'm not sure the readers I have in Romance will be interested in going on that particular journey. And most importantly, I can see an ending to the story that I hadn't originally planned, and I think it'll be an earned ending that works for the story.
So.. stick with what I'd wanted to do? Or go with where the story seems like it's leading me?
I had a public comment to the effect that the ending was abrupt.I read it (partly because she sounded a bit like my character Rachel in a story called Meaningless Kisses). I liked the various messed-up characters (your Rachel has some similarities with mine, including a friend called Emily!), and it worked, but the ending was a bit rushed, which made their decision to settle together seem rather too sudden. If that evening had had another 500 words of discussion, I think it would have worked very well - though the haters wouldn't have been happier.
Scores tend to dip and then rise again when only people who use tags or follow you find your work. There's a correlation with quality, but probably even more of a correlation with giving readers what they want. My top story is a chapter in the middle of a 14-chapter series. It's adequately written but certainly nothing outstanding in literature. But it happens to be the chapter that ends with our hard-boiled widowed protagonist, who can't deal with emotions and refuses to have more than one night stands, realising he's fallen in love again. Aw, adorable, etc...
Welcome to the coffee shop,Yma. Looks like Candy has everything under control, except her muse.Still on my first cup of coffee. I'm trying to figure out what to do with my ongoing. On the one hand, my original idea is still live. There's no reason I can't do it. I want to do it. And I'll be a bit sad if I burn this setup without trying to do that story. On the other hand, like... the tone's not exactly what I had anticipated. It's more gauzy and romantic than I'd originally planned, and that doesn't quite match where I was intending to go. And I'm not sure the readers I have in Romance will be interested in going on that particular journey. And most importantly, I can see an ending to the story that I hadn't originally planned, and I think it'll be an earned ending that works for the story.
So.. stick with what I'd wanted to do? Or go with where the story seems like it's leading me?
I always let my characters lead me through the story. I firmly demand that they somehow end up where I want them to end up. They tend to fight and drag their feet. Alan Scarlett Best Two Out of Three was planned for 85k words. We just blew past 110k and finally veered into the ending (another 5k words to go?). I let them piddle around, especially in dialogue. They may have a word in the creative process, but they have no say at all in the editing process.So.. stick with what I'd wanted to do? Or go with where the story seems like it's leading me?