The nightclub had been busted a week ago; something had hit the front entrance hard enough to tear off a door and leave the other one hanging ajar. The walnut paneling the door had been set into was knocked out at the same time, and part of the adjacent wall demolished, snapped back by overwhelming force. It'd made sense if a car had plowed into the building from the outside, except that the wood had buckled out, instead of in - whatever had generated that much force had been inside the building. The police had been called during the ruckus, whatever had happened, but no report had been filed in the end. There'd been some damage to the second floor too, something about a floor being busted through, but nothing to the final and third floor that wasn't open to the public.
But whatever happened, the staff of Hemophilia wasn't talking, and as soon as the repairs had finished the doors popped right back open for their rather exclusive clientele. People could walk in without an invite, but the nightclub doesn't cater to lone drinkers; the place is dimly lit, almost firelit in tone between the specially ordered bulbs and the warm walnut the entire place is paneled in, and the only seating on the bottom floor are wide and round tables surrounded by comfortable booths. It's designed to force people to face each other, to communicate and be social, and by how steady the regulars are, apparently it works. The walls are windowless, but something about how they're built creates the impression of space - the center recedes in a series of panels. Scenes of rivers and oceans, paintings and murals fill the virtual 'distance', and the main room itself is wide and spacious, with the bar on one side, the booths on the other, and the dance floor in between, a single staircase at the back of the room leading up to the unknown.
The music and dancing, are heady, too; the place leans towards a mix of swing, blues, and some ethnic music, nothing that it's easy to sit down and ignore. The low susurrus of conversation is constant during the open hours, and just being inside feels like keeping a secret, between all the interesting and attractive people of Louisiana you'd want to meet.
The owner is a trust named Southern Initiatives, and it takes its direction from a company board that is both anonymous and meets electronically, which makes chasing down employees something of a hassle. Reliably, the doorman and bartender are the same people, but they both live on the property: recorded on tax documents as James Barnabas and Allister Mackleroy, respectively. Unusually for a doorman, Barnabas operates inside a sort of airlock to Hemophilia proper, a room between the entrance and the club itself, facing south, so that the rising or setting of the sun never affects the dim lighting of the room. There's a coat and cloak rack and a little bar that Barnabas sits behind, littered with paperwork and a guest list he checks against everyone that enters.
Precisely what the terms for membership are isn't publically clear, and the club doesn't advertise despite being a commercial entity.
Barnabas himself is a dark-haired young man in his twenties, with an easy smile and a pair of round glasses perched high on his nose that help him to seem mild and unaffecting. That stands in contrast to the rest of his bulky body - he stands an even six foot six, with the kind of muscle only developed by hard physical work, and only the fact that his chair is the size of a throne keeps him from dwarfing it. The cloakroom is built to his size, and the only lighting is the low-burning lamp he keeps beside him at the bar, the flame flickering as the air conditioner hums its low drone.
Hemophilia is a self-contained world, and Barnabas its gatekeeper.
But whatever happened, the staff of Hemophilia wasn't talking, and as soon as the repairs had finished the doors popped right back open for their rather exclusive clientele. People could walk in without an invite, but the nightclub doesn't cater to lone drinkers; the place is dimly lit, almost firelit in tone between the specially ordered bulbs and the warm walnut the entire place is paneled in, and the only seating on the bottom floor are wide and round tables surrounded by comfortable booths. It's designed to force people to face each other, to communicate and be social, and by how steady the regulars are, apparently it works. The walls are windowless, but something about how they're built creates the impression of space - the center recedes in a series of panels. Scenes of rivers and oceans, paintings and murals fill the virtual 'distance', and the main room itself is wide and spacious, with the bar on one side, the booths on the other, and the dance floor in between, a single staircase at the back of the room leading up to the unknown.
The music and dancing, are heady, too; the place leans towards a mix of swing, blues, and some ethnic music, nothing that it's easy to sit down and ignore. The low susurrus of conversation is constant during the open hours, and just being inside feels like keeping a secret, between all the interesting and attractive people of Louisiana you'd want to meet.
The owner is a trust named Southern Initiatives, and it takes its direction from a company board that is both anonymous and meets electronically, which makes chasing down employees something of a hassle. Reliably, the doorman and bartender are the same people, but they both live on the property: recorded on tax documents as James Barnabas and Allister Mackleroy, respectively. Unusually for a doorman, Barnabas operates inside a sort of airlock to Hemophilia proper, a room between the entrance and the club itself, facing south, so that the rising or setting of the sun never affects the dim lighting of the room. There's a coat and cloak rack and a little bar that Barnabas sits behind, littered with paperwork and a guest list he checks against everyone that enters.
Precisely what the terms for membership are isn't publically clear, and the club doesn't advertise despite being a commercial entity.
Barnabas himself is a dark-haired young man in his twenties, with an easy smile and a pair of round glasses perched high on his nose that help him to seem mild and unaffecting. That stands in contrast to the rest of his bulky body - he stands an even six foot six, with the kind of muscle only developed by hard physical work, and only the fact that his chair is the size of a throne keeps him from dwarfing it. The cloakroom is built to his size, and the only lighting is the low-burning lamp he keeps beside him at the bar, the flame flickering as the air conditioner hums its low drone.
Hemophilia is a self-contained world, and Barnabas its gatekeeper.