Silencing the voices

We get it, @StillStunned, it's always fully your story! :kiss:
If I write a reimagining of a published story, is it fully my story? If I write a story inspired by something I overhear a stranger say, is it fully my story? If I write a story based on historical events and historical characters, is it fully my story? If I change a draft because I read another story or watch a movie and it gives me an idea for a plot twist, is it fully my story? If I read a writing tip here in the AH and it helps me to improve my style, is it fully story?

A quick glance at my WIP folder tells me that ideas are the easy part of writing. Sitting down, putting in the effort and finishing the damned thing, that's what the real accomplishment of writing is. Any ideas that you pick up along the way are just part of the process, regardless of where they come from. You finish writing a story, unless you've plagiarised sections of text, it's fully your story.
 
Any ideas that you pick up along the way are just part of the process, regardless of where they come from.
We are all magpies. So was every artist who ever created anything. It’s totally asinine to say that influences and feedback bowdelerize art. It’s misunderstanding synthesis. We are all the product of what we have experienced and read and heard and watched and observed.
 
Whatever we create is already influenced by the same influences that shape us. If you could ever conceive of a human who wasn't ever, in any way, subjected to outside factors, I posit that they would be the least creative person ever.
And I tend to agree with you. And also, readers want to connect. At least a sprinkling of relatability / universality helps with that.
 
So anyway, writing and the creative process and whether that can ever be devoid of outside influences. Plus the evils of beta readers and how they will lead to the collapse of civilization (sorry @Voboy - as I say I understand your self-consistent stance fully).

I guess I see a difference between passive influences, which we incorporate into our memories and personalities, and active influences we pursue as we create whatever it is we create.

Say I'm writing about the middle ages, which I have. I do a lot of research for those, mostly using an online version of Domesday. That's "research," which I've now acquired, and then it becomes a part of the many things that influence the words I write. That's one level of "outside influence."

If I were then to submit those words to someone else, asking them for input specifically about how I've strung those words together, I'd look at that as a more active process by which I would be seeking to reassure myself about the words I'd chosen. I've never been a guy who doubts my ability to choose words, so I feel like I'm better off skipping that step; that way I feel I can take credit for whatever my story does well, and if it fails with the readers here? Well, I take the blame for that on myself. I don't get to point fingers. It's my failure, to learn from.

But it adds to the passive influence I've already incorporated, so that it can inform my next story. I think of passive influences as fine (because they're completely unavoidable) and active influences as something that won't benefit me, and might not benefit others. But that's for them to discover.

Either way, I try not to be prescriptive about it. I don't think there's any one way to write a story or conceptualize an idea. I know what works for me, but not what works for you. And I think that enriches all of us.

I only suggested the OP avoid betas here because I thought they were giving him trouble.
 
But it adds to the passive influence I've already incorporated, so that it can inform my next story. I think of passive influences as fine (because they're completely unavoidable) and active influences as something that won't benefit me, and might not benefit others. But that's for them to discover.
I see what you are saying, but don’t view it as being black and white. Are passive and active influences really that different? In both cases, it’s what other humans think.
 
I see what you are saying, but don’t view it as being black and white. Are passive and active influences really that different? In both cases, it’s what other humans think.

The active ones must be sought, the passive ones don't.

I admit it's a little bit arbitrary. Because I know you seek out research material, but that's not the same to me because the research informs what I CREATE. Once created, it's "there," it exists. And it's mine.

The search for active influences would start at that point. The act of creation is already done. I think of outside editing (and, I suppose, beta-read stories) as "re"-creating pieces, in a way, especially if they involve outsiders who weren't involved in the initial creation.

I'm aware some see betas/editing as a part of the process of creation, but I don't. I edit my own pieces by myself, and VERY minimally.
 
The concerns about beta readers (and editors) changing your work/voice/whatever, sound a lot like the fears I had that therapy would force me to be someone else. Turns out that therapy isn't like that at all, and neither are beta readers.

I get that fear, but from my experience, it's not about changing you, it's getting a second opinion. You are asking an outsider to look at your work and tell you what they think of what you've written before you release it into the world. Many of us are way too close and emotionally involved in our stories and we cannot be rational about them. Having a second opinion from someone who has no investment in your story is not that different than having readers tell you what they think of your story, with the difference that your story isn't live and if they see something that needs tweaking, you can make that change.

A beta reader is not there to tell you to rewrite your stories, and if they do, stop using them. That's the role of a development/structural editor, and that's far earlier in the process.

Whether you follow up on any opinions is always up to you.
 
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