Plagiarism, copyright, and how black and white is sometimes gray

Tzara

Continental
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Aug 2, 2005
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Okey dokey, we've had another bust-up about plagiarism and theft of intellectual property, which is, of course, abominable. I want to carry on about this for a while, because, as with almost anything, there are nuances here that may not be immediately apparent. Not talking about the case de jour, which is about as cut-and-dried as they come, but bear with me, or not. I think this general topic is not always as clean cut as it at first appears.

Let's start with definitions, like what is plagiarism?

Plagiarism (from the legal encyclopedia definition at answers.com)

The act of appropriating the literary composition of another author, or excerpts, ideas, or passages therefrom, and passing the material off as one's own creation.

Plagiarism is theft of another person's writings or ideas. Generally, it occurs when someone steals expressions from another author's composition and makes them appear to be his own work. Plagiarism is not a legal term; however, it is often used in lawsuits. Courts recognize acts of plagiarism as violations of copyright law, specifically as the theft of another creator's intellectual property. Because copyright law allows a variety of creative works to be registered as the property of their owners, lawsuits alleging plagiarism can be based on the appropriation of any form of writing, music, and visual images.

Plagiarism can take a broad range of forms. At its simplest and most extreme, plagiarism involves putting one's own name on someone else's work; this is commonly seen in schools when a student submits a paper that someone else has written. Schools, colleges, and universities usually have explicit guidelines for reviewing and punishing plagiarism by students and faculty members. In copyright lawsuits, however, allegations of plagiarism are more often based on partial theft. It is not necessary to exactly duplicate another's work in order to infringe a copyright: it is sufficient to take a substantial portion of the copyrighted material. Thus, for example, plagiarism can include copying language or ideas from another novelist, basing a new song in large part on another's musical composition, or copying another artist's drawing or photograph.

Courts and juries have a difficult time determining when unlawful copying has occurred. One thing the plaintiff must show is that the alleged plagiarist had access to the copyrighted work. Such evidence might include a showing that the plaintiff sent the work to the defendant in an attempt to sell it, or that the work was publicly available and widely disseminated.

Once access is proven, the plaintiff must show that the alleged plagiarism is based on a substantial similarity between the two works. In Abkco Music, Inc. v. Harrisongs Music, Ltd., 722 F.2d 988 (1983), the Second Circuit Court of Appeals found "unconscious" infringement by the musician George Harrison, whose song "My Sweet Lord" was, by his own admission, strikingly similar to the plaintiff's song, "He's So Fine." Establishing a substantial similarity can be quite difficult as it is essentially a subjective process.

Not every unauthorized taking of another's work constitutes plagiarism. Exceptions are made under copyright law for so-called fair use, as in the case of quoting a limited portion of a published work or mimicking it closely for purposes of parody and satire. Furthermore, similarity alone is not proof of plagiarism. Courts recognize that similar creative inspiration may occur simultaneously in two or more people. In Hollywood, for example, where well-established conventions govern filmmaking, this conventionality often leads to similar work. As early as 1942, in O'Rourke v. RKO Radio Pictures, 44 F. Supp. 480, the Massachusetts District Court ruled against a screenwriter who alleged that a movie studio had stolen parts of his unproduced screenplay Girls' Reformatory for its film Condemned Women. The court noted that the similar plot details in both stories— prison riots, escapes, and love affairs between inmates and officials—might easily be coincidental.



OK! Your brain now sufficiently dulled by legalese? Let's continue, but first note that the above definition was copied from Answers.com, with attribution. There will be a test later. ;)
 
Case Study 1: Heather Larsen

So let's start with our poster child for plagiarism, Ms. Larsen (aka "Unlikely Muse" which has got to be about as apt a pseudonym as could be conceived).

Ms. Larsen quite obviously has appropriated others' work and signed her name to it. This is trivial to demonstrate and I won't reiterate the demonstrations here, other than to note all of "her" poems were posted after (sometimes years after) the rightful authors posted their poems on Lit. I can only think of two defenses she might mount to this: (1) She had posted the poems somewhere prior to their posting on Lit, from which they were copied, and then removed them. In at least one instance, she explicitly contradicts this, claiming of the poem "Interim Denizens" (posted at Lit by Liar in July 2004) that "Ive not posted this one til now" [sic] in a comment dated January 17, 2007, viewable (temporarily) through Google's cache here. (2) The defense that she is actually the person who at Lit uses the name "Liar" (and "Minor Monster" and "bluerains" and "Lauren Hynde" etc.), an argument that is also easily refuted.

So Ms. Larsen is a case of classic plagiarism, "the act of appropriating the literary composition of another author, or excerpts, ideas, or passages therefrom, and passing the material off as one's own creation." Not much question about it. Simple. Despicable. Easily dispensed with intellectually, though a bit harder to get rid of in reality.

On to the next case.
 
Case Study 2: Loree Lytle

OK. Time to read and compare. First, Eve's poem "wonderfuck" which she originally submitted in July of 2004.

Then, this poem, "on phone sex…..part 4 of fetish series" "by" Loree Lytle, posted in August 2006.

Lots of similarities. Lots. But not identical.

The Lytle version, for example, has an initial strophe that is missing from Eve's poem. "Her" second strophe
your calls were obscene,
pungent tongue and stretched taut
you spanked me with a butter-fuck tone,
mellowing me into soft acceptance​
differs in one line from Eve's
your calls were obscene,
yellow coated and stretched elastic.
you spanked me with a butter-fuck tone,
mellowing me into soft acceptance​
There are similar changes throughout the poem. So different, but close. Is this plagiarism?

Duh, yeah. Back to the definition: In copyright lawsuits, however, allegations of plagiarism are more often based on partial theft. It is not necessary to exactly duplicate another's work in order to infringe a copyright: it is sufficient to take a substantial portion of the copyrighted material. In my opine, at least, and I think in any reasonable person's opinion, Ms. Lytle's "poem" is theft. All she's managed to do is make Eve's poem worse, without changing anything substantive about its expression.

On to case study 3.
 
Case Study 3: Nameless Person at Lit

OK. We get ever more borderline. This is a poem at Lit that I consider to be plagiarized from E.E. Cummings, but I messaged the powers that be and they left it up. So, I guess, room for doubt, which is why I am not naming the "author."

Here's the poem in question:
I Like Your Body

I like my body when it is with yours
I like the warm
Under you.
Its sculpted form
The seasoned
Firm-smoothness of it
Muscles better and nerves more.
I like your body
What it does
Its how’s and ways
Like it does under feathery tips
I like kissing this and that of you,
Slowly licking the what it is that comes
Over my parting flesh.
And eyes… fiery love charms looking back
I like what my body does with yours
Raw electric madness
Spilling over
And perhaps the thrill of you quite new​
Now to me, this "poem" is basically a poor rehash of the E.E. Cummings poemHere, though, compared to the previous examples, there is even more difference between the poems. There is one identical, and quite unusual line ("Muscles better and nerves more") but though other lines seem quite similar to Cummings, I don't think they are identical.

So, plagiarism? Well, I would say yeah, based on t is not necessary to exactly duplicate another's work in order to infringe a copyright: it is sufficient to take a substantial portion of the copyrighted material, but our master Literoticians apparently disagree. They obviously feel this is changed enough from Cummings, I guess, to make them confident that it is an independent work. A variation, perhaps, or riff on Cummings.

See? The glass is getting cloudy.
 
Case Study 4: Me

OK, let's get personal. I wrote this:
Song of Innocence and of Experience:
Shewing the Two Contrary States of the Human Soul


(A bare stage, starkly lighted by God.)

WILLIAM BLAKE
Tyger! Tyger! burning bright,
In the forests of the night:
What immortal hand or eye,
Could frame thy fearful symmetry?

A READER
That's a poem about my girlfriend!

WILLIAM BLAKE
Apbst!

(Later.)

WILLIAM BLAKE
Tyger! Tyger! burning bright,
In the forests of the night:
What immortal hand or eye,
Could frame thy fearful symmetry?

ANOTHER READER
That's a poem about a duck!

WILLIAM BLAKE
No, it's about a tyger. And nature. And God.

I think.

ANOTHER READER
No, it's about a duck.

WILLIAM BLAKE
O Rose, thou art sick!

ANOTHER READER
My name is not Rose!

(A fistfight.)​
which was published in Some Nameless Journal last year. Obviously, I have ripped off poor dead Billy Blake. Am I plagiarizing him?

Surprise! I would say I am not, though I am quoting his poems directly, tak[ing] a substantial portion of the copyrighted material, or would be, if old Bill was in copyright. Why is this different?

Well 'cuz [n]ot every unauthorized taking of another's work constitutes plagiarism. Exceptions are made under copyright law for so-called fair use, as in the case of quoting a limited portion of a published work or mimicking it closely for purposes of parody and satire. Which was, o'course, what I thought I was doing. Hoped I was doing.

So. Compare my "poem" to the last one. Mine is not trying to be about the same thing Blake's original poem is about. (At least I don't think it is.) My previous example, though, is essentally about the same experience. In part why there's a difference.

This is a very dicey area. Poetry magazine published a poem in their annual humor issue that was identical to a famous William Stafford poem except that a single word was changed. Hubbub ensued. Was that plagiarism?

It gets tough to decide.

You are free to differ with my opinion about my own work and consider me a plagiarist. If you do, please comment. I would be interested in hearing your views.

Now. On to copyright, which is even trickier morally.
 
Case Study 5: Cutsey's blog

Well, I was going to link this in, but it has apparently been taken down. Which is a good thing, as it used one of Eve's poems without attribution or permission.

So I will have to describe this rather than show it. This was someone's blog which had one of Eve's poems posted on it. There was no mention of Eve as being the author, and the post was not authorized by Eve. One thing that was different about this blog from the Heather situation was that the blogger did not claim authorship of the poem. The poem was merely posted. At first, isolated glance, this does not seem like much of a distinction.

I spent some time today looking at several pages in the blog. Other poems, for example, by Byron and Elizabeth Barrett Browning were posted, with attribution. An E.E. Cummings poem was posted, without attribution, but in the comments below the post, the blogger said something like "don't you just love E.E. Cummings?" which seems to indicate she had no intent of claiming the poem as her work.

My impression, basically, was that this case was not so much a case of plagiarism (someone claiming a work not created by them as their own) as one of copyright violation (posting someone's work without permission), made worse by the lack of attribution.

Bad, of course. Pissed Eve off, understandably. But a different kind of thing from plagiarism, in my opinion.

Now check out some comments on copyright law. Basics of copyright law, at least in Berne Convention countries.

So. Personal confession. I violate copyright all the time. Have here, multiple times. So, probably, have you.

Ever posted a poem by someone else (Sylvia Plath, Seamus Heaney, Kim Addonizio)? If it was published after 1922, it is (at least in the USA) still in copyright and you are violating copyright by posting it. Song lyrics? Ditto. Have an avatar you grabbed off the internet (like my current Simon Keeleyside)? Ditto.

Ever exchanged music files? Movie files? Software? Etc. etc. etc.? Ditto.

Ripped a friend's CD or DVD? Ditto.

What's my point? I don't know, exactly, other than to say that not everyone who might post a copy of one of your poems is evil. The Heather thing? Yeah. Evil. Clearly.

But, in my opinion, the Cutesy thing? Misguided.

By all means, defend your copyright. But remember that you yourself probably are violating copyrights left and right.

Why I think I'm going to walk back through the "Share a Poet" thread and wipe things.

Moral consistency. It's a bitch.

Good night.
 
Tzara said:
Let's continue, but first note that the above definition was copied from Answers.com, with attribution. There will be a test later. ;)
Oh. One final note. The definition of plagiarism was copied with attribution. Not, therefore, plagiarism. I think. But, possibly, copyright infringement?

Yeah. Why all this is hard.
 
hey.

so, what can one do to protect their work, especially if it is put up somewhere electronically? i don't like the idea of being a cop, policing the internet for stolen snippets(not that i need to worry about that at this point).

does the post date of a poem protect and/or prove that you are the actual author?

sigh, i would imagine that it takes the fun out of writing it you are scared of thieves...

i can understand the desire to protect intellectual property, your creative works, but is there a financial reason to this as well? was the stolen poetry generating some sort of income for the thief?

i'm really sorry this happened to so many of you, it seems from reading these threads that this has happened many times before. that is truely saddening.

i'm actually shocked that someone would so blatantly steal and then believe that they would not be found out. curious behaviour.

again, i am sorry this happened to ya'll, --jenn
 
HotKittySpank said:
hey.

so, what can one do to protect their work, especially if it is put up somewhere electronically? i don't like the idea of being a cop, policing the internet for stolen snippets(not that i need to worry about that at this point).

does the post date of a poem protect and/or prove that you are the actual author?
As Leon mentioned in his discussion of copyright, the advantage of posting something to an online forum that is run by someone other than you (e.g., Literotica) is that your work is time stamped by an independent agency. A thief could backdate their home computer and save a file of one of your poems to give it an earlier date and make the argument that "their" version had priority, but it is unlikely that, without prior dated evidence that the work in question had been posted in a place where you might have seen it (e.g., online), that that argument would carry much weight.

The problem with the online dating method is that you need to leave the poem where originally posted (and, of course, the agency needs to remain in business). If, for example, I post a poem on one of the threads at Lit, I would potentially need to leave that posting up indefinitely to be able to document the creation date.

Alternatively, you could do something like print it out, seal it in an envelope, and mail it to yourself (to have it postmarked), as was suggested on one of the sites I looked at. You would, of course, have to leave the envelope sealed once you received the letter to insure the integrity of the dating.

What having a verifiable creation date does is allow you to document priority in creation. It doesn't "protect" you, except as an aid in having someone remove something that has been posted without your permission.
HotKittySpank said:
sigh, i would imagine that it takes the fun out of writing it you are scared of thieves...

i can understand the desire to protect intellectual property, your creative works, but is there a financial reason to this as well? was the stolen poetry generating some sort of income for the thief?
Poetry, with very rare exceptions, doesn't make money. Even Pulitzer Prize winners have another job (liking teaching creative writing) that allows them the time and financial stability to create poetry. Kim Addonizio and Dorianne Laux, in The Poet's Companion say this: "No one we know copyrights poems. There's a simple reason for this: Sad as it may seem, poems aren't marketable." They're talking about registering your poem with the US Copyright Office, because by law (in the USA, in any case) your poem is copyrighted the moment you create it.

As I said before, if you share your work, you run the risk of it being stolen. If you post it in a popular online forum like Literotica, the risk is higher than if you have a password protected writer's forum where your work is placed. But there is always a risk.
 
hey Tz, thanks for the info.

this certainly is a wacky new world i've fallen into this past year. the creative process gets all jammed up when i hear things like money, marketing, submissions, editors, agents, deadlines, sealed envelopes... oh my! : )

not sure that i'm ready for all that just yet.
if i ever get there, i'll do my research first.

thanks again, --j
 
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