that you are TS Eliot and I am Ezra Pound
(one of the great regrets of my life,
40 years ago and finding
a facsimile edition of the original Wasteland
with all of Ezra's crossings out
and compressions
... they should teach from this,
not some clean "final authorial intention"
by "T.S. Eliot", I thought,
but they didn't and they don't
... and it was oh so expensive
and so I cheaply read on
another law lecture gone)
So you've given us this to read
Before He was Him
byvrosej10©
tree dahlias in bloom, fifteen feet tall and straight as
that day we took our baby for a walk in his basic red backpack
it rained minutely, spattering the road, goading us to take him home
but we stayed and roamed the streets, admiring the maple leaf changes
and allowing him to sleep, his little head lolling to the side
blonde hair flying up in a crest, lips pouting in his sleep
and then our outing over, going home, he woke and asked for a drink
but it's winter when I close the album, as he comes in from school
and grunts at me whilst shutting the door, then goes straight to raid the fridge
all in the evening light that is greying like my hair.
and I'm thinking "wow, I like this
but there are some things wrong;
I agree partially with twelveoone"
["don't drag me into this" he screams]
So, first grab, I wrote
"I agree with 12 with this caveat"
and then -
"I perhaps see something like the memory of then and now, youth and age and ... this is the part that got me thinking ... the way in which our children are part of an us when young and gradually grow apart from us (a single us I note) in time."
So let's start with twelveoone
["don't you dare, I'm not going there"
he's a screamer]
line-breaks guiding reading
the first line "as" must drop, sure,
but more
compression editing
faster flow
so
this is what I did
tree dahlias in bloom, fifteen feet tall and straight
as the day (walking our baby
in his basic red backpack)
rained minutely spattered the road,
goaded us to flee for home
but we stayed
roamed the streets (admiring the maple leaves changing)
while he (little head lolling
blonde hair splaying lips pouting)
slept till outing over, off home,
he woke and asked for drink.
I close the album in winter
as (he comes in grunts me a greeting
slamming the door raiding the fridge)
the evening light greys my hair.
Obvious problem:
the he in the past is a "him"
- got to go;
this is he becoming him not him becoming he.
and also
two sentences, the first past tense
summer? "tree dahlias in bloom"
seguing into autumn?
"maples leaves changing"
[and notice now all bracketed material present tense];
second sentence present tense winter
[and the bracketed material present too].
Now how can that be?
for Chekov if a gun
was on the mantlepiece in Act One
it would go off in Act Three.
Your album is a gun.
Do you think I don't know what you're seeing?
(little snapshots we all take)
(here we are, three of us going for a walk) present to you
(here we are admiring the maple leaves) present to you
OK I made that up
but its a picture
{I don't care;
it's part of the imaginary garden round the real toad}
(here is his little head lolling blonde hair splaying lips pouting)
present to you
now
and now another snapshot
(he comes in grunts me a greeting
slamming the door raiding the fridge)
no punctuation one picture now
You think I don't know?
And no, no, no, no
similes "all in the evening light that is greying like my hair."
the evening light greys my hair.
but we, we know
its not the evening light
and its not time merely
and if I could get rid of that "he"
I would've
leaving the HIM unspoken
so
I close the album in winter
as (coming in grunting me a greeting
slamming the door raiding the fridge)
the evening light greys my hair.
this alien object, the him thing
we already know there's a
from your title
time to be economical
no redundancies
So ... I've finished with all the analyses
Your turn
love
your poem
not me not mine
despite the editing
You got my attention
well, you know what THAT means
I can't do reviews, I can't stand back
(well, I can
but I don't)
(one of the great regrets of my life,
40 years ago and finding
a facsimile edition of the original Wasteland
with all of Ezra's crossings out
and compressions
... they should teach from this,
not some clean "final authorial intention"
by "T.S. Eliot", I thought,
but they didn't and they don't
... and it was oh so expensive
and so I cheaply read on
another law lecture gone)
So you've given us this to read
Before He was Him
byvrosej10©
tree dahlias in bloom, fifteen feet tall and straight as
that day we took our baby for a walk in his basic red backpack
it rained minutely, spattering the road, goading us to take him home
but we stayed and roamed the streets, admiring the maple leaf changes
and allowing him to sleep, his little head lolling to the side
blonde hair flying up in a crest, lips pouting in his sleep
and then our outing over, going home, he woke and asked for a drink
but it's winter when I close the album, as he comes in from school
and grunts at me whilst shutting the door, then goes straight to raid the fridge
all in the evening light that is greying like my hair.
and I'm thinking "wow, I like this
but there are some things wrong;
I agree partially with twelveoone"
["don't drag me into this" he screams]
So, first grab, I wrote
"I agree with 12 with this caveat"
and then -
"I perhaps see something like the memory of then and now, youth and age and ... this is the part that got me thinking ... the way in which our children are part of an us when young and gradually grow apart from us (a single us I note) in time."
So let's start with twelveoone
["don't you dare, I'm not going there"
he's a screamer]
line-breaks guiding reading
the first line "as" must drop, sure,
but more
compression editing
faster flow
so
this is what I did
tree dahlias in bloom, fifteen feet tall and straight
as the day (walking our baby
in his basic red backpack)
rained minutely spattered the road,
goaded us to flee for home
but we stayed
roamed the streets (admiring the maple leaves changing)
while he (little head lolling
blonde hair splaying lips pouting)
slept till outing over, off home,
he woke and asked for drink.
I close the album in winter
as (he comes in grunts me a greeting
slamming the door raiding the fridge)
the evening light greys my hair.
Obvious problem:
the he in the past is a "him"
- got to go;
this is he becoming him not him becoming he.
and also
two sentences, the first past tense
summer? "tree dahlias in bloom"
seguing into autumn?
"maples leaves changing"
[and notice now all bracketed material present tense];
second sentence present tense winter
[and the bracketed material present too].
Now how can that be?
for Chekov if a gun
was on the mantlepiece in Act One
it would go off in Act Three.
Your album is a gun.
Do you think I don't know what you're seeing?
(little snapshots we all take)
(here we are, three of us going for a walk) present to you
(here we are admiring the maple leaves) present to you
OK I made that up
but its a picture
{I don't care;
it's part of the imaginary garden round the real toad}
(here is his little head lolling blonde hair splaying lips pouting)
present to you
now
and now another snapshot
(he comes in grunts me a greeting
slamming the door raiding the fridge)
no punctuation one picture now
You think I don't know?
And no, no, no, no
similes "all in the evening light that is greying like my hair."
the evening light greys my hair.
but we, we know
its not the evening light
and its not time merely
and if I could get rid of that "he"
I would've
leaving the HIM unspoken
so
I close the album in winter
as (coming in grunting me a greeting
slamming the door raiding the fridge)
the evening light greys my hair.
this alien object, the him thing
we already know there's a
from your title
time to be economical
no redundancies
So ... I've finished with all the analyses
Your turn
love
your poem
not me not mine
despite the editing
You got my attention
well, you know what THAT means
I can't do reviews, I can't stand back
(well, I can
but I don't)