The following stories came flowing out and felt like something fun to play. If you see in here a kernel of what you might be interested in, drop me a line. I’m quite open to a tweak here, a change of setting there, and perhaps we’ll both enjoy the result all the more. If the two ideas don’t match up, then no harm done.
(My SRP for preferences)
I’ve found that some stories are best told in the collaborative writing approach that is most common here on Literotica, where each writer has effectively an equal role. Others may benefit most from a more narrator/player style, which many of you may find familiar from a roleplaying background. The latter particularly works when one character is moving through a world and discovering the story, the former more when the story is centrally about the intertwinings of two characters with any other characters rather secondary. Knowing which we’re doing will save us both frustration - so as with all other aspects of the stories please do feel free to ask.
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Just Business in Las Vegas
Was it a cruel joke from someone in the travel office, or was the company really cutting back that much on their expenses? Two co-workers attending a business convention in Vegas find that they've been booked into a single hotel room, which is a bit untraditional when the pair is mixed gender to say the least, and all the more complicated by the quiet attraction between them. With the convention season in full swing, spare rooms are not to be found at any reasonable price. Surely for a long weekend they can stay professional despite the temptations, or will what happens in Vegas have to stay in Vegas?
Primary themes of voyuerism and restrained tension, slipping to perhaps a bit of "accidental" exhibitionism before they give in to their desires.
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Sugar for the Summer
Our male lead finds that he has been able to largely complete his high-flying business contract work ahead of schedule. Now he merely needs to hang out and make sure things complete well, which means he is an unfamiliar big city with some spare time and a nice bonus check. He finds himself offering a deal to a local grad student: he's looking for a guide and a playmate who will fulfill his wishes, she gets treated to some of the finer things for a few weeks plus enough cash to get her through the next school year.
Originally I envisioned this as him making this proposition to the cute barista in the coffee shop a block down from his high-end hotel, but that can just be an example of where it can start. On idea could be that she is a fine arts grad student so he has her show him around the local museums, and they end up being rather naughty amongst the art.
Themes: light dominance/submission, exhibitionism / public exposure
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Seven Days On The Distaff
(more Narrator/Player style)
She always had been a mischievous spirit, particularly in regards to the humans who retreated away from their cold cities to vacation in her island home. The very fact that they needed to leave their homes to let themselves relax and unwind amused her, while very being sprung from the sunny beaches, the cooling evening breezes, and the transforming energy of the changing moon. She was not happy with all the the humans had built on her island, but she had changed too and now found delight in watching them and occasionally taking a small hand in their lives when she had the whim.
It was in the changing light of the moon that such a whim overtook her as she overheard the wishful thoughts of a young man who clearly was not feeling the joy of her island. At first she thought he was simply unlucky in love, something she had toyed with resolving in the past, but as she heard more she found it was a more novel complaint.
"Girls have more fun," Alex mused wistfully as he climbed into the bed of his hotel room alone. "A cute girl doubly so. I wish I was a good looking girl instead of a boring, skinny guy."
That made her smile. Wishes like that could be so much fun. When Alex awoke he would be Alexandra, and as far as anyone on her island would know he had always been a she. The spirit saw that his vacation here was to last seven more days - seven days to try life as a young woman. If he preferred being a she, then perhaps Alexandra could remain on the island forever in her new body. And of course, what fun would it be if a spirit couldn’t tag along, watch what happens, and play a bit of a part in the voyage of discovery. Sometimes impersonating a (well, person) could be a lot of fun too.
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A last thought then on the topic of side-conversations. Please do let me know if anything about a story isn’t working for you. Oftentimes it can be fixed and if not then it’s best to go ahead and bring things to an agreeable end; sometimes a story just doesn’t turn out to be as much fun as one partner hoped. On the other hand I love to hear it when my partner is enjoying the story - the thrill for me comes from both the creative energy of the tale and from my partner’s response. I still remember a note from a writing partner years ago who talked about how much she liked the scene we had going at the time and how she had to take (shall we say) some time for herself after rereading it. Everyone has their own level of TMI and separation of writer and character, but I figure considering the genre we’re writing it would be disappointing if it didn’t inspire a physical response. So feel free to share such things if you feel comfortable or not, and I’ll probably match your level of disclosure.
(My SRP for preferences)
I’ve found that some stories are best told in the collaborative writing approach that is most common here on Literotica, where each writer has effectively an equal role. Others may benefit most from a more narrator/player style, which many of you may find familiar from a roleplaying background. The latter particularly works when one character is moving through a world and discovering the story, the former more when the story is centrally about the intertwinings of two characters with any other characters rather secondary. Knowing which we’re doing will save us both frustration - so as with all other aspects of the stories please do feel free to ask.
---
Just Business in Las Vegas
Was it a cruel joke from someone in the travel office, or was the company really cutting back that much on their expenses? Two co-workers attending a business convention in Vegas find that they've been booked into a single hotel room, which is a bit untraditional when the pair is mixed gender to say the least, and all the more complicated by the quiet attraction between them. With the convention season in full swing, spare rooms are not to be found at any reasonable price. Surely for a long weekend they can stay professional despite the temptations, or will what happens in Vegas have to stay in Vegas?
Primary themes of voyuerism and restrained tension, slipping to perhaps a bit of "accidental" exhibitionism before they give in to their desires.
---
Sugar for the Summer
Our male lead finds that he has been able to largely complete his high-flying business contract work ahead of schedule. Now he merely needs to hang out and make sure things complete well, which means he is an unfamiliar big city with some spare time and a nice bonus check. He finds himself offering a deal to a local grad student: he's looking for a guide and a playmate who will fulfill his wishes, she gets treated to some of the finer things for a few weeks plus enough cash to get her through the next school year.
Originally I envisioned this as him making this proposition to the cute barista in the coffee shop a block down from his high-end hotel, but that can just be an example of where it can start. On idea could be that she is a fine arts grad student so he has her show him around the local museums, and they end up being rather naughty amongst the art.
Themes: light dominance/submission, exhibitionism / public exposure
---
Seven Days On The Distaff
(more Narrator/Player style)
She always had been a mischievous spirit, particularly in regards to the humans who retreated away from their cold cities to vacation in her island home. The very fact that they needed to leave their homes to let themselves relax and unwind amused her, while very being sprung from the sunny beaches, the cooling evening breezes, and the transforming energy of the changing moon. She was not happy with all the the humans had built on her island, but she had changed too and now found delight in watching them and occasionally taking a small hand in their lives when she had the whim.
It was in the changing light of the moon that such a whim overtook her as she overheard the wishful thoughts of a young man who clearly was not feeling the joy of her island. At first she thought he was simply unlucky in love, something she had toyed with resolving in the past, but as she heard more she found it was a more novel complaint.
"Girls have more fun," Alex mused wistfully as he climbed into the bed of his hotel room alone. "A cute girl doubly so. I wish I was a good looking girl instead of a boring, skinny guy."
That made her smile. Wishes like that could be so much fun. When Alex awoke he would be Alexandra, and as far as anyone on her island would know he had always been a she. The spirit saw that his vacation here was to last seven more days - seven days to try life as a young woman. If he preferred being a she, then perhaps Alexandra could remain on the island forever in her new body. And of course, what fun would it be if a spirit couldn’t tag along, watch what happens, and play a bit of a part in the voyage of discovery. Sometimes impersonating a (well, person) could be a lot of fun too.
---
A last thought then on the topic of side-conversations. Please do let me know if anything about a story isn’t working for you. Oftentimes it can be fixed and if not then it’s best to go ahead and bring things to an agreeable end; sometimes a story just doesn’t turn out to be as much fun as one partner hoped. On the other hand I love to hear it when my partner is enjoying the story - the thrill for me comes from both the creative energy of the tale and from my partner’s response. I still remember a note from a writing partner years ago who talked about how much she liked the scene we had going at the time and how she had to take (shall we say) some time for herself after rereading it. Everyone has their own level of TMI and separation of writer and character, but I figure considering the genre we’re writing it would be disappointing if it didn’t inspire a physical response. So feel free to share such things if you feel comfortable or not, and I’ll probably match your level of disclosure.
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