soliloquy
Gypsy Rose Me
- Joined
- May 22, 2002
- Posts
- 1,422
Anna Trawler hustled to get everything ready for the auditions that were starting in twenty minutes. She looked at her watch. No, make that fifteen
"Charlene," she hollered for the assistant stage manager, "I'll need the headsets and have Sam bring the number eight dimmer up another notch. I don't want to have to strain to see what I'm writing. Who's taking care of collecting the headshots?"
She walked briskly towards the small office they had given her. Really a glamorized, walk-in closet, but this wasn't Broadway or Hollywood, and one had to take what she could get. She brushed a piece of lint off of her Anne Taylor dress, and kicked off her shoes for a moment of relief. Charlene trailed behind her. "Here are the headsets, Ms. Trawler, and Jason's taking care of the headshots. You want them stapled to the applications?"
Anna took a sip of her hot tea and spoke as she gathered up the needed paperwork. "Of course I want them stapled to the applications. And if Jason could manage not to write on them this time, I would love it."
She picked up her character list for the play she was auditioning. Dancing at Lughnasa was one of Brian Friel's newest masterpieces. She shook her head in frustration. Who could she get to play the boy? None of the younger actors she was accustomed to were able to pull off an Irish brogue very well, or lacked the ability to play such a dual character. The boy was written as a man remembering his aunts, and looking in from the outside. He had to be able to convincingly change from boy to man with no more than a beat between.
She gathered her papers and headed into the house of the theater. "Charlene, make sure no mics are on. I want actors who can project this time!" She set her things down on the makeshift desk near the center of the house. Suddenly, she remembered she had left her shoes in her office.
Two minutes and counting. She raced out the side exit to avoid the throngs of hopeful actors, and began to jog towards her office.
"Charlene," she hollered for the assistant stage manager, "I'll need the headsets and have Sam bring the number eight dimmer up another notch. I don't want to have to strain to see what I'm writing. Who's taking care of collecting the headshots?"
She walked briskly towards the small office they had given her. Really a glamorized, walk-in closet, but this wasn't Broadway or Hollywood, and one had to take what she could get. She brushed a piece of lint off of her Anne Taylor dress, and kicked off her shoes for a moment of relief. Charlene trailed behind her. "Here are the headsets, Ms. Trawler, and Jason's taking care of the headshots. You want them stapled to the applications?"
Anna took a sip of her hot tea and spoke as she gathered up the needed paperwork. "Of course I want them stapled to the applications. And if Jason could manage not to write on them this time, I would love it."
She picked up her character list for the play she was auditioning. Dancing at Lughnasa was one of Brian Friel's newest masterpieces. She shook her head in frustration. Who could she get to play the boy? None of the younger actors she was accustomed to were able to pull off an Irish brogue very well, or lacked the ability to play such a dual character. The boy was written as a man remembering his aunts, and looking in from the outside. He had to be able to convincingly change from boy to man with no more than a beat between.
She gathered her papers and headed into the house of the theater. "Charlene, make sure no mics are on. I want actors who can project this time!" She set her things down on the makeshift desk near the center of the house. Suddenly, she remembered she had left her shoes in her office.
Two minutes and counting. She raced out the side exit to avoid the throngs of hopeful actors, and began to jog towards her office.