Morgana
Really Really Experienced
- Joined
- Dec 17, 2000
- Posts
- 485
For the moment, this is a closed thread for Ariosto and Morgana. We invite you to read along with us. This thread is based on Puccini’s opera La Boheme. The action, however, begins about 6 months before the actual start of the opera and will focus on the meeting of Marcello and Musetta.
Paris, 1830
Musetta
A sudden awareness of movement wrenched Musetta from her slumber. Christophe Bordeaux, artistic director of the Paris Opera House, was standing by the base of her bed, hastily buttoning his cloak. She sat up.
“Leaving me so soon, monsieur,” she said coyly, watching him struggle with the tie at the neck. “Let me do that,” she said, moving toward him, the sunlight streaming softly on her voluptuously naked body.
“I have to go,” Chistophe told her abruptly.
“When do rehearsals start?” Musetta queried.
Christophe looked vaguely uncomfortable. “Did I say this season, my pet? I meant next season….so it will not be for quite a while.”
“And the voice lessons you promised with Madame Vallon?” she pressed, “Are those also for next season?”
“Mme. Vallon is booked, cherie, surely you must have mistaken me…”
“You lied to me,” Musetta told him icily.
“No no….not lied….I got caught up in the moment with one so beautiful,” he replied, kissing her hand,” I may merely have exaggerated my….my….er…abilities to be of assistance to you.”
Musetta pulled a sheet over her shoulders and stepped out of bed in one swift moment. Her blue-green eyes were filled with stormy rage as she stared directly at Chistophe.
“If you don’t do something for me, as you have repeatedly promised me, I will come to the opera house and I will make a scene that you will never ever forget. I promise you.
And I keep my promises.”
Christophe eyed her warily. 5’8 with that sweet, cherubic face and generous mouth—she was irresistible. With her light eyes and strawberry blonde hair, she reminded him of a painting he used to admire of Venus lying in the arms of her Adonis. He remembered the day she had stepped into his office, music in hand, requesting an audition. There was an intensity about her that had made him pay attention. He had seduced her; there was no doubt about that. Her inexperience had charmed him but he had been completely unprepared for the fiery conviction of her wrath as she stood before him now.
“There’s a little café in the center of the city. They are looking for a singer. I’ll make the arrangements. It’s a completely respectable place. Not opera but it will give you performance experience.” And so began Musetta’s employment as a chanteuse at the Café Momus.
Musetta had been at the café for a few months. The money was good enough that she could keep a small apartment only a few blocks away. In the late mornings, she was allowed to practice her singing, to use the stately grand piano as she worked through her music.
On a beautiful moonlit night at the very end of May, Musetta got dressed for the evening’s entertainment. She wore a very pretty light blue gown with a plunging neckline and princess waist. It clung to her body in all the right places and accented her soft curves. Her boss knew that it was her sensual manner and fine figure that kept the customers rolling in, as much as it was her pleasing voice.
Musetta started the evening off with a couple of sultry torch songs, making her way through the crowds while they sipped their wine and ate their sandwiches. She flirted with the men while she sang, placing an arm on one’s shoulder, touching another’s face with the curve of her hand, and even sitting on the lap of a man toward the front dressed in a soldier’s uniform.
Her third song was a love song, one of her favorites. It wasn’t the kind of crowd pleaser that the early selections were, but she loved the beautiful lyrics and plaintive melody. She noticed a solitary man in a white shirt and black trousers, standing toward the back of the room, a glass of wine in his hand. He was listening to her and watching her intently. The way he looked at her gave her butterflies in her stomach and made her cheeks flush with warmth. Her own eyes were drawn to him like a magnet and for a few moments she could have sworn that it was only herself and him in the room. As she sang the words, each phrase was meant for him alone and Musetta felt that rare but extraordinary magic where art and life meet.
As the rest of the evening wore on, Musetta forgot about him until she had finished singing, when the café was getting near closing time. She was sipping on a glass of Merlot that the soldier had bought for her when an elbow jostled her. Red wine splattered in droplets over her hand and onto a man who was standing to her left. She recognized him immediately as the one she had noticed earlier, his white shirt covered in splotches of burgundy.
She turned. “I’m so sorry, monsieur!” she exclaimed, her eyes meeting his.
Paris, 1830
Musetta
A sudden awareness of movement wrenched Musetta from her slumber. Christophe Bordeaux, artistic director of the Paris Opera House, was standing by the base of her bed, hastily buttoning his cloak. She sat up.
“Leaving me so soon, monsieur,” she said coyly, watching him struggle with the tie at the neck. “Let me do that,” she said, moving toward him, the sunlight streaming softly on her voluptuously naked body.
“I have to go,” Chistophe told her abruptly.
“When do rehearsals start?” Musetta queried.
Christophe looked vaguely uncomfortable. “Did I say this season, my pet? I meant next season….so it will not be for quite a while.”
“And the voice lessons you promised with Madame Vallon?” she pressed, “Are those also for next season?”
“Mme. Vallon is booked, cherie, surely you must have mistaken me…”
“You lied to me,” Musetta told him icily.
“No no….not lied….I got caught up in the moment with one so beautiful,” he replied, kissing her hand,” I may merely have exaggerated my….my….er…abilities to be of assistance to you.”
Musetta pulled a sheet over her shoulders and stepped out of bed in one swift moment. Her blue-green eyes were filled with stormy rage as she stared directly at Chistophe.
“If you don’t do something for me, as you have repeatedly promised me, I will come to the opera house and I will make a scene that you will never ever forget. I promise you.
And I keep my promises.”
Christophe eyed her warily. 5’8 with that sweet, cherubic face and generous mouth—she was irresistible. With her light eyes and strawberry blonde hair, she reminded him of a painting he used to admire of Venus lying in the arms of her Adonis. He remembered the day she had stepped into his office, music in hand, requesting an audition. There was an intensity about her that had made him pay attention. He had seduced her; there was no doubt about that. Her inexperience had charmed him but he had been completely unprepared for the fiery conviction of her wrath as she stood before him now.
“There’s a little café in the center of the city. They are looking for a singer. I’ll make the arrangements. It’s a completely respectable place. Not opera but it will give you performance experience.” And so began Musetta’s employment as a chanteuse at the Café Momus.
Musetta had been at the café for a few months. The money was good enough that she could keep a small apartment only a few blocks away. In the late mornings, she was allowed to practice her singing, to use the stately grand piano as she worked through her music.
On a beautiful moonlit night at the very end of May, Musetta got dressed for the evening’s entertainment. She wore a very pretty light blue gown with a plunging neckline and princess waist. It clung to her body in all the right places and accented her soft curves. Her boss knew that it was her sensual manner and fine figure that kept the customers rolling in, as much as it was her pleasing voice.
Musetta started the evening off with a couple of sultry torch songs, making her way through the crowds while they sipped their wine and ate their sandwiches. She flirted with the men while she sang, placing an arm on one’s shoulder, touching another’s face with the curve of her hand, and even sitting on the lap of a man toward the front dressed in a soldier’s uniform.
Her third song was a love song, one of her favorites. It wasn’t the kind of crowd pleaser that the early selections were, but she loved the beautiful lyrics and plaintive melody. She noticed a solitary man in a white shirt and black trousers, standing toward the back of the room, a glass of wine in his hand. He was listening to her and watching her intently. The way he looked at her gave her butterflies in her stomach and made her cheeks flush with warmth. Her own eyes were drawn to him like a magnet and for a few moments she could have sworn that it was only herself and him in the room. As she sang the words, each phrase was meant for him alone and Musetta felt that rare but extraordinary magic where art and life meet.
As the rest of the evening wore on, Musetta forgot about him until she had finished singing, when the café was getting near closing time. She was sipping on a glass of Merlot that the soldier had bought for her when an elbow jostled her. Red wine splattered in droplets over her hand and onto a man who was standing to her left. She recognized him immediately as the one she had noticed earlier, his white shirt covered in splotches of burgundy.
She turned. “I’m so sorry, monsieur!” she exclaimed, her eyes meeting his.