twelveoone
ground zero
- Joined
- Mar 13, 2004
- Posts
- 5,882
"If you want a picture of the future, imagine a boot stamping on a human face--for ever." --from Nineteen Eighty-Four
Orwell's reputation rests not only on his political shrewdness and his sharp satires but also on his marvelously clear style and on his superb essays, which rank with the best ever written. "Politics and the English Language" (1950), which links authoritarianism with linguistic decay...Richard A.Johnson http://www.levity.com/corduroy/orwell.htm
The philosopher Ludwig Wittgenstein advised readers to attend to the use of a phrase in order to determine its meaning. Adopting that suggestion, one regularly discovers that terms of political discourse are used with a doctrinal meaning that is crucially different from the literal one. - Noam Chomsky, The Crimes of 'Intcom'; Foreign Policy, September, 2002 http://www.chomsky.info/articles/200209--.htm
What prompted this is the introduction to the "The Poetry Reader's Toolkit" , by Marc Polonsky. In the first paragraph he draws a distinction between advertising, political slogans, jargon, propaganda and poetry. (I object) His point is well taken by the rest of the book in that it promotes a subjective critical thinking. But the first paragraph in itself is propaganda.
So Bullshit, or bovenal fecal spreading if you will. They spring from the same roots, use the same devices, (repition, manipulation of langauge for emotional effect) and at times it becomes hard to draw a distinction between what is one or the other. Ah, but poetry is beautiful, and truth is beauty, do I hear in the distance a reshuffling, beauty is truth, because Keats says so.
Bullshit, or bovenal fecal spreading if you will. Do I hear in the distance, that that is the problem with 1201, he doesn't know the difference between advertising/ propaganda and poetry. As examples:
Song of Roland - composed during the crusades, when the historical antecendant was the Franks where slaughtered by the Basques, when the Franks invaded.
Ezra Pound - too numerous, but this may be an interesting link
http://www.utpjournals.com/product/utq/672/672_review_munk.html
Now I have no problem with the manipulation of langauge for emotional effect, that is the whole idea of communication, and at times I wish my life may be a little closer to beer commericals than it is. What I have a problem with is a lack of awareness of that manipulation, a subjective critism on the part of the manipulated. The great questions unasked, What? Why?
For your amusement:
http://www.resort.com/~prime8/Orwell/patee.html
Orwell's reputation rests not only on his political shrewdness and his sharp satires but also on his marvelously clear style and on his superb essays, which rank with the best ever written. "Politics and the English Language" (1950), which links authoritarianism with linguistic decay...Richard A.Johnson http://www.levity.com/corduroy/orwell.htm
The philosopher Ludwig Wittgenstein advised readers to attend to the use of a phrase in order to determine its meaning. Adopting that suggestion, one regularly discovers that terms of political discourse are used with a doctrinal meaning that is crucially different from the literal one. - Noam Chomsky, The Crimes of 'Intcom'; Foreign Policy, September, 2002 http://www.chomsky.info/articles/200209--.htm
What prompted this is the introduction to the "The Poetry Reader's Toolkit" , by Marc Polonsky. In the first paragraph he draws a distinction between advertising, political slogans, jargon, propaganda and poetry. (I object) His point is well taken by the rest of the book in that it promotes a subjective critical thinking. But the first paragraph in itself is propaganda.
So Bullshit, or bovenal fecal spreading if you will. They spring from the same roots, use the same devices, (repition, manipulation of langauge for emotional effect) and at times it becomes hard to draw a distinction between what is one or the other. Ah, but poetry is beautiful, and truth is beauty, do I hear in the distance a reshuffling, beauty is truth, because Keats says so.
Bullshit, or bovenal fecal spreading if you will. Do I hear in the distance, that that is the problem with 1201, he doesn't know the difference between advertising/ propaganda and poetry. As examples:
Song of Roland - composed during the crusades, when the historical antecendant was the Franks where slaughtered by the Basques, when the Franks invaded.
Ezra Pound - too numerous, but this may be an interesting link
http://www.utpjournals.com/product/utq/672/672_review_munk.html
Now I have no problem with the manipulation of langauge for emotional effect, that is the whole idea of communication, and at times I wish my life may be a little closer to beer commericals than it is. What I have a problem with is a lack of awareness of that manipulation, a subjective critism on the part of the manipulated. The great questions unasked, What? Why?
For your amusement:
http://www.resort.com/~prime8/Orwell/patee.html