How to properly do a draw 2 on a diatonic 10 hole harp in key of C?

Hard_Rom

Northumbrian Skald
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Apr 24, 2014
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Can't be me! Must the harmonica!

Lots of tips on the web. But no dramatic improvement. Anyone got more tips?

Thanks.
 
Put your lips together and suck.

:D

I usually ld the harp in my right hand, cup with my left, and hold the harp at about a 45 degree angle, right thumb under the harp, left thumb on my nose. But it's a long nose.
 
45 degree angle?
Sometimes up to 60 degrees. I don't like tongue-blocking so I get the best single-hole control by going more vertical than horizontal. You sloppy slobbery tongue-blockers can drool into your harp all you want. I maintain *some* sanitary standards. :D
 
I suck at tongue blocking. Then again I am barely above Silent Night level of competence.
 
You might want to graduate from a diatonic harp to an echo harp like the Hohner Weekender (the world's most popular) or a Suzuki Study-24. You get a bit more real estate (easier to place lips), a bit more tonal range, and a more compete diatonic scale than the Richter scale on Marine Band-type harps. You get an instrument that can substitute for a concertina in Cajun, Celtic, and Mexican music.

My day bag always contains at least four Hohner harps: Marine Band in G for playing low; Blues Band in A for jamming on blues in E; Weekender in C for international pop and the aforementioned ethnic; and Chromonica in C for jazzy stuff. Those are my faves and the Weekender is my fave fave. YMMV.
 
I have a Hohner Blues Harp MS in C. If all I had to do was bend a 2 draw I would be fine. I think my bending is not bad, for a beginner.

Are the other key harps the same? Lots of what I would like to play are not in C. I got a C because it is most popular for a reason.

It would appear all harp players have most of the keys covered by the time they are any good. Suzuki has a good name and are cheaper than Hohners.
 
C harps are popular because they're cheap and cheap because they're popular. They're also a decent mid-range. The lowest key is G, the highest is F, and some find those too extreme. C is right in between.

Blues harp is usually played in 2nd position -- 'cross-harp' -- so an A harp crosses to E, a good guitar blues key. Your C harp crosses to G, also a good blues key on guitar. Plain diatonic harps in G, A, C, and D will cover most possibilities.

I love the rich sounds I get from my echo harps in G, A, and C -- true mouth-organs. If a blues harp is wailing, an echo harp is filling.
 
C harps are popular because they're cheap and cheap because they're popular. They're also a decent mid-range. The lowest key is G, the highest is F, and some find those too extreme. C is right in between.

Blues harp is usually played in 2nd position -- 'cross-harp' -- so an A harp crosses to E, a good guitar blues key. Your C harp crosses to G, also a good blues key on guitar. Plain diatonic harps in G, A, C, and D will cover most possibilities.

I love the rich sounds I get from my echo harps in G, A, and C -- true mouth-organs. If a blues harp is wailing, an echo harp is filling.

My music theory is still too weak to have a handle on "cross-harp". As for echo and blues harps, you got me on sound difference. I thought blues harp tuned a bit make some bends easier or more accessible.

Until I can unbend a two draw lots of good blues riffs seem out of my league. Cheating on a 3 blow seems just that cheating.

Learning list

While my Guitar Gently Weeps
Dirty Old Town
Hurt

I play Ode to Joy better the faster I play it.

Just got these ones down I think. Bastardized versions of the real things.

https://www.youtube.com/watch?v=Me5B9L5kmyo&feature=youtu.be

No hand waving though. That's in the hada hodo practice thing from Harmonica for Dummies.
 
Practice changing the shape of you buccal (mouth) cavity. Like with bending, it changes the harmonics, which will help you get the correct reeds vibrating.
 
Had best result after practicing this guys tips.

https://www.youtube.com/watch?v=rJ-PYqmKHJA

Do the other key harmonicas have a hard to play spot too?

I have found the quality of the harp makes a bigger difference than anything else. Cheap harp in, cheap sound out. Like Hypoxia, I'm not a tongue-blocker, either, though I've tossed a harp that felt as if it had a sticky reed or two. Now, I use the testing billows into the store and test each hole, but that's just me. That said, I think most harps get better with age, or maybe they player just gets better at recognizing the subtle inconsistencies of each harp? Tough to tell. A great player can make any instrument sound great. I hate people like that. :)
 
It's not the harmonica. It's a nice Hohner. Tested on bellows at store. Good and clean. It's me and me alone.

Still asking if, for example, a key of A harp has a nasty 2 draw or is it just the C harps?

Another tip which gave a tiny tiny tiny improvement was to try do it as softly as possible.
 
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