Mae13
Special Needs Woman
- Joined
- Sep 23, 2001
- Posts
- 2,487
I know in my 'water and fire' thread, I mentioned the book I was reading, House of Leaves. Had quite a few people mention that in in PM's and such...today I ran into the passage the prose in the song is taken from. It is SO much more entrancing than even that presented in the song ("Hey Pretty-Radio Remix" by Poe, in case you forgot
). Seems folks here like to 'read the articles' as well as look at us centrefolds, so thought you might be interested in the entirity of one of the sections...the whole thing is actually too many pages to post, but this section was especially intriguing and erotic (to my, anyway!)
~~~
"...I can't remember the inane things I started babbling about then. I know it didn't really matter. She wasn't listening. She just yanked up on the emergency brake, dropped her seat back and told me to lie on top of her, on top of those leather pants of hers, extremely expensive leather pants mind you, her hands immediately guiding mine over those soft slightly oily folds, positioning my fingers on the shiny metal tab, small and round like a tear, then murmuring a murmur so inaudible that even though I could feel her lips tremble against my ear, she seemed far, far away--"pinch it" she'd said, which I did, lightly, until she also said "pull it" which I also did, gently, parting the teeth, one at a time, down, under and beneath, the longest unzipping of my life, all the way from right beneath her perfectly oval navel to the tiny tattoo, a Japanese sign, the meaning of which I never guessed, marking her lower back, and not a stitch of underwear to get in the way, the rest very guessable though don't underestimate the danger which I guess really wasn't so dangerous after all.
We never even kissed or looked into each other's eyes. Our lips just trespassed on those inner labyrinths hidden deep within our ears, filled them with the private music of wicked words, hers in many languages, mine in the off colour of my only tongue, until as our tones shifted, and our consonants spun and squealed, rattled faster, hesitated, raced harder, syllables soon melting with groans, or moans finding purchase in new words, or old words, or made-up words, until we gathered up our heat and refused to release it, enjoying too much the dark language we had suddenly stumbled upon, craved to, carved to, not a communication really but a channeling of our rumored desires, hers for all I know gone to Black Forests and wolves, mine banging back to a familiar form, that great revenant mystery I still could only hear the shape of, which in spite of our separate lusts and individual cries still continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn fueled by sound, hers screeching, mine-I didn't hear mine-only hers, probably counter-pointing mine, a high-pitched cry, then a whisper dropping unexpectedly to practically a bark, a grunt, whatever, no sense any more, and suddenly no more curves either, just the straight away, some line crossed, where every fractured sound already spoken finally compacts into one long agoniziing word, easily exceeding a hundred letters, even thunder, anticipating the inevitable letting go, when the heat is ultimately too much to bear, threatening to burn, scar, tear it all apart, yet tempting enough to hold onto for even one second more, to extend it all, if we can, as if by getting that much closer to the heat, that much more enveloped, would prove. . .-which when we did clutch, hold, postpone, did in fact prove too much after all, seconds too much, and impossible to refuse, so blowing all of everything apart, shivers and shakes and deep in her throat a thousand letters crashing in a long unmodulated fall, resonating deep within my cochlea and down the cochlear nerve, a last fit of fury describing in lasting detail the shape of things already come.
Too bad dark languages rarely survive..."
(House of Leaves, Mark Z. Danielewski)
~~~
*shiver*
Hope you enjoyed a bit of my literary world...
Mae
~~~
"...I can't remember the inane things I started babbling about then. I know it didn't really matter. She wasn't listening. She just yanked up on the emergency brake, dropped her seat back and told me to lie on top of her, on top of those leather pants of hers, extremely expensive leather pants mind you, her hands immediately guiding mine over those soft slightly oily folds, positioning my fingers on the shiny metal tab, small and round like a tear, then murmuring a murmur so inaudible that even though I could feel her lips tremble against my ear, she seemed far, far away--"pinch it" she'd said, which I did, lightly, until she also said "pull it" which I also did, gently, parting the teeth, one at a time, down, under and beneath, the longest unzipping of my life, all the way from right beneath her perfectly oval navel to the tiny tattoo, a Japanese sign, the meaning of which I never guessed, marking her lower back, and not a stitch of underwear to get in the way, the rest very guessable though don't underestimate the danger which I guess really wasn't so dangerous after all.
We never even kissed or looked into each other's eyes. Our lips just trespassed on those inner labyrinths hidden deep within our ears, filled them with the private music of wicked words, hers in many languages, mine in the off colour of my only tongue, until as our tones shifted, and our consonants spun and squealed, rattled faster, hesitated, raced harder, syllables soon melting with groans, or moans finding purchase in new words, or old words, or made-up words, until we gathered up our heat and refused to release it, enjoying too much the dark language we had suddenly stumbled upon, craved to, carved to, not a communication really but a channeling of our rumored desires, hers for all I know gone to Black Forests and wolves, mine banging back to a familiar form, that great revenant mystery I still could only hear the shape of, which in spite of our separate lusts and individual cries still continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn fueled by sound, hers screeching, mine-I didn't hear mine-only hers, probably counter-pointing mine, a high-pitched cry, then a whisper dropping unexpectedly to practically a bark, a grunt, whatever, no sense any more, and suddenly no more curves either, just the straight away, some line crossed, where every fractured sound already spoken finally compacts into one long agoniziing word, easily exceeding a hundred letters, even thunder, anticipating the inevitable letting go, when the heat is ultimately too much to bear, threatening to burn, scar, tear it all apart, yet tempting enough to hold onto for even one second more, to extend it all, if we can, as if by getting that much closer to the heat, that much more enveloped, would prove. . .-which when we did clutch, hold, postpone, did in fact prove too much after all, seconds too much, and impossible to refuse, so blowing all of everything apart, shivers and shakes and deep in her throat a thousand letters crashing in a long unmodulated fall, resonating deep within my cochlea and down the cochlear nerve, a last fit of fury describing in lasting detail the shape of things already come.
Too bad dark languages rarely survive..."
(House of Leaves, Mark Z. Danielewski)
~~~
*shiver*
Hope you enjoyed a bit of my literary world...
Mae