heterotic
Bottom to Top
- Joined
- Jan 15, 2002
- Posts
- 1,000
Whenever life gets you down, try reading a page in another language, automatically translated by Google. Here's an excerpt from an interview with Philip Glass in German:
P.G.: From the outset I understood myself as foundation of the film music a combination of Tibetan and western instruments. Already during the turning work I wrote music, which I sent to Scorsese for examination. In December 1996 the film was turned off, but the cut dragged on over nine months. Monsters a long time. Marty is an absolute perfectionist, who umgeschnitten partially individual pictures has. If one imagines that the turned off filmmaterial covered and on 133 minutes was shortened well 160 minutes, one can introduce oneself easily, what had to be carried out here. In the second "cut month" we looked at ourselves for the first time pictures with the music. That was a very organic process, since from the outset in principle music was in the play, whatever affected the cut partly substantially.
Ok, maybe you had to be there. It seemed funny at the time...
P.G.: From the outset I understood myself as foundation of the film music a combination of Tibetan and western instruments. Already during the turning work I wrote music, which I sent to Scorsese for examination. In December 1996 the film was turned off, but the cut dragged on over nine months. Monsters a long time. Marty is an absolute perfectionist, who umgeschnitten partially individual pictures has. If one imagines that the turned off filmmaterial covered and on 133 minutes was shortened well 160 minutes, one can introduce oneself easily, what had to be carried out here. In the second "cut month" we looked at ourselves for the first time pictures with the music. That was a very organic process, since from the outset in principle music was in the play, whatever affected the cut partly substantially.
Ok, maybe you had to be there. It seemed funny at the time...
Last edited:
