yowser
xpressive
- Joined
- May 5, 2014
- Posts
- 4,004
In the world of cinema (perhaps in many other arenas, although most glaring in film) there is a plague of sequels, the second effort rarely better than the original creation (although there are exceptions.) I am not considering deliberate multi-stage works (Star Wars, Lord of the Rings, etc.) but one film that is well received, and the decision gets made to do a sequel shortly thereafter. Rarely is the creative energy on the second an improvement.
Most of my stories are built to stand alone, although they may have related companions, with one or more of the same characters as part of the mix. I have done a few multi-part series, with mixed results (by both internal and external criteria.)
A recent story ended with not exactly a cliffhanger, but a situation that left the two characters in a situation that begged for (maybe whimpered for) a follow-up. I was prepared to be annoyed if there were calls for “More!” since I hadn't conceived of a proper continuation. Yet I was even more annoyed when NOBODY asked for more. Didn't you care about my carefully nurtured protagonist and her new companion? Don't you want to know what happens next?
The question to the group is how to handle the potential “follow-up” urges? Do you succumb to reader entreaties? Do you adhere only to the dictates of your own muse?
There are certainly works I have produced that inevitably led to the need for a followup (I thought the characters would finish their development in 10k words, but no, they hadn't fully ripened. They needed more.)
But what if YOU are finished, and the world wants more? How do you respond?
Most of my stories are built to stand alone, although they may have related companions, with one or more of the same characters as part of the mix. I have done a few multi-part series, with mixed results (by both internal and external criteria.)
A recent story ended with not exactly a cliffhanger, but a situation that left the two characters in a situation that begged for (maybe whimpered for) a follow-up. I was prepared to be annoyed if there were calls for “More!” since I hadn't conceived of a proper continuation. Yet I was even more annoyed when NOBODY asked for more. Didn't you care about my carefully nurtured protagonist and her new companion? Don't you want to know what happens next?
The question to the group is how to handle the potential “follow-up” urges? Do you succumb to reader entreaties? Do you adhere only to the dictates of your own muse?
There are certainly works I have produced that inevitably led to the need for a followup (I thought the characters would finish their development in 10k words, but no, they hadn't fully ripened. They needed more.)
But what if YOU are finished, and the world wants more? How do you respond?