Senna Jawa
Literotica Guru
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- May 13, 2002
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Eden of the Night -- wh
Chapter 2.
2.1 Montage
Girl after girl, one at the time, but not Cleo, is shown dancing topless on the Playfool stage for 10 - 15 seconds with 2-second breaks in-between during which girls dancing in the darkness for the customers at the walls are shown vaguely. All this to a continuously played quiet song (nothing is heard otherwise). The total duration of the montage should last about 100 seconds during which a viewer of this movie should have a chance to get under a spell, to get hypnotized.
2.2 The street outside Playfool
A car turns from the street into the Playfool parking lot. A man gets out of the front passenger seat. He opens the back door of the car and takes out a case with a violin, a case with a guitar, and a small bag which he puts under his arm. He shuts the door with his foot and says to the driver,
Musician -- Thank you for the ride.
It is heard from the car,
Driver -- Have fun.
The musician does not smile. The car leaves the parking lot. Musician enters Playfool bar.
2.3 Iside Playfool bar
This time the interior of Playfool bar is shown realistically. Two girls dance on the stage. One is dressed and one is topless. Music is loud. The announcer makes comments about the dancers and encourages customers to play percussion with the supplied wooden \IT{knockers}. Some do it in a very noisy way.
Musician introduces himself to a waitress,
Musician -- my name is Pedro. I have an appointment with Cora.
Waitress directs him toward announcer. Musician starts to introduce himself to the announcer,
Musician -- my name is Pedro. I have ...
The woman next to the announcer interrupts,
Cora -- Hi, Pedro, I am Cora
and extends her hand. They shake hands. She asks,
Cora -- Was it easy to find us?
Musician -- ...
Cora -- Well, you've made it. You remember the conditions, don't you? From 6 pm to 2 am, except Mondays, a room to sleep, one meal a day, ..., egh, well, including Mondays, drinks, beer or soda pop, no wine, well, if there is a good occasion, and that would be it. No money. I don't pay dancers either. All the money they get, they get from customers (dancers even tip the announcer). And no air conditioning at night, after 2 am.
Musician -- Yes.
Cora -- But it's OK if customers tip you. Do you have your mattress?
Musician points out under his arm, to a rolled air mattress.
Cora -- Is it all you have?
He nods.
Cora -- I'll give you a blanket and a pillow, ... it's OK. Now I'll show you your room.
They enter the girls' changing room -- girls are half confused, half amused. Pedro seems not to care but he is slightly amused too.
Cora -- You will sleep somewhere here.
Cora makes a vague round gesture, then asks him,
Cora -- What stage name will you use?
Pedro -- I don't care.
Cora -- Oh, you're not a girl, you don't need any.
At this moment Cleo who entered the room just moments earlier, shouts,
Cleo -- In the name of Playfool I call you Mustafa!
She puts her arms around Pedro and kisses him on the mouth. Everybody laughs.
Mustafa leaves the mattress in the corner, and with his guitar and violin goes to the end of the stage away from the Playfool entrance, and sits down. Two girls soon follow him and sit next to him. Roger enters Playfool, turns to the right, and sits at the middle of the stage.
2.4 A threesome chat
One of the two girls -- Mustafa's new friends -- tells Mustafa about Playfool,
First Girl -- It's a nice place, it has got class.
Mustafa -- Why?
Second Girl -- Other places are, you know, more sleazy ...
Mustafa -- You mean, you keep your small panties on.
Girls nod their heads.
Mustafa -- And what if you didn't but these chairs were made out of gold? Wouldn't this place have more class?
Girls laugh uneasily.
First Girl -- But aren't the girls from these other places more sleazy?
Mustafa -- Like inferior to you?
Girls nod again.
Mustafa -- (slight smile) Cause you are ... ladies?
Girls continue to nod.
Mustafa -- (seriously) No, these girls just work under tougher conditions. Maybe they are less fortunate. Are you inferior to ballet dancers?
The girls don't answer but they feel that they are.
Mustafa -- Oh, they dance better than you in ballet, it's tough there in a different way. But I like you more.
Girls -- (together, half-jokingly, half-serious) Thanks!
and they kiss Mustaffa on his cheeks.
Mustafa muses half to himself,
Mustafa -- Ladies, Ladies ... A bank teller, a secretary ... is just a woman. At best, she may be an older lady. But hookers and Go-Go dancers are ladies. Hookers are cowboys' ladies while Go-Go girls ...
Mustafa -- (in a deep voice, mimicking a customer) How much do I owe you, lady?
Mustafa -- (mimicking a girl) Artist's fee is five dollars.
Chapter 2.
2.1 Montage
Girl after girl, one at the time, but not Cleo, is shown dancing topless on the Playfool stage for 10 - 15 seconds with 2-second breaks in-between during which girls dancing in the darkness for the customers at the walls are shown vaguely. All this to a continuously played quiet song (nothing is heard otherwise). The total duration of the montage should last about 100 seconds during which a viewer of this movie should have a chance to get under a spell, to get hypnotized.
* . * . *
2.2 The street outside Playfool
A car turns from the street into the Playfool parking lot. A man gets out of the front passenger seat. He opens the back door of the car and takes out a case with a violin, a case with a guitar, and a small bag which he puts under his arm. He shuts the door with his foot and says to the driver,
Musician -- Thank you for the ride.
It is heard from the car,
Driver -- Have fun.
The musician does not smile. The car leaves the parking lot. Musician enters Playfool bar.
* . * . *
2.3 Iside Playfool bar
This time the interior of Playfool bar is shown realistically. Two girls dance on the stage. One is dressed and one is topless. Music is loud. The announcer makes comments about the dancers and encourages customers to play percussion with the supplied wooden \IT{knockers}. Some do it in a very noisy way.
Musician introduces himself to a waitress,
Musician -- my name is Pedro. I have an appointment with Cora.
Waitress directs him toward announcer. Musician starts to introduce himself to the announcer,
Musician -- my name is Pedro. I have ...
The woman next to the announcer interrupts,
Cora -- Hi, Pedro, I am Cora
and extends her hand. They shake hands. She asks,
Cora -- Was it easy to find us?
Musician -- ...
Cora -- Well, you've made it. You remember the conditions, don't you? From 6 pm to 2 am, except Mondays, a room to sleep, one meal a day, ..., egh, well, including Mondays, drinks, beer or soda pop, no wine, well, if there is a good occasion, and that would be it. No money. I don't pay dancers either. All the money they get, they get from customers (dancers even tip the announcer). And no air conditioning at night, after 2 am.
Musician -- Yes.
Cora -- But it's OK if customers tip you. Do you have your mattress?
Musician points out under his arm, to a rolled air mattress.
Cora -- Is it all you have?
He nods.
Cora -- I'll give you a blanket and a pillow, ... it's OK. Now I'll show you your room.
They enter the girls' changing room -- girls are half confused, half amused. Pedro seems not to care but he is slightly amused too.
Cora -- You will sleep somewhere here.
Cora makes a vague round gesture, then asks him,
Cora -- What stage name will you use?
Pedro -- I don't care.
Cora -- Oh, you're not a girl, you don't need any.
At this moment Cleo who entered the room just moments earlier, shouts,
Cleo -- In the name of Playfool I call you Mustafa!
She puts her arms around Pedro and kisses him on the mouth. Everybody laughs.
Mustafa leaves the mattress in the corner, and with his guitar and violin goes to the end of the stage away from the Playfool entrance, and sits down. Two girls soon follow him and sit next to him. Roger enters Playfool, turns to the right, and sits at the middle of the stage.
* . * . *
2.4 A threesome chat
One of the two girls -- Mustafa's new friends -- tells Mustafa about Playfool,
First Girl -- It's a nice place, it has got class.
Mustafa -- Why?
Second Girl -- Other places are, you know, more sleazy ...
Mustafa -- You mean, you keep your small panties on.
Girls nod their heads.
Mustafa -- And what if you didn't but these chairs were made out of gold? Wouldn't this place have more class?
Girls laugh uneasily.
First Girl -- But aren't the girls from these other places more sleazy?
Mustafa -- Like inferior to you?
Girls nod again.
Mustafa -- (slight smile) Cause you are ... ladies?
Girls continue to nod.
Mustafa -- (seriously) No, these girls just work under tougher conditions. Maybe they are less fortunate. Are you inferior to ballet dancers?
The girls don't answer but they feel that they are.
Mustafa -- Oh, they dance better than you in ballet, it's tough there in a different way. But I like you more.
Girls -- (together, half-jokingly, half-serious) Thanks!
and they kiss Mustaffa on his cheeks.
Mustafa muses half to himself,
Mustafa -- Ladies, Ladies ... A bank teller, a secretary ... is just a woman. At best, she may be an older lady. But hookers and Go-Go dancers are ladies. Hookers are cowboys' ladies while Go-Go girls ...
Mustafa -- (in a deep voice, mimicking a customer) How much do I owe you, lady?
Mustafa -- (mimicking a girl) Artist's fee is five dollars.
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