WretchRoad
Nibblebits
- Joined
- May 15, 2025
- Posts
- 6
There was a fresh-looking print in the middle of a billboard outside the old warehouse. It advertised Dr. Claudius Mosaic’s Aesthetic Buffet, A Modern Art Studio. The paper was stark and white against torn ads still hanging on by rusted staples. Missing person’s photos accompanied by pleas for information, weathered down to be unrecognizable. Hell, she hadn’t seen another person in days of scouring the wasteland, none who were real, anyway.
Dr. Mosaic was covered in robes when he stepped outside, waving to her like a neighbour come to visit. “Come in,” said the bundle of fabrics in a voice both masculine and light. “Come in to see my studio.”
She didn’t move until he added: “I have food.”
As he led her, he gracefully ignored her yellowed eyes, her flaking skin, bleeding knuckles, and her shattered leg, held together by sticks and a ripped up old AC-DC t-shirt. He kept a steady, cool hand around her arm, thin enough for his fingers to touch.
The halls were freshly painted, the floors immaculately polished, and every room was furnished in curving, stylized couches and tables. He must have raided a high end antique store while everyone else was busy looking for supplies and the weapons to protect them. Or simply died. His studio, the largest room, had walls lined with works by Matisse, Picasso, Dali and Seville, but most prominent were his own designs. His sculptures. Ridley, in disbelief that opulence had survived hidden away in an industrial bakery that still smelled faintly of sourdough, she reached out to touch the polished scales on what she thought was a bronze of a mermaid. It shuddered at her touch.
She wasn’t allowed to say no when he asked her to stay. That was made clear with the ropes. There was no room for mercy with the machine Claudius had turned himself into, barely any of his original parts remained. “Useless,” he’d called them, “ugly and useless,” he’d said when he showed her his private works, his original, warped and disfigured limbs floating in yellow fluids, exposed bone cut with a surgeon’s steady grace.
It wasn’t painful, not terribly, what he did to her. For one, he fixed her leg, immediately and miraculously. Then, he made her blue. “Like a glacier in the North Atlantic,” he said, “Like your eyes. I’ll leave them blue. An artist bends to nature as much as he must bend nature.” Her hair was stained in some permanent way to a blue-mauve that reminded her of baby clothes. But the designs were the first true torture he inflicted on her, raised swirls and curls that branched out over her collar, over her breasts and down her arms, they radiated out from her spine and wrapped her hips, plunged between her legs and descended her legs like fractured glass. For days and he etched her skin while she thrashed and shouted, working until long after she’d gone limp and her throat was raw, when he proclaimed her complete. Afterward, her pictures joined the others on the wall, one she tried her best not to look at.
She was given a room, following her debut. A cell to ruminate on what she'd become.
She was fortunate enough to keep her mobility and her mind. Most subjects were barely alive when he found them, kept just above the threshold to survive as artworks for as long as he could keep them breathing. And some? They were made that way when Dr. Mosaic decided “no art is without risk!” in one of his creative fugues. Fewer of his walking and talking kind of artworks survived as months went on with a lack of new “material” to draw his focus.
Ridley had been plotting her escape since the moment she arrived, though her motivation was tempered by relative comfort, considering the wasteland outside, and the food and water Dr. Mosaic provided from filtration and aquaponics systems that impressed even her. She’d offered to help with maintenance but was cowed by his outrage that she, a living sculpture, would think of using the perfectly designed hands he’d made to clear disgusting sludge from pipes. She just wanted an excuse to get her hands on some tools. They were all kept from “the dredges of labour” except for one: a man, just as altered as the rest of them, who followed Claudius like a dog, who assisted him from the other side of his surgical table, who’s door didn’t lock from the outside. Who didn’t seem to want to leave.
Some stayed in the hope they could still be fixed, put back to normal. Other’s were terrified of what might happen if they were caught trying to escape. And a few didn’t like the kind of life they imagined on the outside, looking like strange demons. Ridley? She waited for the right circumstance so she didn't end up worse. Like the shattered, warped figures pushed into backrooms and storage.
They were discouraged from talking, locked in their own rooms when Claudius wasn’t admiring or photographing them, which was how she met Shiloh. Face to face in a near embrace as Claudius snapped their pictures, risking only a few words at a time.
“There aren’t many left,” Shiloh whispered. Her skin was half green and half pink, split down the middle. Each eye the opposite colour of the surrounding skin, like a neon yin yang.
“The longer we stay,” Ridley paused when Claudius strode over to adjust her position. “The more likely we join the Frozen Ones.”
“It sounds like you want to leave.”
“And do you?”
Shiloh paused for a few more snaps. “Yes,” the word almost choked her.
“The other one,” Ridley said, “he rolls a bin of compost down to the basement every night, and there’s an old coal shoot.”
*Closer, my loves!* Dr. Mosaic cried. Ridley pulled her arm around the other woman, bringing their lips millimeters apart.
“Won’t he empty it? See us?” Shiloh’s mismatched eyes searched her face. Her breath was sweet.
“There’s two of us and one of him,” Ridley replied.
That night she used an old pop can tab to loosen and remove the pins from the hinges on her door. Shiloh had done the same before meeting her in the quiet hall, lined with Frozen Ones. The sculpture's eyes followed them as they stalked down to the aquaponics room.
The Doctor’s henchman was inside. With his back turned, they both gently folded themselves into the unattended bin. It smelled like rotten salad. Food scraps were piled among the ripped up and partially burned and tear-stained blueprints for Dr. Mosaic’s next editions. They used those to cover themselves when the lid opened and more plant trimmings were thrown on top.
The bin began to roll.
Dr. Mosaic was covered in robes when he stepped outside, waving to her like a neighbour come to visit. “Come in,” said the bundle of fabrics in a voice both masculine and light. “Come in to see my studio.”
She didn’t move until he added: “I have food.”
As he led her, he gracefully ignored her yellowed eyes, her flaking skin, bleeding knuckles, and her shattered leg, held together by sticks and a ripped up old AC-DC t-shirt. He kept a steady, cool hand around her arm, thin enough for his fingers to touch.
The halls were freshly painted, the floors immaculately polished, and every room was furnished in curving, stylized couches and tables. He must have raided a high end antique store while everyone else was busy looking for supplies and the weapons to protect them. Or simply died. His studio, the largest room, had walls lined with works by Matisse, Picasso, Dali and Seville, but most prominent were his own designs. His sculptures. Ridley, in disbelief that opulence had survived hidden away in an industrial bakery that still smelled faintly of sourdough, she reached out to touch the polished scales on what she thought was a bronze of a mermaid. It shuddered at her touch.
She wasn’t allowed to say no when he asked her to stay. That was made clear with the ropes. There was no room for mercy with the machine Claudius had turned himself into, barely any of his original parts remained. “Useless,” he’d called them, “ugly and useless,” he’d said when he showed her his private works, his original, warped and disfigured limbs floating in yellow fluids, exposed bone cut with a surgeon’s steady grace.
It wasn’t painful, not terribly, what he did to her. For one, he fixed her leg, immediately and miraculously. Then, he made her blue. “Like a glacier in the North Atlantic,” he said, “Like your eyes. I’ll leave them blue. An artist bends to nature as much as he must bend nature.” Her hair was stained in some permanent way to a blue-mauve that reminded her of baby clothes. But the designs were the first true torture he inflicted on her, raised swirls and curls that branched out over her collar, over her breasts and down her arms, they radiated out from her spine and wrapped her hips, plunged between her legs and descended her legs like fractured glass. For days and he etched her skin while she thrashed and shouted, working until long after she’d gone limp and her throat was raw, when he proclaimed her complete. Afterward, her pictures joined the others on the wall, one she tried her best not to look at.
She was given a room, following her debut. A cell to ruminate on what she'd become.
She was fortunate enough to keep her mobility and her mind. Most subjects were barely alive when he found them, kept just above the threshold to survive as artworks for as long as he could keep them breathing. And some? They were made that way when Dr. Mosaic decided “no art is without risk!” in one of his creative fugues. Fewer of his walking and talking kind of artworks survived as months went on with a lack of new “material” to draw his focus.
Ridley had been plotting her escape since the moment she arrived, though her motivation was tempered by relative comfort, considering the wasteland outside, and the food and water Dr. Mosaic provided from filtration and aquaponics systems that impressed even her. She’d offered to help with maintenance but was cowed by his outrage that she, a living sculpture, would think of using the perfectly designed hands he’d made to clear disgusting sludge from pipes. She just wanted an excuse to get her hands on some tools. They were all kept from “the dredges of labour” except for one: a man, just as altered as the rest of them, who followed Claudius like a dog, who assisted him from the other side of his surgical table, who’s door didn’t lock from the outside. Who didn’t seem to want to leave.
Some stayed in the hope they could still be fixed, put back to normal. Other’s were terrified of what might happen if they were caught trying to escape. And a few didn’t like the kind of life they imagined on the outside, looking like strange demons. Ridley? She waited for the right circumstance so she didn't end up worse. Like the shattered, warped figures pushed into backrooms and storage.
They were discouraged from talking, locked in their own rooms when Claudius wasn’t admiring or photographing them, which was how she met Shiloh. Face to face in a near embrace as Claudius snapped their pictures, risking only a few words at a time.
“There aren’t many left,” Shiloh whispered. Her skin was half green and half pink, split down the middle. Each eye the opposite colour of the surrounding skin, like a neon yin yang.
“The longer we stay,” Ridley paused when Claudius strode over to adjust her position. “The more likely we join the Frozen Ones.”
“It sounds like you want to leave.”
“And do you?”
Shiloh paused for a few more snaps. “Yes,” the word almost choked her.
“The other one,” Ridley said, “he rolls a bin of compost down to the basement every night, and there’s an old coal shoot.”
*Closer, my loves!* Dr. Mosaic cried. Ridley pulled her arm around the other woman, bringing their lips millimeters apart.
“Won’t he empty it? See us?” Shiloh’s mismatched eyes searched her face. Her breath was sweet.
“There’s two of us and one of him,” Ridley replied.
That night she used an old pop can tab to loosen and remove the pins from the hinges on her door. Shiloh had done the same before meeting her in the quiet hall, lined with Frozen Ones. The sculpture's eyes followed them as they stalked down to the aquaponics room.
The Doctor’s henchman was inside. With his back turned, they both gently folded themselves into the unattended bin. It smelled like rotten salad. Food scraps were piled among the ripped up and partially burned and tear-stained blueprints for Dr. Mosaic’s next editions. They used those to cover themselves when the lid opened and more plant trimmings were thrown on top.
The bin began to roll.
Last edited: