dr_mabeuse
seduce the mind
- Joined
- Oct 10, 2002
- Posts
- 11,528
Rather than critiquing anyone else's poem, I think it's only fair I look at one of my own:
This is called "Bondage Sonnet 1". I've divided it into quatrains and final couplet:
I do not know what holds you to me.
Ties of mere love seem somehow too thin.
Perhaps the slight of black on white skin.
Ropes which both tie us and set us free.
I only know the sight of thee
Arranged for me without pretense,
Invokes in me such feelings intense
That I must take you, passionately.
You surrender yourself so utterly.
What else could you give that means so much?
You yearn and ache for my trembling touch
Your body and heart given willingly.
But these are just symbols, these are just games.
Trust, Love, Desire are stronger than chains.
Dirst thing I notice is that the author's penned a "sonnet"Oh, isn't that dear? What a pompous asshole. He's showing off for us.
This had better be good.
Now I notice that the poem doesn't make me feel anything much. It's very didactic., there's not much in the way of imagery aside from the "black on white skin", whose meaning is not clear. Is the author black? Is he talking about black clothing? His mood? In any case, it's a very essay-like poem. Boring.
Now I suppress the urge to wince at such cliched "poetic" constructions as "feelings intense" and the use of the archaic "thee", obviously done for the sake of rhyme since the poet seems to live in the current century. "Trembling touch" makes me gag. There surely exists a truer adjective than "trembling". Or do I have palsy? How could I have let this slip through?
Now I notice that the rhyme scheme itself is of the abba form, rather than abab. Okay; I can live with that. But look what happens in the last quatrain: it rhymes with the previous one, which blurs the clarity of the sonnet form, and everything seems to melt.
The last couplet doesn't sound true to me. It sounds like a cliche that rhymed too well to ignore, but it doesn't feel real to me. It's somehow trite. And why did I have to capitalize "Love Trust & Desire"?
Now let's talk to the poet. Dr Mabeuse?
'Yes, well, I originally wanted to write a terribly passionate poem because the idea of bondage is terribly exciting to me. I wanted it to be extremely not and erotic to make readers squirm as they saw the woman bound and waiting for her loverm willing to give everything she had for his pleasure. I wanted to convery the naked trust and love that must exist between two people in this type of relationship and show that, far from being a matter of cruelty, my idea of bondage is a ritual expression of the depth of love between the two. But I wanted to express it is terms of
poetic sensuality. I wanted it to drip with sex & love."
Seen in that light, the poem is a failure. It's anything but sensual. It's very dry and cerebral. What happened?
"I think it was the problem of working in rhyme. For me, rhyming means heavy editing and rewriting, and in so doing I lost the passion."
By the way, the rhymes aren't bad. They're not all that contrived, where you can tell that the poet sacrificed what he was trying to say in order to find a rhyme. And there are non of those embarrassments where you can just picture the author poring over his rhyming dictionary and settling for something that isn't what he wanted to say.
But why didn't I write in non-rhyming verse?
The fact is, I've pretty much lost my original poetic voice, and so I have to work with rhymes as a means of giving some structure to what I write. I long for the days when I had such natural music in my language that rhymes were superfluous and I am struggling to get it back, but I'm afraid it might be gone for good.
By the way, I urge you to overlook my entrance into the group. I do like to make an entrance, cape flowing, and kick over the potted palms and make the ladies shreik, but I am really not a bad person. I just wanted to stir things up.
I come from a group where everyone just adored whatever anyone wrote, and it finally made me nauseous. I wanted to get to a place where people cared enough to be critical and--more important--would stand by what they thought was good.
Truth be told, I only read maybe four poems on this site. It's true that the ones I read were not that good, but I had no business branding all the poetry here as bad. I just wanted to see who was serious here. I'd like to see some good ones.
And I can take it as well as dish it out. I would be honored and flattered for ciriticism and suggestions on this or anything I write.
Your humble servant,
---dr.M.
This is called "Bondage Sonnet 1". I've divided it into quatrains and final couplet:
I do not know what holds you to me.
Ties of mere love seem somehow too thin.
Perhaps the slight of black on white skin.
Ropes which both tie us and set us free.
I only know the sight of thee
Arranged for me without pretense,
Invokes in me such feelings intense
That I must take you, passionately.
You surrender yourself so utterly.
What else could you give that means so much?
You yearn and ache for my trembling touch
Your body and heart given willingly.
But these are just symbols, these are just games.
Trust, Love, Desire are stronger than chains.
Dirst thing I notice is that the author's penned a "sonnet"Oh, isn't that dear? What a pompous asshole. He's showing off for us.
This had better be good.
Now I notice that the poem doesn't make me feel anything much. It's very didactic., there's not much in the way of imagery aside from the "black on white skin", whose meaning is not clear. Is the author black? Is he talking about black clothing? His mood? In any case, it's a very essay-like poem. Boring.
Now I suppress the urge to wince at such cliched "poetic" constructions as "feelings intense" and the use of the archaic "thee", obviously done for the sake of rhyme since the poet seems to live in the current century. "Trembling touch" makes me gag. There surely exists a truer adjective than "trembling". Or do I have palsy? How could I have let this slip through?
Now I notice that the rhyme scheme itself is of the abba form, rather than abab. Okay; I can live with that. But look what happens in the last quatrain: it rhymes with the previous one, which blurs the clarity of the sonnet form, and everything seems to melt.
The last couplet doesn't sound true to me. It sounds like a cliche that rhymed too well to ignore, but it doesn't feel real to me. It's somehow trite. And why did I have to capitalize "Love Trust & Desire"?
Now let's talk to the poet. Dr Mabeuse?
'Yes, well, I originally wanted to write a terribly passionate poem because the idea of bondage is terribly exciting to me. I wanted it to be extremely not and erotic to make readers squirm as they saw the woman bound and waiting for her loverm willing to give everything she had for his pleasure. I wanted to convery the naked trust and love that must exist between two people in this type of relationship and show that, far from being a matter of cruelty, my idea of bondage is a ritual expression of the depth of love between the two. But I wanted to express it is terms of
poetic sensuality. I wanted it to drip with sex & love."
Seen in that light, the poem is a failure. It's anything but sensual. It's very dry and cerebral. What happened?
"I think it was the problem of working in rhyme. For me, rhyming means heavy editing and rewriting, and in so doing I lost the passion."
By the way, the rhymes aren't bad. They're not all that contrived, where you can tell that the poet sacrificed what he was trying to say in order to find a rhyme. And there are non of those embarrassments where you can just picture the author poring over his rhyming dictionary and settling for something that isn't what he wanted to say.
But why didn't I write in non-rhyming verse?
The fact is, I've pretty much lost my original poetic voice, and so I have to work with rhymes as a means of giving some structure to what I write. I long for the days when I had such natural music in my language that rhymes were superfluous and I am struggling to get it back, but I'm afraid it might be gone for good.
By the way, I urge you to overlook my entrance into the group. I do like to make an entrance, cape flowing, and kick over the potted palms and make the ladies shreik, but I am really not a bad person. I just wanted to stir things up.
I come from a group where everyone just adored whatever anyone wrote, and it finally made me nauseous. I wanted to get to a place where people cared enough to be critical and--more important--would stand by what they thought was good.
Truth be told, I only read maybe four poems on this site. It's true that the ones I read were not that good, but I had no business branding all the poetry here as bad. I just wanted to see who was serious here. I'd like to see some good ones.
And I can take it as well as dish it out. I would be honored and flattered for ciriticism and suggestions on this or anything I write.
Your humble servant,
---dr.M.