An Interview with your Porn

butters

High on a Hill
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Jul 2, 2009
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just playing, feel free to ignore this, and apologies to Angeline but i couldn't help myself :devil:

Pick one of your pieces you indulge in - then answer 5 of these questions:

When did you begin watching this porn?

What made you decide to watch it?

How many times have you revisited the porn and how much time has passed from your first viewing to now?

Do you believe the porn came from inspiration, was "received" in some way, or was it just you putting the nuts and other sexual anatomy of the acts together?

Is there more art or craft in this porn and does the music help or hinder its delivery?

Is it a traditional form or does it follow rules you created as you wanked over the poem? Did you use any particular techniques or devices that you felt worked out well?

Was there anything unusual about how you wanked to this porn?

How much of your porn is fact and how much fiction? Did you think about blending fact and fiction as you watched it? Even if you consider the porn fiction, how are you in it?

Is your porn a story or something else and, if so, what?

Did any other poets or artists or events influence your porn?

How does this porn differ from other porns you've watched?

What is American (or English, Canadian, Australian, or wherever you call home) about your porn?

Are you finished?
 
just playing, feel free to ignore this, and apologies to Angeline but i couldn't help myself :devil:

Pick one of your pieces you indulge in - then answer 5 of these questions:

When did you begin watching this porn?

What made you decide to watch it?

How many times have you revisited the porn and how much time has passed from your first viewing to now?

Do you believe the porn came from inspiration, was "received" in some way, or was it just you putting the nuts and other sexual anatomy of the acts together?

Is there more art or craft in this porn and does the music help or hinder its delivery?

Is it a traditional form or does it follow rules you created as you wanked over the poem? Did you use any particular techniques or devices that you felt worked out well?

Was there anything unusual about how you wanked to this porn?

How much of your porn is fact and how much fiction? Did you think about blending fact and fiction as you watched it? Even if you consider the porn fiction, how are you in it?

Is your porn a story or something else and, if so, what?

Did any other poets or artists or events influence your porn?

How does this porn differ from other porns you've watched?

What is American (or English, Canadian, Australian, or wherever you call home) about your porn?

Are you finished?

Ha! laughs.. you first :D
 
I see your questions and 'raise' you one of my own, am I abnormal that watching porn sends me to sleep?
 
When did you begin watching this porn?

When I was 14 I found a pack of playing cards with photos of nude women, with their naughty bits air brushed out like they were back in the day. I filled in their naughty bits myself with a biro.

I then drew Rosemary W nude. She was a girl I fancied in my class at school. Then the other boys asked me to draw girls they fancied nude so I did. I became a sort of counter culture hero amongst fifth form boys. A teacher found out whta I was doing and I was suspended from school for two weeks which increased my hero status. My mother was horrified, while my father said I should consider going to art school.

What made you decide to watch it?

There was no porn to watch. The nearest thing was Emmanuelle on at Studio Seven in sleazy part of town. You had to be 18 but a friend and I managed to get in, even though we were fifteen. The motivation was simple. What did the female sexual anatomy look like. Of course Emmanuelle left it inconclusive but we saw the odd bush.

How many times have you revisited the porn and how much time has passed from your first viewing to now?

The first Emmanuelle has always been an experience that will travel with me.

Do you believe the porn came from inspiration, was "received" in some way, or was it just you putting the nuts and other sexual anatomy of the acts together?

It came from adolescent sexual frustration.

Is there more art or craft in this porn and does the music help or hinder its delivery?

Music, craft, what is that? It was purely about seeing a woman naked.

Is it a traditional form or does it follow rules you created as you wanked over the poem? Did you use any particular techniques or devices that you felt worked out well?

At that age, I wanked myself silly. That is until Jennifer R wanked me. She would wank me regularly so she didn't have to have sex with me.

Was there anything unusual about how you wanked to this porn?

Jennifer R used to wank me but I was really thinking of Rosemary W.

How much of your porn is fact and how much fiction? Did you think about blending fact and fiction as you watched it? Even if you consider the porn fiction, how are you in it?

I thought of nothing else but turning fiction into fact. Jennifer R eventually obliged at a friend's birthday party. She was slim, with small breasts and a luxurious black bush. Once she got over her shyness, she even let me have a close look at her little piece of heaven. I was amazed at the complexity of her vulva. (I seem to make such women a habit. I don't know why.)

Is your porn a story or something else and, if so, what?

It was a quest for experience.

Did any other poets or artists or events influence your porn?

I eventually bedded Rosemary W. She was something of a disappointment. She used to lie there like a sack of potatoes, where Jennifer R used to wrap her limbs around me but because of my infidelity, Jennifer R would have nothing else to do with me. I eventually, through frustration, graduated onto Mary W who gave me my first blow job. She would do anything to keep me, which was both exciting and boring, if that is possible.

How does this porn differ from other porns you've watched?

In Germany while hitching round the continent, I saw my first real porn film. The colours were too reddish and it looked more like a medical film by people who needed a good wash. Men were wanking in the audience which wasn't very pleasant. The small musty room smelt of semen. To get into the small room which was used as a cinema you had to pass cubicles curtained off behind which prostitutes entertained their clients so you hear thighs slapping against buttocks and all sort of grunts and animal sounds. It wasn't pleasant.

Fortunately I met my very own personal porn star, a young and beautiful Helga K. She didn't look German, more Latin. She had olive skin and was small and slim, her nipples were bigger than her breasts and she had a thick black lucious mane of hair and a bush to match. I was in heaven. She had her own studio flat in Hannover. I spent two months with her, every day studying pornography.

What is American (or English, Canadian, Australian, or wherever you call home) about your porn?

I've only had one American pornographic encounter, that was Angela ?, her father was stationed at RAF Lakenheath, Suffolk. I met her at Bardney pop festival in Lincolnshire, 1972. Don McClean and The faces topped the bill.

I've only had one Australian porn star too. That was Helen ? We romped all through one night in the caves in Matala, Crete, in 1974.

Loraine S was Canadian. I met her in Vancouver in 1980 and we became friends. Intimate friends. She eventually studied art in Amsterdam where I visited her a few times. I still see her nowandagain. She's been married and divorced. She borrowed my studio for a week the other year. We still discuss pornography and practice it.

Are you finished?

I hope not!

As for pornographic films. I've never been a big fan because they lack context. I am more turned on by a good film with sex such as La Belle Noiseuse or Romance or Bais Moi etc.

I aslo collect Shunga prints and other erotic art. For me they have context and are sensual. Pumping meat, doesn't really do it for me, especially today where porn is on tap. There is too much of it and it is legal so there is nothing illicit or exciting about it.
 
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well that turned out better than i'd hoped :D thankyou for the replies, bogus. your dad was right :D
 
Esp bluesy jazz pieces, if memory serves.

Slow dancing to Billie Holiday is pretty damn erotic, more than out and out porn to me. eagleyez says that if porn is good you only need to watch it for about three minutes and I agree. :D
 
I find this thread highly amusing and inspiring, the questions and bogus's answers in a cut and paste sort of way



What is American (or English, Canadian, Australian, or wherever you call home) about your porn?
Pumping meat and a sack of potatoes
what county do I want to offend
...does the music help or hinder
thighs slapping against buttocks and all sort of grunts and animal sounds.
wasn't that the theory of Disco?

Do you believe the porn came from inspiration, was "received" in some way, or was it just you putting the nuts (and bolts) and other sexual anatomy of the acts together?

Did you use any particular devices that you felt worked out well?

I am getting an image of the Robot Woman in Metropolis with a huge shiny strap on and anal penetration, of course getting fucked in the ass has socio-politico meaning also

How much of your porn is fact and how much fiction?
Getting fucked in the ass by the Robot Woman from Metropolis, why fact of course

Are you finished?
Haven't started, but probably should quit here

What is American (or English, Canadian, Australian, or wherever you call home) about your porn?
Czech
and mate

and since it is silent, no music, unless I throw Lady Gaga in the mix
 
Worries that Bogusagain was hanging out (not literally I hope) in the same areas at the same time that I was :eek:
 
I don't know what planet you mid orbits 1201 but that is funny!
despite the anal ref, it isn't Uranus
just sayin
I had more than a quarter of that assembled in my mind
but then I would have to had write it and then I might have heard from the Lawyers
of Lady Gaga, Madonna, and Miley Cyrus
and Miley...
and Miley...
I just love more and more
 
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