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I just read a review of Fatelessness by Imre Kertesz who won the Nobel for lit. in 2002. Here's just a bit of it:
"I have to say that over time one can become accustomed even to miracles, " says Georg Koves, the teenage narrator of Imre Kertesz's novel "Fatelessness. " That Koves is speaking about the last days of Buchenwald, where he is a prisoner, might surprise you. But then, he feels the same way about pain, fear and sorrow. Experience the extraordinary enough, and the extraordinary becomes normal; even a place as terrifying as the concentration camps can after a while begin to feel like home.
Imre Kertesz, a Hungarian writer and survivor of the camps himself, published "Fatelessness," his first novel, in 1975, and won the Nobel Prize in literature in 2002. Vintage is reissuing his works in new translations. The matter-of-fact tone and candor of "Fatelessness," as well as its dry wit, make it the Holocaust novel that will never be filmed by Hollywood.
And that is very much the point. The Holocaust didn't happen to extraordinary people but to ordinary ones, with ordinary concerns, living in ordinary places. Not heroes. Not people in any way different from us. "I didn't go to school today," Georg tells us in the first sentence, and then proceeds to tell us why...
To those, including his family, who want to 'forget', he rebels.
"It's about the steps," he tries to explain to his family, meaning the tiny ways we build our fates. "I could no longer be satisfied with the notion that it had all been a mistake, blind fortune, some kind of blunder, let alone that it had not even happened." In order to live he must embrace the strangeness and seeming senselessness of fate, and go on.
The book ends with a remarkable meditation on his days in the concentration camps that is daring in its poetry and beauty. Even there, he suggests, he was able to carve out "something that resembled happiness." It is how people survive. This almost shocking statement enables him, finally, to embrace the paradox of existence, and he goes off "to continue my uncontinuable life."
I'm not sure why I'm posting this thread except that the phrase "something that resembled happiness" touched me deeply. At the beginning of my late years I don't expect as much of life as I used to desire. I can settle for so much less now. And I think I may even be satisfied to finally settle for something that resembles happiness. It seems a great deal to me now.
Does anyone understand what I mean? (It's a simple question, I am fine.)
Perdita
full review
"I have to say that over time one can become accustomed even to miracles, " says Georg Koves, the teenage narrator of Imre Kertesz's novel "Fatelessness. " That Koves is speaking about the last days of Buchenwald, where he is a prisoner, might surprise you. But then, he feels the same way about pain, fear and sorrow. Experience the extraordinary enough, and the extraordinary becomes normal; even a place as terrifying as the concentration camps can after a while begin to feel like home.
Imre Kertesz, a Hungarian writer and survivor of the camps himself, published "Fatelessness," his first novel, in 1975, and won the Nobel Prize in literature in 2002. Vintage is reissuing his works in new translations. The matter-of-fact tone and candor of "Fatelessness," as well as its dry wit, make it the Holocaust novel that will never be filmed by Hollywood.
And that is very much the point. The Holocaust didn't happen to extraordinary people but to ordinary ones, with ordinary concerns, living in ordinary places. Not heroes. Not people in any way different from us. "I didn't go to school today," Georg tells us in the first sentence, and then proceeds to tell us why...
To those, including his family, who want to 'forget', he rebels.
"It's about the steps," he tries to explain to his family, meaning the tiny ways we build our fates. "I could no longer be satisfied with the notion that it had all been a mistake, blind fortune, some kind of blunder, let alone that it had not even happened." In order to live he must embrace the strangeness and seeming senselessness of fate, and go on.
The book ends with a remarkable meditation on his days in the concentration camps that is daring in its poetry and beauty. Even there, he suggests, he was able to carve out "something that resembled happiness." It is how people survive. This almost shocking statement enables him, finally, to embrace the paradox of existence, and he goes off "to continue my uncontinuable life."
I'm not sure why I'm posting this thread except that the phrase "something that resembled happiness" touched me deeply. At the beginning of my late years I don't expect as much of life as I used to desire. I can settle for so much less now. And I think I may even be satisfied to finally settle for something that resembles happiness. It seems a great deal to me now.
Does anyone understand what I mean? (It's a simple question, I am fine.)
Perdita
full review