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I am currently reading Beginnings, Middles and Ends, by Nancy Kress, in preparation for NaNoWriMo (kudos to my wonderful friend, Mike, for sending it to me). I skim read the 'Beginnings' section, and am now going through it in more detail. I've got to the writing exercises part, and thought it might be good to share one of the recommended exercises with fellow NaNo'ers and all Lit authors.
Early on in the 'Beginnings' section Nancy talks about deliberately incorporating the qualities that make an opening interesting and original: character, conflict, specifity and credability.
Character: Your opening should give the reader a person to focus on.
Conflict: The thing to remember about conflict is that it arises because something is not going as expected. The reader should suspect that as early as your first few paragraphs.
Specifity: Effective beginnings make use of specific details. These may be details of speech, setting, character's thoughts - anything relevant.
Credibility: This isn't easy to define. It's related to trust: Credible prose convinces the reader that the writer can handle the English language.
Here's what she suggests to try, in order to practise getting a good, powerful opening to a story:
Pull out a story you've written that you're not happy with. Study just the first three paragraphs (five if they're very short or include much dialogue). Is there an individualized person here? A hint of conflict? Specific and telling details? If not, rewrite the opening to include these things, even if you plan to never rewrite the rest of the story.
I'm going to try this later on today, we don't have to post the results of our exercise here, although there's nothing stopping you if you want to. It would be good to hear what others thought of this exercise. Have you now got a more powerful opening? Did you manage to work all of those elements into the first few paragraphs? It is quite likely that a lot of you do this anyway, I do, to a point, but it is very useful to me; to conciously think about including those four qualities.
Lou
Early on in the 'Beginnings' section Nancy talks about deliberately incorporating the qualities that make an opening interesting and original: character, conflict, specifity and credability.
Character: Your opening should give the reader a person to focus on.
Conflict: The thing to remember about conflict is that it arises because something is not going as expected. The reader should suspect that as early as your first few paragraphs.
Specifity: Effective beginnings make use of specific details. These may be details of speech, setting, character's thoughts - anything relevant.
Credibility: This isn't easy to define. It's related to trust: Credible prose convinces the reader that the writer can handle the English language.
Here's what she suggests to try, in order to practise getting a good, powerful opening to a story:
Pull out a story you've written that you're not happy with. Study just the first three paragraphs (five if they're very short or include much dialogue). Is there an individualized person here? A hint of conflict? Specific and telling details? If not, rewrite the opening to include these things, even if you plan to never rewrite the rest of the story.
I'm going to try this later on today, we don't have to post the results of our exercise here, although there's nothing stopping you if you want to. It would be good to hear what others thought of this exercise. Have you now got a more powerful opening? Did you manage to work all of those elements into the first few paragraphs? It is quite likely that a lot of you do this anyway, I do, to a point, but it is very useful to me; to conciously think about including those four qualities.
Lou