A story of a story

M-Y-Erotica

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I would absolutely love to read stories from authors about how they write. There are plenty of bits here and there in the Author's Hangout to read - about dialogue, about character and plot, etc., but I think it would be a blast to hear how some of my favorite authors sat down and wrote that story I love of theirs. To get the idea started, I decided to do it myself.

First, you should read my most recent story Nothing between us:

http://english.literotica.com/stories/showstory.php?id=241818

Done? Long, huh? Well, now my story of this story will make a little bit of sense.

This story was different for me in that it was a retelling of another. I came across another story on Literotica, which I liked the idea of very much, but I wanted to tell it again from my own point of view. I first asked the original author permission, which he kindly gave. From this I had a few elements to work with: a young couple who had been friends and neighbors for a long time; they were virgins; they liked each other and would fall in love, engaging in a little looovvvve-making; the woman was Asian and the man Caucasian; and their parents seem to want this to happen and made themselves scarce.

OK, that's what I had to work with, so it was time to get busy. For some reason, I thought of the guy as a bit country, but her not so much. I made the setting a new suburb, eating into the old countryside where he lived. I also wanted to give the woman a more specific heritage than Asia. There's about 3 billion people in Asia. A lot of suburbs are eating into the rural areas in Minnesota around the Twin Cities and there is a very large Vietnamese population there, so voila, our heroine was now Vietnamese-American. Uh-oh, problem. I wanted her home on Spring Break but also in a nice short dress outside. But Minnesota is still covered in snow in early March, or can be. The story moved south to Arkansas, so I chose the only large city I knew of in the state, which was Little Rock. The only other thing I knew at this point was that they liked each other madly, but some how didn't realize it themselves. They had been practicing at being friends and denying anything more for so long, it had covered over their real feelings.

At that point, I just started writing. No more planning things out. Why not start with our hero, Jake, learning that our heroine, Thuy, was home. Why Thuy? Just one of the most common Vietnamese names around. I perused Vietnamese sites until I had a list of names to choose from and went with one. As I wrote, I tried to add bits to show that they were still young, only 20, and not terribly mature emotionally. I also started adding reasons to like our main character. He was very smart; he was loyal; when his mother got ill and his family needed him, he left school and started working. So what if he could do integral calculus and linear algebra? He could also move furniture and make an honest living too, and he had enough character to not be above it.

Thuy arrives. They talk about things that smart 20 year olds talk about. The parents all disappear. Thuy sees Jake with his shirt off. Damn, he's gotten hot as he's turning into a man!

When they head out to dinner, some emotions start bubbling up. As they talk about their relationships, unconsciously, each begins to want to be the person they are talking about. They're jealous. They realize that you can't wait forever, because life goes on and eventually it will be too late.

I am still writing completely linearly at this point. I do no major revising at all until the story is completely done. I can only do a few pages at a time, so periodically I have to read back to see what's going on, but I resist the urge to do more than cross out a word here or there.

As the couple begin to talk about the possibility of dating one another and wondering why they never had before since they were such friends, things start to turn. Jake is interested now. Or, more accurately, he knows he is interested now. He has to stay away from her when she falls asleep, because he is not sure he would be the person he wants to be if he is in physical contact with her.

At this point, I didn't want things to happen immediately. I thought about the touching starting that first night, but I didn't see them making the switch that quickly. It takes time to get over a mental block. Also, I needed Jake to actually work. If I am trying to build any credibility for him by having him take classes and work 40 hours a week, he's got to actually work some time, not hang out with a girl for three days straight, so off to work he goes.

The next day, the flirting is higher now as they make the adjustment. More sexual innuendo, more looking and watching. Then Thuy does it. She makes the move by curling up against him.

This is where the story got hard for me. In the writing, the time began to roll on. It took me days to slowly work them through a touch all the way to sex. I don't know why it took so much time. I guess making silly jokes is easier than the physical. I still never revised. The only big decision was the safe sex one. Somehow the image of the two of them standing under the flourescent lights of a gas station picking out condoms to use was terribly erotic. I don't think it came out as erotic, as much as funny, but the idea of holding your loved one's hand as you selected the proper equipment for losing your virginity to one another was hot. I wouldn't let this idea go, even though it seemed to break the momentum of the sex. You will have to judge if it was worth it.

As I got near the end, the idea that they had always been deeply smitten with one another and were unconsciously holding off from other people took hold of me. That's what the story became about. It wasn't supposed to end so happily. It was to be a little bittersweet. Thuy has to go back to school. There would be miscommunications and uncertainties about the future. But when I hit the last line (before the parents bit), I loved it so much, I stopped right there and refused to go on. I didn't plan a simple happy ending, but that's what I got. As soon as I wrote the last lines I thought of the old classic song by Fats Waller "Aint Misbehavin'" about someone waiting for the only one they want to come home. I titled the story Ain't Misbehavin' and finally started revising.

I ended up not choosing to do any major structure changes. I mostly deleted and deleted. I wanted to delete more because I was afraid the story was just too long, but I never could get myself to do more than words here and there. I also started adding the Ain't Misbehavin' theme through-out the story. I went back to the restaurant scene and revamped it so that the whole scene was about them knowing they were waiting for someone, but just being too dense to really see they were waiting for the person across the table.

Editor time. I sent the thing in two pieces to a few volunteer editors. To be honest I got carried away, because I wanted people to read the story so bad. I sent it to two people I have worked with in the past. Then I found a couple college age editors, because I wanted that point of view. I wouldn't recommend this. Find one or two people that you like working with who are really good and stick with it. I was about to send my story to every Editor on the site because I just wanted people to read it now! now! Two more weeks later, I get all the revisions back and work them into my story. I also suddenly had the idea in the scene near the end where they are about to consummate that there were no longer going to be hidden barriers between them. Nothing between us. But that phrase is ambiguous. It can mean that there is no barrier between us, or that there is nothing joining us together. I went back up to the first page and had Jacob declare that there was nothing between Thuy and him. I had a new title. Aint Misbehavin became Nothing Between Us, and with the last two edits I had a shift in the relationship from a declaration that there was nothing between them to the end where there were no barriers keeping them apart anymore.

I submitted and a week later on Valentine's Day, the story is published.

My story of a story.

I hope some other authors will share their own stories. It is the entire purpose of this thread and I hope my story will get you inspired to spill it.
 
I'm going to do one bump, because I really want to hear other authors' stories of writing. After this, I will let it go. Promise.
 
M-Y-Erotica said:
I'm going to do one bump, because I really want to hear other authors' stories of writing. After this, I will let it go. Promise.
Okay. I'll give you the low-down on my latest, "Exchange Value." If you want to read it:

Exchange Value

The Idea: Someone who liked my writing wrote to me with a reqest. He wanted an introverted Romeo and extroverted Juliet story. He was very much into shy nerd vs. arrogant cheerleader type tales. But he wanted an added twist--for the two to realize they had a lot in common, but feel the need to keep their romance secret because their friends/families were "warring houses." The whys and wherefores he left entirely up to me. I asked him if there was any particular look he wanted for the guy/girl and he gave me some idea on that score.

The Inspiration: At first, I didn't think I could make it work. Then I got an image in my head. Kidnapping. The nerd kidnapped. That was the key. So, she falls in love with him and he with her when he's kidnapped by her...boyfriend maybe? And he's kidnapped for money...so he's rich, she's poor. Hm. Now I felt inspired. I wanted to write this!

The Setback: Several false starts later I realized that the story wasn't going to work if I started with him already kidnapped...exciting as that was for a beginning. I also couldn't start in his pov. That didn't work either. What would? Here's what flashed to mind: some years ago my brother had a friend; she took a job as a waitress. My brother and his buddies went to visit her at the diner, sitting at her table and being waited on by her; they left her a $20 tip. That was how I needed to start the story. She was a waitress, and he was going to leave her a huge tip. And she...she was going to think he was a creep.

The Characters: Now we were cooking. So what's creepy about him? Give him a Che Guevara tee shirt...AH. That's the ticket! He suddenly jelled. Yep. Yep. It's all falling into place, isn't it? Romeo and Juliet. He's from a rich family, but a Marxist. She from a poor family, but a captialist. Yet, in social circumstances, it is she that is rich (extrovert) and he that is poor (introvert). Make one a TA, make the other a student in the same scio-economic history class, and I hardly have to do any work at all. At this point the characters are telling ME what happens next. What they say, what they're thinking, how they're transforming. All about their families, their hopes, dreams, hang-outs....

Research, Research, Research: Shit. I don't know enough economics or poly-sci. Crack open the books and surf the internet. This is the key, after all, what the two of them have in common....And let's not forget to show their two "warring houses"--her friends and family, his fellow grad students. What do they think? How do they think?

The Stumbling Block: Shit. I need a title. Sometimes I start with one...this time I didn't and now I'm stuck. Shit. I know it's gotta come from Karl Marx but after an entire day googling Marx quotes I'm no nearer. Then I see this bit about "Exchange Value..." What the heck is that? Turns out, even Marxists are a bit confused about what it actually means. But that's the title so I'd better figure it out.

Editing, Editing, Editing: Oh, and the kidnapping....gotta make sure to make mention of the girl's digital camera early on--and her brother and friend's tendency to drink a lot of beer and gamble at cards--put that on in...and the image I started with end up in the middle instead of at the end, but it works very well now. Lock the girl in with him and the sex scene comes quite naturally.

Tying up Lose Ends: Only thing remaining is to tweak things so that the themes flow through...and how the fuck am I going to end this thing? Gotta find one thing to tie it all together. Ah-HA...the extravagant tip he leaves her! Save the reason why till the end. Exchange Value.

That, in a nut shell, is how I wrote it. Hope you found it interesting. :cathappy:
 
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I'll do it one better...

You or someone else pick one of my stories... and I'll tell you my story about that story.

Sincerely,
ElSol
 
That's easy

elsol said:
I'll do it one better...

You or someone else pick one of my stories... and I'll tell you my story about that story.

Sincerely,
ElSol

Unless you are tired of it, the request for me is easy. Sine equals Cosine.

I only encountered it a day or so ago due to the Words Fail / writing about music thread.

Let's hear it.
 
3113 said:
Okay. I'll give you the low-down on my latest, "Exchange Value."

...

That, in a nut shell, is how I wrote it. Hope you found it interesting. :cathappy:

3113, I did indeed find it interesting. Thank you for taking the time. Several parts were fun to read about. How you took a bare story idea and searched to flesh it out. What also hit home for me was how as soon as you decided the characters, the whole thing took off. Well, except for the whole economic theory research bit. I lucked out on my last story, research wise. Making my heroine Vietnamese only required a bare minimum of study, done in a couple hours, but I know if I ever develop it further, I'm going to have to go do a lot of work.

Thanks for the story! I just like learning how other write in all the gritty details.
 
I'll give you a short one...

Monday


this was loosely based on something that happened to my niece. Names, faces, ages changed. When she was 12, her mother started selling her for crack down in Detroit. Her mother is now in jail, and my brother finally got custody of the kids after trying for years to tell CPS his ex was a crackhead... but anyway, I digress...

Also, when I was little and my parents used to fight (and they could fight!) I would go hide in a closet. There was one time when I was about 3-4 that they literally just forgot about me. I stayed there all night, fell asleep, and woke up the next morning. No one even knew.

So I got to thinking about how attached we are to our parents... how dependent we are as children... and how it seems, no matter what a parent does, a child still loves... there is still a bond there somehow, at least at younger ages... (even my niece goes to visit her mother in jail... and she's 30 now!) the things we experience, see, feel, it doesn't matter, as children, we still hold onto them, out of need, but there's something else, I think... an unconditional aspect of love that we lose as we grow older (which isn't necessarily a bad thing...)

So I sort of combined these two ideas... little girl, scared, hiding in her mom's closet... braving her own fear by coming out to see if her mother is ok, finding her mother prostituting herself for drugs. All from the child's perspective, yet written as the adult. It's such a short little piece, a vignette really... a lot of it is stream of consciousness kind of writing, that breathless telling of a 5 year old, with run-on sentences and little pause for breath. But you can see through the eyes of the woman (not the child) writing, too, seeing her mother's figure in the door, digging though the bag "like a child" with a bag of candy. You can hear the cynicism of the adult woman here, too, it isn't all child innocence. It's that juxtaposition that interested me.

It wasn't hard to write, actually, it flowed quite well. I didn't edit much out, I just added a few periods here and there when I'd gotten too convoluted and run-on (which I have a tendency to do anyway!) There were a few places where I backed off description, and simply sketched the details. Seeing her mother and the man in the kitchen, for example, was more detailed at one point, but I just deleted several sentences, and it became immediately more the perspective of the child I was looking for.

The swing scene was my favorite. Endings always come to me while I'm writing, I never know how something is going to end, for the most part. Some characters have ended up dead on me at the end of something, and I never even knew it was going to happen. In this case, the mother pushing the daughter on the swing, my own strong memories of that, made it even more poignant to me. I had a lump in my throat as I was writing it...
 
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"Be Mine"

I began working on my 3rd Place V-Day story around Christmas, and I toiled over it for a month before I finally submitted it to the contest. I guess I have a personal problem concerning all the Valentine's hoopla, because I didn't want to write a romance at all. I wanted Be Mine to be dark and twisted, with an eroticism that couldn't (and wouldn't) be ignored. I hope that I achieved that goal.

I was inspired a great deal by an episode of Friday the 13th: The Series that I used to watch on late-night TV as a teenager. In one episode there was an ugly girl who was teased by all the jocks at her high school until the day she found a magic compact that made all of them fall madly in love with her when she shined it in their eyes. They made fools of themselves over her under the spell, and she killed them off one by one for revenge. Because I could relate to the girl's situation (this was something like 10 years ago), that episode made a strong impact on me.

Back to Christmas. I was coming up with ideas for Valentine's. I didn't want my heroine to be as cold-hearted and unsympathetic as the girl I remembered from television, so I altered my plans. I wanted my heroine to have a heart and know right from wrong, but at the same time she can't help herself because of her desperate need to be loved by the man she wants. Such feelings of loneliness, I believe, are felt by many people who find themselves alone on Valentine's because of all the hype surrounding the event. The flowers/candy/jewelry commercials make singles feel inferior because they're not included with the "shiny, happy people," and I wanted to make a statement about that in my story (albeit indirectly).

Unrequited love is a bitch, and I think that everyone experiences it at least once in their lives. How painful is it to love someone who doesn't know you exist? To see them every day and know that you can't have them? How does it feel to see someone so beautiful/smart/incredible that they take your breath away each time you run into them, and your brain turns to mush? I've felt this, and I put my heart and soul into the words to express the feelings of helplessness and longing involved.

The supernatural and psychological aspects of the story came from out of the blue, really. When I sat down at the PC and wrote the first few paragraphs of the story on New Year's Eve (after coming up with a rough plot outline in my mind), I had no idea that the finished product would end up the way it did. I surprised the hell out of myself. :D

Wordy, ain't I? ;)

PS: "Be Mine" is down at the moment, otherwise I would have given you a link. It should be up in a day or so, so when you have free time (a lot, since it's 6-pages long) please feel free to click my sig. :)
 
Aurora Black said:
Back to Christmas. I was coming up with ideas for Valentine's. I didn't want my heroine to be as cold-hearted and unsympathetic as the girl I remembered from television, so I altered my plans. I wanted my heroine to have a heart and know right from wrong, but at the same time she can't help herself because of her desperate need to be loved by the man she wants. Such feelings of loneliness, I believe, are felt by many people who find themselves alone on Valentine's because of all the hype surrounding the event.

This is all wonderful. I think I will send this link to everyone who asks me to volunteer edit their story. Read this thread, then rewrite your story, then send it to me. (Not really. I'm a pushover.) The theme from all the stories so far, no matter how romantic or dark or twisted or adventurous, is that each author has a clear idea of the character they are writing about. I get lots of stories where the protagonist could be pretty much anyone. But it sounds like the authors who are winning awards don't let that happen. The character is the key.

More stories!!
 
Cool thread. I'll jump in.

http://www.literotica.com:81/stories/showstory.php?id=116250
The Man In The Woods

I was coming at erotica with brand new eyes. I had never read erotica in my life, only recently even taking up writing. A lady I've known from another message board for quite some time read one of my short stories. She said that she enjoyed it and asked if I had ever written any erotica. I admitted to her that I had never even read erotica, much less considered writing it. With a bit of an ego stroke she convinced me to try it. She said that after reading the descriptions in my story she would like to see how I handled writing something erotic. I remember saying I would give it a try, fully expecting to write pure crap and discard the piece as a failed exercise.

A quick online search and I found Literotica.com, which seemed like the perfect place to begin my research. I read about a dozen stories, ranging from horrible to exceptionally well written pieces. The well written ones made me decide that there was in fact room for actual writing and creativity in erotica. The horrible ones inspired me to do better.

Now that I had decided to tackle it I had to come up with a story, setting, characters, etc. That part was fairly easy. There are two women I knew well at the time who talked to me about the things they loved and the things that their husbands wouldn't do. It was inexplicable to me why a married person would flat refuse to do something so minor in scope when it would obviously please their partner. I'll use assumed names for them, as I'm not sure that they would want their real first names known. We'll go with Jessica and Laura.

Jessica lives in The Great White North and had never seen a thunderstorm. She was fascinated by them, but they just never got that kind of weather where she lives. Laura lives in Indiana and loves thunderstorms. Her youngest child was conceived outside in a thunderstorm. Both ladies love the outdoors, so I chose a forest during a thunderstorm as the setting.

The characters were going tobe simple. A man and a woman. After a brief thought on names I elected to try to write the story without giving them names at all. The Man In The Woods is a stranger, and I thought that leaving names out of it might impart that feeling to the reader. He's a stranger to the reader as much as he is to the female character. He doesn't know her name, either. For the purpose of my story it's not important.

The story that came out stands well on it's own, but the few people I asked to proofread it instantly picked up on the backstory. Well, part of it anyway. The backstory only barely shows through. The Man In The Woods is a werewolf who has chosen this woman he's seen hiking the trail in his forest to breed with. That is the extent of his plan. He's not looking for love, or even just a sexual encounter. He's picked a breeding partner because he thinks she'll give him a strong little wolfchild. Werewolves can't breed with other werewolves. They can only breed with humans or wolves in a corresponding form. Being that he was born as a man he chooses the human form, even though he could have easily taken another form, and might have at some other time.

I kept that part very subtle. Even more subtle was the afterthought I had of making the woman wear a red hooded sweatshirt on her hikes through the woods while being pursued by a wolf in disguise. No one caught that part without me telling them, and here I am giving it away. It's small, but I really like having that in there.

The specific thing that Jessica was being refused by her husband was that she liked to be bitten. Fairly hard, but not scarring or anything. It was just some sort of primal lust thing that appealed to her, but he wouldn't do it. She literally begged him at one point and he still refused. So, having a werewolf as a main character here was the perfect option to put in some really good biting scenes. (The werewolf's bite doesn't cause lycanthropy. You have to be born into it, hence the breeding angle.)

Laura's specific thing she was being denied was even more simple. She wanted to be taken standing up. That's all. And he wouldn't even try it. So here was the chance to have the werewolf (who never leaves human form) just primally take the woman while standing against a tree, in a thunderstorm, and bite her in the right places. Two birds with one stone, so to speak.

The story is one scene with a cohesive beginning and ending. I think it tells the whole story I wanted to convey in just that scene, so I saw no point in taking it further. For all intents and purposes it was designed for two specific women to fantasize with and maybe masturbate to every once in a while. I got a little more than I bargained for. Even though this story has been out a long time I still get quite a few emails from women telling me how much they've "enjoyed" my story. Sometimes with pictures even. :)

Jessica's husband has read my story and now he bites her when and how she likes. And sometimes when she doesn't want it, but she's willing to put up with that. And she has since experienced a thunderstorm. Laura also got to try her part of the fantasy. But I took that upon myself to help her with. Her husband... never came around. That's a very long story that I won't go into right now.
 
Excellent thread M-Y-E. Thinking about my contribution...

The Earl
 
Sine equals Cosine

A lot of writers worry about falling into a pattern where they only tell one story (there's threads about it on every forum I visit), but my first introduction to the idea was a in a logic class where the professor possited there are only 7 basic logical story structures. (Sine Equals Cosine is the third story in a planned 7 story series.)

For me the idea of only telling 'one' story is fascinating so I wanted to push it to the max to see how far it could be bent before it broke or I found out that I couldn't break.

With that goal in mind, I created the Stringbreaker Series which uses the same basic theme, basic characters and plot.

For Sine only the theme is important which is 'The Artist, Talent, and Coping'. Sine Equals Cosine I wanted to use the idea of the Artist no longer having a passion/love/fire for their art but others still needing that from him.

I had to figure out how to burn a real talent from my lead; at the time, my gf was learning spanish so I had bought her a lot of Alejandro Sanz music which has what I consider to be one of the most original songs ever, Amiga Mia.

I watched an interview once with Eminem where he said when he first listened to Dido's song, he heard the 'insanity of the fan' and thus was born Stan. I've listened to the song and thought "How the Fuck do you get Stan out of this?" But it opened me to listening to a song and letting my subconcious find a story in it, even if different from the words or the music.

Amiga mia is about male and female best friends... but I hear the story of a son trying to deal with a mother's problems even when he's not old enough to.

So there was the basic structure of the story.

I didn't have the title until just about the last read... in that read I realized the entire story is built out of triangles.

Protagonist, Female A, Female B
Protagonist, Artistic Alter Ego, Art
Mother, Father, Son
Mother, Son, Cancer
Mother, Father, Cancer
Son, Death of Mother, Death of Father

It occurred to me in each triangle two of the legs were equals... which means if you arrange the triangle the right way... Sine Equals Cosine

Writing a Stringbreaker story for me is very easy... i just repeat play the song that inspired the section or story while I write until i've got a rough draft.

For editing, it's just kill the children over and over again until I'm sure that the volunteer editors I use are DIGGING for changes to make. (Nothing like an editor admitting defeat... except maybe when an editor sends it back and says he can't read it without becoming involved so he can't edit the story).

---

At the end... I had a story to post.

Sincerely,
ElSol
 
what the hell

I fancy myself a writer and hope someone will find this interesting.

Rainy Day

One of my shorter stories.

It started out with the theme. I wanted to write a story about rain. I love the rain. I am a former Seattle resident who now lives in the desert. So I ran down the list of things that I could do with rain. Camping with rain soaked love scene, sounds good but a horrible idea. A plane being delayed by rain, again workable but I wanted to try the first time genre. So I took out an old fantasy, the one girl my older brother dated that I was attracted to.

She was a spanish girl who was a softball player and she was tough. I used to give her massages while she waited for him to show up and went for some alone time after she left.

There is the first three point of the story: brothers girlfriend, massage, and rain. I hit a spot though, why wouldn't the brother be there? Why wouldn't someone else be there? That is where the setting came in.

Set it back in mountains on some decent roads that have a tendancy(sp?) to flood. So the two are isolated in this house with the road blocked off until the mudslide can be cleared.

Plot issue: why would the girlfriend go for it? If she wanted the little brother why didn't she just fuck him before? This is where I got a bit creative. I put her coming back from a trip and she was coming over just for a romp with the older brother. To make matters even more interesting I had the main character go through a little growth spurt while she was gone.

Add a little horseplay and her getting a massage. He is a teenage guy, when isn't he horny? So he goes for a feel and things get interesting from there.

The first one was really easy. It was just two people having sex, but I couldn't leave it like that. I wanted them to have a good ending if not a happy one. I know it was corny and I know the romance genre sequal is a bit mushy, but I like how it was left.
 
The story behind my other V-Day entry: An Erotic Bouquet

I was coming home on the bus one evening when it stopped at a red light. I looked out of the window and saw an exotic looking flower & plant shop called "Lara: Plants of the World," and I let my thoughts drift. I wondered what the store would look like upon entering, and what kinds of flowers would be found there.

A question formed in my head: Since the owners obviously wanted to promote their store as being worldly and exotic, do they have orchids? You can walk into any flower shop and get roses, but do they have the Amaryllis plant?

I've already discussed this in my "Author Inspiration & Plot Ideas" thread, but I'll repeat it here. When I wrote the story, I thought about one scene from the movie "Adaptation" with Nicholas Cage and Meryl Streep: Cage's character was reading a book written by Streep's character called "The Orchid Thief," and there was a voice-over about the history and pollenation of this fascinating flower. It was a subtly erotic scene.

The "vulva-like petals" of the orchids in Bouquet were also inspired by a scene from a very artistic porno called "Zazel: The Scent of Love" where the main character is painting a flower onto a canvas. Suddenly the flower begins to move, and it is revealed to the audience that the flower is actually the labia and clit of a woman underneath the table! Very beautiful and sensual sequence. :D
 
elsol said:
I didn't have the title until just about the last read... in that read I realized the entire story is built out of triangles.

Protagonist, Female A, Female B
Protagonist, Artistic Alter Ego, Art
Mother, Father, Son
Mother, Son, Cancer
Mother, Father, Cancer
Son, Death of Mother, Death of Father

It occurred to me in each triangle two of the legs were equals... which means if you arrange the triangle the right way... Sine Equals Cosine

Elsol

So, if i remember correctly, sine is opposite over hypotenuse and cosine is adjacent over hypotenuse. And if sine equals cosine then the opposite equals the adjacent. That is rather poetic as well, I think.
 
Any more?

TheEarl said:
Excellent thread M-Y-E. Thinking about my contribution...

The Earl

The Earl, still interested in adding one of your stories of a story?
 
I agree with Boota-Cool thread! I haven't time at the moment, but I'd love to contribute. Will do so either this evening or tomorrow. :kiss:
 
Lustful Leeves got it's start as a joke, to be quite honest. The idea sprang from a comment Rumple Foreskin made concerning my first attempt at a BDSM story. I had posted the rough draft on the Story Discussion Circle 3-20-2005 Unleashed (or if you would like to read the whole thread "Story Discussion angelicminx 3-20-2005 Main Queue").

Rumple Foreskin said:
And not unlike Romance stories, they damn well better not have a downer ending. If you don't believe that, try writing a Non-Consent in which the woman suffers a nervous breakdown from the experience. Then sit back and wait for a new, all-time low score.

Anyway, I'm sure you are familiar with Oggbashan's Contest Support Threads- The Earth Day Support Thread, to be specific- and the theme being a contest for LAST place. I decided I should write a non-consent story about a desperate man fucking a knot-hole in a tree. The tree would be chopped down and turned into lumber due to "contamination".

Here is the thread, if you are interested: Earth Day Contest Support Thread 2005. The whole idea process begins with post #54.

Once I actually began writing it, my fingers flew on the keyboard until it was finished. It took about 2 hours to complete the first draft then Dreampilot and Dar helped smooth out the kinks. I couldn't stop laughing the whole time I was writing the first chapter. It was the most fun I have had writing a story, so far. The reason it ended up as an audio file is because I tried to read it aloud to my neighbors and my husband and I had difficulty NOT laughing as I read it. IMO it was much more humorous if you could hear her voice as she told the story.

Edit to add: If you want to read the end result:Lustful Leeves Ch. 01 :D

 
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M-Y-Erotica said:
I would absolutely love to read stories from authors about how they write. There are plenty of bits here and there in the Author's Hangout to read - about dialogue, about character and plot, etc., but I think it would be a blast to hear how some of my favorite authors sat down and wrote that story I love of theirs. To get the idea started, I decided to do it myself.

Intriguing thread. I have a story tentatively called "A story about a story about something or nothing" and indeed it's all about how I write stories, but it's very satirical toward many and all kinds of writers and injected with parody for now - it's about the moment when I decided to write for a living and then just the things that instigated me to write every story I have written or tried but couldn't. I can't tell you how I am writing it, but it does start with a thought, as all ideas do, and that in itself is as good a clue I can give. ;)
 
CharleyH said:
Intriguing thread. I have a story tentatively called "A story about a story about something or nothing" and indeed it's all about how I write stories, but it's very satirical toward many and all kinds of writers and injected with parody for now - it's about the moment when I decided to write for a living and then just the things that instigated me to write every story I have written or tried but couldn't. I can't tell you how I am writing it, but it does start with a thought, as all ideas do, and that in itself is as good a clue I can give. ;)

Charleois, hadn't seen this before. Thank you for the resurrection.

Like many writers I draw heavily on my own background for the story-telling. 'Joy', in my sig, is almost autobiographical. Happened thirty-five years ago and I penned a short tribute before Easter (Easter : Bunny Thread), it left a mark and lessons never to be forgotten. Much of my writing is generated from singular events. I'm in the process of completing my largest work, I'm unsure whether I can post chapters on Lit due to implied underage sex in the opening chapter - I will consult (if anyone wants to give the opening a read and offer an opinion PM's please). The story grew from a simple observation of a couple kissing. I was I suppose being voyeuristic in watching them, what intrigued me was the woman's body language, she wanted far more than the man saw; coupled with it being 4.00am, midsummer dawn in Norway, the Jazz Festival had just finished at it was the sudden silence that woke me.

The story, as it developed, embraced much of my own life, not literally, metaphorically. I had a long ten-year period of running my own patisserie and in some ways my wife and I lived different lives for that period, and found each other again, in Norway, after I'd sold the business, she was on a three month artist residency. So the story is told through the loss and re-kindling of relationships, the linkages that endure time, committment and trust. In the story there are two women, in my mind, it is the same woman in a different guise; a reversal of roles, the before and after me and the loyal partner who stayed through the best and the worst. Much of the story is set in actual locations, I believe it adds authenticity, and links a chain of real events in recent Norwegian history, the fulcrum being the burning of the Stave Churches 1992. It is a story about atonement, spiritual, mythological, and human. Took four months to write, two trips to Norway to research and eighteen months to edit.
 
neonlyte said:
Charleois, hadn't seen this before. Thank you for the resurrection.

Like many writers I draw heavily on my own background for the story-telling. 'Joy', in my sig, is almost autobiographical. Happened thirty-five years ago and I penned a short tribute before Easter (Easter : Bunny Thread), it left a mark and lessons never to be forgotten. Much of my writing is generated from singular events. I'm in the process of completing my largest work, I'm unsure whether I can post chapters on Lit due to implied underage sex in the opening chapter - I will consult (if anyone wants to give the opening a read and offer an opinion PM's please). The story grew from a simple observation of a couple kissing. I was I suppose being voyeuristic in watching them, what intrigued me was the woman's body language, she wanted far more than the man saw; coupled with it being 4.00am, midsummer dawn in Norway, the Jazz Festival had just finished at it was the sudden silence that woke me.

The story, as it developed, embraced much of my own life, not literally, metaphorically. I had a long ten-year period of running my own patisserie and in some ways my wife and I lived different lives for that period, and found each other again, in Norway, after I'd sold the business, she was on a three month artist residency. So the story is told through the loss and re-kindling of relationships, the linkages that endure time, committment and trust. In the story there are two women, in my mind, it is the same woman in a different guise; a reversal of roles, the before and after me and the loyal partner who stayed through the best and the worst. Much of the story is set in actual locations, I believe it adds authenticity, and links a chain of real events in recent Norwegian history, the fulcrum being the burning of the Stave Churches 1992. It is a story about atonement, spiritual, mythological, and human. Took four months to write, two trips to Norway to research and eighteen months to edit.


My pleasure, Neon :kiss: . I would be happy to give a first chapter read, but you would need to give me time to do so, as I prefer to read on a day off, and first thing in the morning.

I am much like you and write what I know. Most of my characters and situations are real with slight embellishments. It's funny - in one story I wrote for a Christmas contest, someone thought the whole getting a tree into the bus thing was too unbelievable, yet THAT was a REAL situation, as dumb as it was - lol. People do dumb things, funny things and beautiful things all the time and characters and situations without those very real idiosyncrasies sometimes feel ... sterotypical and bland. What do you think?
 
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