A different style of writing

SeaCat

Hey, my Halo is smoking
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Sep 23, 2003
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I have decided to try writing a story in a different way. Instead of working off of an outline I wrote a storyline and now will fill it out. I have to add things like dialog and descriptions.

It should prove interesting, at least for me.

Any one else done it this way?

Cat
 
Not me. If there are historical setting notes I need, I'll have them on a notepad when I write. Otherwise, I let it organize itself in my mind and just write when I have an opening sentence ready--I don't have either written outline or storyline.
 
Nor me. I'm a fly-by-the-seat-of-my-pants writer. Get it nutted out in my head and then just go. No outline, no safety net.
 
Any time I try writing with an outline or storyline for anything it falls through in the end.
 
I get an idea, and start running.

I'm a horrible person. I don't outline. I get a vague idea, I play with it for a while. Then I have a section or two and a feeling if the story is going to go or not. If I don't like it, I shelve it and go on to something else.
 
I sometimes outline if its a story set in one of my series, especially my "Bridget" stories to make sure nothing clashes with the timeline I have set up. Other than that I tend to dash back and forth in a story when a good line or scene occurs to me. One of the projects I have in my "In Progress" file has four separate chapters that I have written bits and pices of as I thought of them. In fact, Chapter One probably has less of it written than any of the follow-up chapters.
 
I'm a pantster as well. I churn the story over in my mind until it's read to go and then start writing.

I might do a bit of an outline, more of a time line really, for the novel I'm planning.
 
If youre THAT good you can write without a plan and expect success. Or if youre a natural genius at writing you can do it intuitively. But 98% of writers cant do it and expect a popular reception.

I'm studying screenplays. Screenplays are nuthin but plan and formula. One-hundred and twenty-eight pages of script is 128 minutes of film. One page per minute. All the good shit better be in the first 8 pages or your audience is off to the snack bar. The set-up better not run beyond 30 pages.

Psychologists have examined zillions of films and scripts and what makes a film a blockbuster. Most of the success is in the organization of the material.
 
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Most of the time I have a general idea of where the story is going. Usually I have a few 'scenes' that are very detailed and I just kinda go from there.
 
I'm a pantster as well. I churn the story over in my mind until it's read to go and then start writing.

I might do a bit of an outline, more of a time line really, for the novel I'm planning.


On novels, I will have an "events included" list for maybe the first seven chapters before I start writing so that I can get into the novel with the basic threads planned out. But these seven sorta outlines usually become ten or more chapters as I'm writing them and the whole structure/storyline can change. The notes just help me get into the writing.
 
I don't plan, except in my head and I think it's probably more time consuming, although more exciting, to write without a plan. but it's handy to have a some kind of plan even just for small details that prevent you from changing a character name or hair colour halfway through.

On the other hand, the stories I wrote based on fairy tales I felt gave me much more freedom because I knew that wherever the story meandered off to there was always the plot to come back to.
 
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