kittykateater
Literotica Guru
- Joined
- Mar 7, 2003
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OOC: Looking for any lady of Lit to play my 19-year-old "dark lady" dance partner. You are free to use any name for your character, and to take the story in any direction from here. Hint: It might be nice if you mention your ancestry that led to you being dark-haired and dark-complexioned, in a village of fair-skinned blondes and redheads.
Joseph
The year is 1723. The place is a small farming village in northern England, near the border with Scotland. In most years, everyone in our village raises barely enough food to feed their own families, and if they are very lucky, just enough extra food to sell in the market for a few coins in their poockets. This year has been a very good harvest indeed, and nearly everyone has a little extra to sell in the market this year.
Everyone in the village, including me, has just spent weeks of back-breaking work to bring in this bountiful harvest. To celebrate a successful harvest, Jacob, the village blacksmith, has invited everyone in the village to a dance in his big barn, where he makes everything the villagers need, from horse shoes to cooking kettles.
Today has been an unseasonably hot day. On top of which, Jacob's coal fires have been burning all day, so he could make all the implements that the farmers and their wives would need for the rapidly-approaching winter. Jacob apologizes that the barn is still so hot, and he suggests that everyone leave their clothes piled just inside the barn door, to be more comfortable.
I am Joseph. I have been working my father Will's farm for three straight weeks now, and that back-breaking labor has toned my muscles quite nicely. Having seen but one and twenty summers, I feel I have nothing to be embarrassed about in showing my body. So upon hearing Jacob's suggestion, and seeing everyone else strip off their clothing, I simply shrug, remove my shoes, shirt, and britches, and pile them neatly beside everyone else's clothes at the barn door.
As the fiddler begins to play, all the naked men of the village form a large circle, all clasping hands, and dancing clockwise. The women, all of them also naked, form a smaller circle just inside our circle, facing us, and they dance counter-clockwise. When the fiddler pauses in his playing, the men are supposed to dance with whichever woman is facing them.
I dance past woman after woman who appears to have been fashioned in the same cookie-cutter. Skin smooth and porcelain white. Hair blonde or red, and cascading in soft ringlets down to their shoulders. Everyone in the village always talks of "my lady fair," and pasty-white "fair" complexions are supposed to be highly prized, but frankly, they do nothing for me. Especially since I have seen the dark complexions of the free and uninhibited native women in the South American tropics.
All of these ladies at the dance also have bustlines too tiny from constricting whale-bone corsets, and waitlines skinnier than those of little boys, and also from the same cause, of too-tight corsets. Even naked, there is little about them to differentiate one form the other, or to particularly catch my eye.
And then the music pauses. I find myself face-to-face with a young woman of about nine summers and a decade. She is simply too stunning to believe! Two summers ago, I was a sailor on a merchant ship to Brazil, and among other things, we brought home barrels of rich, soft, light-brown cocoa butter. The woman facing me now, has skin that same alluring beige-tan "cocoa butter" color. And she has obviously never worn a corset, for her belly rounds ever so slightly outward. But more importantly, her breasts are as large, as round, as firm, and as pleasing to behold as ripe melons.
Her nearly-black hair tumbles straight down her back, ending just above her smooth, round arse. I figure that to get such a rich and attractive complexion, and such darkly shimmering hair, somewhere in her ancestry must have been a Moore, as dark as the Moorish sea captain I served under on my Atlantic crossing two years ago.
I extend my arm upward at about a 45-degree angle, my hand open, my palm flat and horizontal, and I bow to her. She places her dainty hand atop mine, and she curtsies to me. My other arm encircles her waist and pulls her near, and she places her dainty brown hand on the small of my back. The fiddler resumes his playing, and naked in each other's arms, we whirl our way across the straw-covered makeshift "dance floor" of Jacob the blacksmith's barn.
The fiddler ends his song. The stunning dark lady and I step back one small pace from each other, arms raised and extended, hands clasped, as I once more bow to her and she curtsies to me. Something about the red of her large, hard nipples, like the darkest and ripest of burgundy cherries or cranberries, now excites me tremendously. I begin to perspire, my heart starts to pound in my ears, and my breathing grows more labored.
"How old art thou, sir?" she smiles.
"One and twenty summers, m'lady," I bow.
"I thought so. Shouldn't thou have finished growing by now?"
I gaze into her deep, soulful brown eyes, eyes that could easily drown a man if he weren't careful, letting her see in my own eyes, just how puzzled I am by her question.
"A certain part of you seems to still be growing, sir!" she giggles impishly, fluttering her eyelids flirtatiously, shamelessly. "And growing quite RAPIDLY! And I must admit, your growing and most manly sword is a sight most pleasing to mine eyes!"
Just then, the fiddler resumes playing. She sweeeps herself up into my arms again, and with my unsheathed sword gently stabbing against the ever-so-slight roundness of her belly, we once more whirl our way across the barn floor.
"I am Joseph, son of Will," I introduce myself. "And what might your name be, dark and lovely lady?"
Joseph
The year is 1723. The place is a small farming village in northern England, near the border with Scotland. In most years, everyone in our village raises barely enough food to feed their own families, and if they are very lucky, just enough extra food to sell in the market for a few coins in their poockets. This year has been a very good harvest indeed, and nearly everyone has a little extra to sell in the market this year.
Everyone in the village, including me, has just spent weeks of back-breaking work to bring in this bountiful harvest. To celebrate a successful harvest, Jacob, the village blacksmith, has invited everyone in the village to a dance in his big barn, where he makes everything the villagers need, from horse shoes to cooking kettles.
Today has been an unseasonably hot day. On top of which, Jacob's coal fires have been burning all day, so he could make all the implements that the farmers and their wives would need for the rapidly-approaching winter. Jacob apologizes that the barn is still so hot, and he suggests that everyone leave their clothes piled just inside the barn door, to be more comfortable.
I am Joseph. I have been working my father Will's farm for three straight weeks now, and that back-breaking labor has toned my muscles quite nicely. Having seen but one and twenty summers, I feel I have nothing to be embarrassed about in showing my body. So upon hearing Jacob's suggestion, and seeing everyone else strip off their clothing, I simply shrug, remove my shoes, shirt, and britches, and pile them neatly beside everyone else's clothes at the barn door.
As the fiddler begins to play, all the naked men of the village form a large circle, all clasping hands, and dancing clockwise. The women, all of them also naked, form a smaller circle just inside our circle, facing us, and they dance counter-clockwise. When the fiddler pauses in his playing, the men are supposed to dance with whichever woman is facing them.
I dance past woman after woman who appears to have been fashioned in the same cookie-cutter. Skin smooth and porcelain white. Hair blonde or red, and cascading in soft ringlets down to their shoulders. Everyone in the village always talks of "my lady fair," and pasty-white "fair" complexions are supposed to be highly prized, but frankly, they do nothing for me. Especially since I have seen the dark complexions of the free and uninhibited native women in the South American tropics.
All of these ladies at the dance also have bustlines too tiny from constricting whale-bone corsets, and waitlines skinnier than those of little boys, and also from the same cause, of too-tight corsets. Even naked, there is little about them to differentiate one form the other, or to particularly catch my eye.
And then the music pauses. I find myself face-to-face with a young woman of about nine summers and a decade. She is simply too stunning to believe! Two summers ago, I was a sailor on a merchant ship to Brazil, and among other things, we brought home barrels of rich, soft, light-brown cocoa butter. The woman facing me now, has skin that same alluring beige-tan "cocoa butter" color. And she has obviously never worn a corset, for her belly rounds ever so slightly outward. But more importantly, her breasts are as large, as round, as firm, and as pleasing to behold as ripe melons.
Her nearly-black hair tumbles straight down her back, ending just above her smooth, round arse. I figure that to get such a rich and attractive complexion, and such darkly shimmering hair, somewhere in her ancestry must have been a Moore, as dark as the Moorish sea captain I served under on my Atlantic crossing two years ago.
I extend my arm upward at about a 45-degree angle, my hand open, my palm flat and horizontal, and I bow to her. She places her dainty hand atop mine, and she curtsies to me. My other arm encircles her waist and pulls her near, and she places her dainty brown hand on the small of my back. The fiddler resumes his playing, and naked in each other's arms, we whirl our way across the straw-covered makeshift "dance floor" of Jacob the blacksmith's barn.
The fiddler ends his song. The stunning dark lady and I step back one small pace from each other, arms raised and extended, hands clasped, as I once more bow to her and she curtsies to me. Something about the red of her large, hard nipples, like the darkest and ripest of burgundy cherries or cranberries, now excites me tremendously. I begin to perspire, my heart starts to pound in my ears, and my breathing grows more labored.
"How old art thou, sir?" she smiles.
"One and twenty summers, m'lady," I bow.
"I thought so. Shouldn't thou have finished growing by now?"
I gaze into her deep, soulful brown eyes, eyes that could easily drown a man if he weren't careful, letting her see in my own eyes, just how puzzled I am by her question.
"A certain part of you seems to still be growing, sir!" she giggles impishly, fluttering her eyelids flirtatiously, shamelessly. "And growing quite RAPIDLY! And I must admit, your growing and most manly sword is a sight most pleasing to mine eyes!"
Just then, the fiddler resumes playing. She sweeeps herself up into my arms again, and with my unsheathed sword gently stabbing against the ever-so-slight roundness of her belly, we once more whirl our way across the barn floor.
"I am Joseph, son of Will," I introduce myself. "And what might your name be, dark and lovely lady?"
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