J
JAMESBJOHNSON
Guest
Never heard a black man call pussy POONTANG. Crackers say POONTANG. Black men I know call pussy, PUSSY.
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I bet you STILL wear a lot of "Adidas" and say things like "Yo, dog!", huh?
BTW, you might want to buy your buddy JaxRhapsody a spell checker for xmas. Just say'in.
I use black (although I also throw in identifications by skin tone) and Hispanic and Indian (but I'm referring to the South Asian Indian). I rarely use Asian, because having lived there, I'm sensitive to how different they are, although I'll throw in Asian occasionally for variety. I usually use their nationality--as I do for Europeans. For Africans, I mix their nationality with black. White Americans I usually distinguish by hair color or age or size.
And I don't feel bothered by what I use.
OP: You'll notice that only one actually black person had an answer for you, namely Chocolate Cookie.
Who said something interesting; "I always think the reader is going to assume the character is white until I say otherwise." And its true. In our culture, the default skin tone in people's imagination is white. Unless we make it very clear-- usually because them being black is the point of the story-- black folk are kind of invisible in common storytelling.
From what I've learned over the years here's my suggestions on portraying race;
Using the term Black is okay. Describe your character's dark bronze skin, his height (because he's a basketball player) his hair. Avoid comparing him to chocolate or coffee, he's not ... except of course when his girlfriend is licking him all over![]()
My black friends are more sensitive about their hair these days, it seems than anything, and I don't use words like "kinky" or "nappy."
Another way to portray his race is through dialogue. It doesn't hurt to give him lines that once in a while include one or two speech patterns we consider 'typically black' but one or two is enough, and don't write them out phonetically-- so distracting for the reader! You can have your guy call himself 'black' and even 'nigger' in dialogue. Not the narrator, though, not you as the author.
OP: You'll notice that only one actually black person had an answer for you, namely Chocolate Cookie.
Who said something interesting; "I always think the reader is going to assume the character is white until I say otherwise." And its true. In our culture, the default skin tone in people's imagination is white. Unless we make it very clear-- usually because them being black is the point of the story-- black folk are kind of invisible in common storytelling.
From what I've learned over the years here's my suggestions on portraying race;
Using the term Black is okay. Describe your character's dark bronze skin, his height (because he's a basketball player) his hair. Avoid comparing him to chocolate or coffee, he's not ... except of course when his girlfriend is licking him all over![]()
My black friends are more sensitive about their hair these days, it seems than anything, and I don't use words like "kinky" or "nappy."
Another way to portray his race is through dialogue. It doesn't hurt to give him lines that once in a while include one or two speech patterns we consider 'typically black' but one or two is enough, and don't write them out phonetically-- so distracting for the reader! You can have your guy call himself 'black' and even 'nigger' in dialogue. Not the narrator, though, not you as the author.
Avoid comparing him to chocolate or coffee, he's not ...
::Nods:: in complete agreement.
Especially with THIS part:
and, if I might add, calling a Black/Brown/etc. woman "brown sugar" should be grounds for castration, IMO.
That's right, LP. Although "Pawning off" isn't actually what we are trying to do here.[/B]
That's an excellent point. Nigger in dialogue (or thought) can be pawned off as how a character would refer to himself or another. That word in narrative shows ignorance on behalf of the writer. To me that would look racist
Umm... You can give it a shot. I wouldn't use those terms as the author, in third-person general, though. Because then I, the author, sound like I, the author, haven't advanced since the 1950's and of course I have. I wouldn't tell a story the same way I would have then. (If I had been old enough for more than baby babble at the time, of courseI started drafting a story set in the 1950s, so I looked to the vernacular of that era. Terms like “Negro” and “Colored” (for Black people) were acceptable or “Politically Correct” in their day, racial epithets were freely used and spoken. For example, watch the original MASH movie depicting the Korean War era for how this language can be used to reveal the era. In addition, each ethnicity, Italian, Polish, etc. had all manner of acceptable to derogatory terminology spoken about them, yet for a modern reader using this in dialogue may seem trite or offensive, but to fail to use it is perhaps disingenuous. Whatever language you use, I think as long as you are true to the era and characters without simply adding these terms for shock value, the reader will understand and learn about the characters through how the language reveals ignorance, pride, perception or feeling.
I started drafting a story set in the 1950s, so I looked to the vernacular of that era. Terms like “Negro” and “Colored” (for Black people) were acceptable or “Politically Correct” in their day, racial epithets were freely used and spoken. For example, watch the original MASH movie depicting the Korean War era for how this language can be used to reveal the era. In addition, each ethnicity, Italian, Polish, etc. had all manner of acceptable to derogatory terminology spoken about them, yet for a modern reader using this in dialogue may seem trite or offensive, but to fail to use it is perhaps disingenuous. Whatever language you use, I think as long as you are true to the era and characters without simply adding these terms for shock value, the reader will understand and learn about the characters through how the language reveals ignorance, pride, perception or feeling.
That's because, as an Englishman of the Old School, you would NEVER consider using speech to un-include or disenfranchise or de-humanise other people-- bad form, donchaknow. The wogs know you mean well, of course they do.Perhaps I am fortunate, but I'm English, old, stupid and generally ignorant, but I truly do not like the idea of PC speech.
Never heard a black man call pussy POONTANG. Crackers say POONTANG. Black men I know call pussy, PUSSY.
I would need my tin hat if I went back to my first school and produced the photo of me on Commonwealth Day (although the older teachers still called it Empire Day). There were no children who weren't white European and British.
I was in blackface make-up with a silver tinsel bow tie, a woolly wig, and I sang a "Coon" song from before 1914. Others were dressed as Arabs with the obligatory tea towel, Indians in Gandhi loincloths or makeshift sarees, Egyptians with cardboard Fezzes etc.
That school now has a wide variety of ethnic groupings with a large minority pupils of African or Afro-Caribbean descent.
They would either laugh, or be appalled at the idea that such a portrayal had been possible at their school.
That's right, LP. Although "Pawning off" isn't actually what we are trying to do here.
If I were going to write about you, your own words would be a pretty accurate portrait of how you think about yourself and the world around you.![]()
That's because, as an Englishman of the Old School, you would NEVER consider using speech to un-include or disenfranchise or de-humanise other people-- bad form, donchaknow. The wogs know you mean well, of course they do.
...
Quite so.According to my dictionary of Historical Slang the word wog is from late 19th and early 20th Centuries and is defined as "An Indian; an Arab. probably from golliwog".
A 1914 quote attributed to Winston Churchill (but denied by him) is:
"The wogs begin at Calais."
Okay, quid pro quo
How many of you "sensitive" sorts here have been kowtowed into saying
"Holiday tree"
so we don;t offend religions who have nothing to do with the damn holiday of Christmas in the first place.
Come on, show of hands!