Detroit Is Giving Writers Free Houses in an Effort to Rebuild

JackLuis

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Good news for struggling writers: the key to sustaining your lifestyle is to go to a city that’s struggling more.

A new nonprofit organization called Write-A-House, located in Detroit, Michigan (which, earlier this year, became the largest city in the United States to file for and enter bankruptcy) has found something creative to do with the city’s seemingly endless blocks of vacant homes—gut them from the inside-out, fix them up, and give them to writers.

Well the only thing wrong with this is, you have to live in Detroit for two years.:eek:
 
Well the only thing wrong with this is, you have to live in Detroit for two years.:eek:

But, as a writer, you can just close the curtains and it doesn't matter where you are while you write.
 
But, as a writer, you can just close the curtains and it doesn't matter where you are while you write.

True, until you have to refill the liquor cabinet, then you get to deal with the RW, Hamtramck!:eek:
 
True, until you have to refill the liquor cabinet, then you get to deal with the RW, Hamtramck!:eek:

If you couldn't gauge how much liquor to ship in for a two-year stay, you're not much of a writer.
 
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I lived there for 22 yrs, way back when. Even worked in the orange building on the left for a year. It was Michigan bank at the time.

True, until you have to refill the liquor cabinet, then you get to deal with the RW, Hamtramck!:eek:

Lived near Hamtramck for a few years. It was back when it was little Poland and kind of a cool place. The Arabs have overun and taken over it. There trying to rebuild the downtown area but the rest of the city is really run down. Makes me sad when I go visit friends and relatives.:(
 
Some thing similar happened in Broken Hill. It was the world's biggest/richest silver, lead and zinc mine. When the mine ran out they invited artists to the city.

There already was a group of artists there. The council organised it so it would compliment tourism. Many galleries were opened. If an artist came they could start their own gallery. Tourism is strong because of the city's history and the art.

The union movement was huge there because so many miners died on the job. The cemetery is huge. The mine is huge and people can look at it. The artists compliment it and work mostly in the genre of bush art.

It is vibrant and the city thrives, though is smaller than when the mines were in full swing. It is the central focus of the surrounding desert and the expeditions of artists in trying to capture it on canvas. I think some thing similar could be done in Detroit. There are differences naturally, but the similarities are compelling.

Instead of the ore running out the manufacture of Detroit is being moved to the Mainland. I suspect our economies will pay the price in time. Perhaps Detroit is lucky it is happening now rather than later, while it still has options.

Even I contemplated a move to Broken Hill.
 
"Written on an old typewriter by a fevered mind inside a tin shack at the heat of high noon to the sounds of two flies buzzin'..."

...Which I think is some legendary saying about some famous Noir book or other. So, it might be worth thinking about doing.

Best kinds of places to write, really.

The passion of a true writer overtakes the conditions. I live in a small palace with very good airconditioning, a crystal clear and well-maintained pool, an enclosed security-equipped double garage, a well-stocked kitchen (larder, for the English-speaking), a small wine cellar, multi-channel satellite television, part-time driver, a small private vault, new car and another custom one on order for later in the New Year - so yeah, I overcome the conditions too. I find that my position is more innovative, and inventively different, to the tin shack but romantically I think of it in the same way; you know, it's an external condition that you have to overcome.

Every morning I awake and think to myself: 'is that all there is?'

And the coffee genie whispers out to me: 'no, that is WHAT there is.'

And then of course the endless possibilities begin to rise to meet you from over the distant horizon of the infinite keyboard of life.
 
"Written on an old typewriter by a fevered mind inside a tin shack at the heat of high noon to the sounds of two flies buzzin'..."

...Which I think is some legendary saying about some famous Noir book or other. So, it might be worth thinking about doing.

Best kinds of places to write, really.

The passion of a true writer overtakes the conditions. I live in a small palace with very good airconditioning, a crystal clear and well-maintained pool, an enclosed security-equipped double garage, a well-stocked kitchen (larder, for the English-speaking), a small wine cellar, multi-channel satellite television, part-time driver, a small private vault, new car and another custom one on order for later in the New Year - so yeah, I overcome the conditions too. I find that my position is more innovative, and inventively different, to the tin shack but romantically I think of it in the same way; you know, it's an external condition that you have to overcome.

Every morning I awake and think to myself: 'is that all there is?'

And the coffee genie whispers out to me: 'no, that is WHAT there is.'

And then of course the endless possibilities begin to rise to meet you from over the distant horizon of the infinite keyboard of life.

Writing is internal not external. I could write in posh surroundings or the ghetto it wouldn't matter.

The only exception I would make to that if writing in a place with a good strong "charge" especially a negative one.

The house I sold two years ago that I lived in for about 20 years had a history of violence and haunting. The basement was where it was the strongest and I wrote the entire SWB series down there.

I miss it sometimes, but I think the new owners would take exception to coming downstairs to find me sitting there with my lap top.
 
Hmmm, return to my roots? (Mom's family is from Ypsilanti.) I dunno. And I guess that to qualify as a 'writer' I would actually have to sell something again. Or are free houses available for pr0n bloggers?
 
This is one of those things that make you realize your age and that you have "responsibilities"

If I were younger and with no attachments I would jump on this just for the hell of it.

But I guess the impulse days are over:rolleyes:
 
Yo Lovecraft68.

Two good points there - I really wanted to ask you to expand about the first and then I read what you said about responsibilities!!

I totally had the same thought; I would have jumped at it... But for pretty much the same reasons you pointed to.

As for the first point: are you able to expand a little on 'good strong charge, especially a negative one?'

I presume you do not strictly mean negative as in filled with negative electrons or something but negative like a bad place with a chequered history or something along those lines.

There are certain cities I find particularly troubling, or somehow conveying to me an underlying chaos or shakiness or 'darkness' or something 'disturbed.' I find I can't write satisfyingly in those places at all.
 
Writers are often self employed. The obstacle to attracting people to free homes is the lack of available jobs. Writers bring their job with them wherever they go.

Detroit has land and buildings but not enough jobs, terrible schools, high crime, and poor services. They need to attract people who are self employed, don't have school age kids, tolerate the crime, and don't need many services. Who fits that profile better than writers?

There is a long tradition of gentrifying neighborhoods by attracting artists and childless couples. They flock together to enjoy low rents and likeminded neighbors. Service businesses pop up to serve them. The neighborhood becomes trendy. The YUPPIEs and DINKs arrive. The rents rise. The residents who predate the artists protest rising rents and perceived racial/cultural marginalization. If the riots aren't too severe, you end up with SoHo or West Village or Alphabet City in NYC. If the rioters win, you end up with Harlem NYC which has its own appeal garnered by resisting the YUPPIEs (even though its renaissance occurred when black YUPPIEs moved there before WWII).

Who fits that profile better than writers? RETIREES. THE DISABLED.
 
Seniors don't pull on the school systems, which, the last time I checked, were the big-ticket items for every local jurisdiction. They also tend to come with hospitalization covered, which provides the base for medical facilities to operate. They actually require less public transportation and road-maintenance support than office and business workers--and the cost of the transportation they require is often covered under their SSS benefits.

I agree that the disabled aren't going to give a locality any advantage.
 
Note: the cited poor provision of services and need for residents who don't require services. Retirees and the disabled need MORE services than the general public: Public busses, specialized elder-care busses, public libraries, emergency response in less than an hour, senior centers, police protection from fraud and violence, meals on wheels, shut-in mitigation, emergency cooling in summer, emergency heat in winter, social workers, in-home health care, oxygen tanks, catheters - leading to nursing homes, hospice, and cemetery plots.

The last thing Detroit wants is retirees and the disabled unless the retirees are millionaires with long term disability insurance. The city can't provide services to its existing income tax paying population. Service using residence who pay no income taxes will not likely help the situation.

Then there are the schools… which might benefit from an increased property tax base from residents who don't have school age children… but we all know how much retirees like voting for property tax levees.

Detroit 911 response times:
Police: For the highest-priority crimes, Detroit police take about 58 minutes, on average, to answer 911 calls. And what happens after police arrive is just as disappointing: The department has an 8.7% rate of solving cases. [http://money.msn.com/now/post--a-911-response-in-detroit-takes-how-long]

Fire Rescue: http://www.detroitnews.com/article/20100916/METRO08/9160409
"… Take the case of Detroit Fire Department paramedic Dave Smith, who late last month, was dispatched on a heart attack call to a dialysis center on the city's east side. When he and his partner arrived, the attendants were standing at the threshold, upset.
...
You call 911. Granny fell, you tell the operator. Or a woman's been shot. Or a man has gone into cardiac arrest. Then you wait for an ambulance. And you wait some more."

So, just young writers qualify?

How about young military retirees?
 
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