Handley_Page
Draco interdum Vincit
- Joined
- Aug 18, 2007
- Posts
- 78,217
One thing, though, Pilot.
Reading a thread like this can do much to teach a would-be writer.
Reading a thread like this can do much to teach a would-be writer.
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You mean like the blind leading the blind? No, there aren't too many individual "authors" here who are going to help you a whole hell of a lot with a committee approach to writing. Sorry, this isn't a gathering of trained and experienced writers. It is very typical of Internet think, though--that everyone is equal in ability and experience just by posting.
One thing, though, Pilot.
Reading a thread like this can do much to teach a would-be writer.
Just had a story rejected. Reason: "Did I spell everything correctly?" Well, I ran the story through an online editor to find any mistakes, then I proofread after making changes. It was a fantasy story, with orcs. I guess the orc names were taken as spelling mistakes. There's a few hours wasted lol
Time then to use an actual dictionary. Like the "proof reading" example above, a computer spellchecker isn't going to tell you that "proofreading" is one word. You have to use the dictionary as well to know that.
And much more on what not to do--and what not to avoid doing just because some other neophyte wants to pretend they've found the Holy Grail on what applies to everything/everyone.
Gotta jump on the defense of the first-person, present-tense. It's a tool, just like every other option in a writer's arsenal. It can be used properly, it can be used poorly, but when the story calls for it, there's no other type that will do.
First-person present offers an immediacy and intimacy not offered by a past-tense rendering. I originally started writing "Crash Into Me" in first-person past tense, but felt the story was most effective with a mixture of past and present. In this case, the flashbacks are all in past tense but the rest of the story unfolds in the present. This allows readers to easily separate what happened before the onset of the story with what's currently going on and, in my opinion, get inside the narrator's head to better connect with her.
I might be wrong about that, and I've got one comment on the story decrying my use of first-person present as being "as dumb as it gets". It's also got a rating high enough to make the top list for its category, so it can't be the deal-breaker some people on here make it out to be.
Used correctly there's not a thing wrong with it, and I think you miss out on the opportunity to enjoy some good stories by always writing it off as terrible.
Thanks. I'm writing a couple of stories right now in first person present tense. Haven't come across that many so it was good to see yours. Its new to me so its a lot of work to try and get it right consistently but lots of fun.
50 Shades of Grey is in the first person present tense. It's not the greatest prose of all time, to say the least, but it is the most successful work of erotic literature of all time, so it obviously can work in this general genre. I think Chloe's right that present tense conveys an immediacy and intimacy that fits with erotica. It can work as long as you are consistent with it.
To me, 1st-person present-tense means the narrator won't survive the telling. "I see the white puff of smoke from the rifle / I feel the bullet go deep in my chest." It's the mark of doom.
50 Shades of Grey is in the first person present tense. It's not the greatest prose of all time, to say the least, but it is the most successful work of erotic literature of all time, so it obviously can work in this general genre.....
Most successful?
I think that's only because it's time had come;
The media were at great pains to tell everyone about it. Had they shut up, I doubt it would have made the top 10 !
To me, 1st-person present-tense means the narrator won't survive the telling. "I see the white puff of smoke from the rifle / I feel the bullet go deep in my chest." It's the mark of doom.
The past is the natural story-telling tense.
They're less sins than challenges that most don't have the chops to succeed. All sorts of readable tales are in varied tenses and POVs. It's just that 1st and 3rd past are easier to pull off than 1st and 2nd present and future, especially in longer forms. The latter are fine for songs (and maybe vignettes) but much tougher for grand epics.Two sins in the same story. I'm gonna burn.
Just had a story rejected. Reason: "Did I spell everything correctly?" Well, I ran the story through an online editor to find any mistakes, then I proofread after making changes. It was a fantasy story, with orcs. I guess the orc names were taken as spelling mistakes. There's a few hours wasted lol
Only for those who can't write in the present....
I changed a story from the past tense because it wasn't immediate and intimate enough. Its score of 4.94 suggests a whole bunch of people agreed with my decision and might shake their heads at your statement...
...and it was written in the first person, which apparently is another no-no, according to some.
How petty. I write this, two hours later a one bomb. Gee, I wonder who that was.
Oh, Lord.
It doesn't have to be anyone who posted in this thread. Just mentioning a high rated story can attract 1 bombs even if it isn't your story.
You think? Ogg, get real. The story has been sitting with a very high score for about 9-10 months, indeed slowly creeping up, with 60+ fives and a few fours, yet within two hours of my post, a one bomb? I'm guessing somebody new who doesn't know about the scrubs, just saying - they probably didn't even read it.