NOIRTRASH
Literotica Guru
- Joined
- Aug 22, 2015
- Posts
- 10,580
https://www.youtube.com/watch?v=P0c3od7KynE
(original https://www.youtube.com/watch?v=FsTVF0Fu5_c)
The New Colossus by Emma Lazarus
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
"Keep ancient lands, your storied pomp!" cries she
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!"
So how do you make these powerful synbols stronger?
Stay tuned
The other day I fell over a fleeting scene in a story in which a modern stranger to paradise collides with a woman he says is like the statue of liberty for a love refugee like himself. Very romantic. It made me think about all the linked constructs in the scene. How could I make it stronger? How could I make it right from my story?
In NOIR WORLD its all bull shit.
So I arranged it all a little different:
I took refuge from the storm inside and saw her standing there like the statue of liberty at the gate to paradise, I smiled, she didn't see me. It was the wrong day or I was the wrong nigger.
(original https://www.youtube.com/watch?v=FsTVF0Fu5_c)
The New Colossus by Emma Lazarus
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
"Keep ancient lands, your storied pomp!" cries she
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!"
So how do you make these powerful synbols stronger?
Stay tuned
The other day I fell over a fleeting scene in a story in which a modern stranger to paradise collides with a woman he says is like the statue of liberty for a love refugee like himself. Very romantic. It made me think about all the linked constructs in the scene. How could I make it stronger? How could I make it right from my story?
In NOIR WORLD its all bull shit.
So I arranged it all a little different:
I took refuge from the storm inside and saw her standing there like the statue of liberty at the gate to paradise, I smiled, she didn't see me. It was the wrong day or I was the wrong nigger.
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