Sweet_Denna
Literotica Guru
- Joined
- Oct 27, 2009
- Posts
- 616
This thread is closed for TheGrind and me.
Gros con.
She had whispered the words angrily, and released them into the cold air in a small cloud of breath. That idiot. Nora Lacanne walked briskly down the street, her small heels clattering over the wet pavement. The dark knee-long dress was almost too cold for October, but she looked stunning in it, and that was what she needed. Her dark hair, cut in a bob at chin-length, was hidden under a hat, but that did not keep off the drizzle that the wind blew in her face.
Off to work, she thought with a certain, bitter pride. I need nobody to sustain me, I pay my own bills. The fight with Mircea still lingered and in her mind, and still made her angry. Who did that little idiot think he was to talk to her like he had?
Mircea. They had met in one of the uncountable evenings in one of the uncountable cafés of Montparnasse, and ever since then, they were thought of as an item. Nora and Mircea. He was from Romania, a pale and romantically beautiful young painter, an artist. Peripherally, he was acquainted with Breton and his circle of surrealist revolutionaries that she had always found slightly misogynist. But maybe that opinion stemmed just from wounded pride. Both of them had arrived in Paris at the same age, at 20, and had been living there for three years, in their small and damp chambre de bonne in the 10th district, together, but not as a couple.
While Nora worked during the day, Mircea was often up whole nights in a row, sketching and painting. He was good. No, he was very good. But for him, it was never good enough. He was never content. After a while, he had stopped attending the courses at the Beaux Arts, complaining that he was utterly incapable of finding inspiration in the “confining and bourgeois prison that was the academic environment”. She did not agree with that. He mocked her painstaking preparation to apply for admission, but then again, he did not see anything interesting in photography altogether.
She dreamt of going to Germany, to attend the Bauhaus School, to take photography classes there, to sit at the feet of Laszlo Moholy-Nagy, to follow in the footsteps of women photographers like Ellen Auerbach and Grete Stern. Nora wanted to get a foot in the door with a big agency, she wanted to travel the world and capture its beauty in pictures. Mircea and her had gotten in countless fights over her “lack of integrity”, over her “commercial approach to art.” No matter. Nora knew what she wanted.
The constant problem however, and for both of them, was the dire lack of money. Neither came from a rich family, in Nora’s case, it would not even have made a huge difference. Her father had died when she was still a girl, and her mother, a devout Catholic, had never approved of her lifestyle and choices. So money was always, always an issue.
The last months had been especially hard on them; and since the weather had gotten colder, the decision had often been between a meal or coal for the stove or a certain new book – in the end they had often ended up shivering under several blankets, their stomachs growling, perched over a novel, or a collection of essays. Maybe that had been the very simple reason that they had ended up sleeping together every now and then, it was convenient, and kept them warm. Nora felt a strong connection to Mircea, and she knew that it was the same for him, but they were not in love, no. And Nora knew that one day he would leave her for true, heartfelt passion, and while she would miss him, she did not fear the arrival of that certain day.
Walking along Montparnasse Boulevard, she drew her coat tighter around her slender figure, and hid her delicate face behind her black scarf. October had been rainy and cold, the city had not seen any sun for days. But the rage that was still simmering inside her kept her warm enough. While Mircea claimed no ownership over her at all – and she knew that he slept with other women, too – he hated that she sold her body for money. “It pays your rent, too!” she had screamed at him. “It pays your oil paint, and your canvas!” He had called her a heartless whore, and a sell out. In the end, he had smashed his favourite cup and threatened to throw himself off a bridge. Always so dramatic, her Mircea. And she had left, boiling inside. If she ever wanted to get anywhere, she would need a decent portable camera. They were not cheap. It was that simple.
The first time she had done this had happened almost by accident. At a small bar she had talked to a man, told him about her need for equipment, more as a joke she had flirted with him. Then he had whispered: “If you want, I can help you out.” And then, to illustrate his intentions, his hand had slid from her back down to her ass, and possessively squeezed it. That night, she had earned a full month of rent.
Still lost in thought, she pushed open the door of La Rotonde, a place frequented by many painters and poets, but also often by those who simply wanted to bask in the intoxicating vapours of eccentricity and creativity, of breadless fame; it was mostly those men – or women, if they were willing to pay - that she was looking for tonight. Her still scarce experience had taught her that they were often flattered by her interest, and intrigued, or aroused even, when they found out that she offered them her body to be able to sustain her artistic work. And really, it was not that much of an unusual way to become a patron of the arts in this city.
Nora welcomed the warmth and the smoke that enveloped her as soon as she entered the café, and after she had been relieved of her coat, her hat and her gloves, she stood in the doorway for a few moments, her dark green eyes scanning the room for faces of friends, and possible customers. This time, she did not only want to go for the first guy that threw some money at her. This time, she wanted to find someone impressive, someone inspiring. She frowned. This time, she wanted to find someone that would make Mircea jealous.
Gros con.
She had whispered the words angrily, and released them into the cold air in a small cloud of breath. That idiot. Nora Lacanne walked briskly down the street, her small heels clattering over the wet pavement. The dark knee-long dress was almost too cold for October, but she looked stunning in it, and that was what she needed. Her dark hair, cut in a bob at chin-length, was hidden under a hat, but that did not keep off the drizzle that the wind blew in her face.
Off to work, she thought with a certain, bitter pride. I need nobody to sustain me, I pay my own bills. The fight with Mircea still lingered and in her mind, and still made her angry. Who did that little idiot think he was to talk to her like he had?
Mircea. They had met in one of the uncountable evenings in one of the uncountable cafés of Montparnasse, and ever since then, they were thought of as an item. Nora and Mircea. He was from Romania, a pale and romantically beautiful young painter, an artist. Peripherally, he was acquainted with Breton and his circle of surrealist revolutionaries that she had always found slightly misogynist. But maybe that opinion stemmed just from wounded pride. Both of them had arrived in Paris at the same age, at 20, and had been living there for three years, in their small and damp chambre de bonne in the 10th district, together, but not as a couple.
While Nora worked during the day, Mircea was often up whole nights in a row, sketching and painting. He was good. No, he was very good. But for him, it was never good enough. He was never content. After a while, he had stopped attending the courses at the Beaux Arts, complaining that he was utterly incapable of finding inspiration in the “confining and bourgeois prison that was the academic environment”. She did not agree with that. He mocked her painstaking preparation to apply for admission, but then again, he did not see anything interesting in photography altogether.
She dreamt of going to Germany, to attend the Bauhaus School, to take photography classes there, to sit at the feet of Laszlo Moholy-Nagy, to follow in the footsteps of women photographers like Ellen Auerbach and Grete Stern. Nora wanted to get a foot in the door with a big agency, she wanted to travel the world and capture its beauty in pictures. Mircea and her had gotten in countless fights over her “lack of integrity”, over her “commercial approach to art.” No matter. Nora knew what she wanted.
The constant problem however, and for both of them, was the dire lack of money. Neither came from a rich family, in Nora’s case, it would not even have made a huge difference. Her father had died when she was still a girl, and her mother, a devout Catholic, had never approved of her lifestyle and choices. So money was always, always an issue.
The last months had been especially hard on them; and since the weather had gotten colder, the decision had often been between a meal or coal for the stove or a certain new book – in the end they had often ended up shivering under several blankets, their stomachs growling, perched over a novel, or a collection of essays. Maybe that had been the very simple reason that they had ended up sleeping together every now and then, it was convenient, and kept them warm. Nora felt a strong connection to Mircea, and she knew that it was the same for him, but they were not in love, no. And Nora knew that one day he would leave her for true, heartfelt passion, and while she would miss him, she did not fear the arrival of that certain day.
Walking along Montparnasse Boulevard, she drew her coat tighter around her slender figure, and hid her delicate face behind her black scarf. October had been rainy and cold, the city had not seen any sun for days. But the rage that was still simmering inside her kept her warm enough. While Mircea claimed no ownership over her at all – and she knew that he slept with other women, too – he hated that she sold her body for money. “It pays your rent, too!” she had screamed at him. “It pays your oil paint, and your canvas!” He had called her a heartless whore, and a sell out. In the end, he had smashed his favourite cup and threatened to throw himself off a bridge. Always so dramatic, her Mircea. And she had left, boiling inside. If she ever wanted to get anywhere, she would need a decent portable camera. They were not cheap. It was that simple.
The first time she had done this had happened almost by accident. At a small bar she had talked to a man, told him about her need for equipment, more as a joke she had flirted with him. Then he had whispered: “If you want, I can help you out.” And then, to illustrate his intentions, his hand had slid from her back down to her ass, and possessively squeezed it. That night, she had earned a full month of rent.
Still lost in thought, she pushed open the door of La Rotonde, a place frequented by many painters and poets, but also often by those who simply wanted to bask in the intoxicating vapours of eccentricity and creativity, of breadless fame; it was mostly those men – or women, if they were willing to pay - that she was looking for tonight. Her still scarce experience had taught her that they were often flattered by her interest, and intrigued, or aroused even, when they found out that she offered them her body to be able to sustain her artistic work. And really, it was not that much of an unusual way to become a patron of the arts in this city.
Nora welcomed the warmth and the smoke that enveloped her as soon as she entered the café, and after she had been relieved of her coat, her hat and her gloves, she stood in the doorway for a few moments, her dark green eyes scanning the room for faces of friends, and possible customers. This time, she did not only want to go for the first guy that threw some money at her. This time, she wanted to find someone impressive, someone inspiring. She frowned. This time, she wanted to find someone that would make Mircea jealous.
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