December Form Challenge: Haiku

PandoraGlitters

Sandy Survivor
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Sep 23, 2007
Posts
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Perhaps this is an obvious attempt to lure 1201 into a form thread. Perhaps not. In any case, please leave your haiku assumptions at the door as you prepare for this challenge. It is not about having a perfect 17 syllables. It is about having a winter poem that paints a small picture and has a hinge between the second and third line. The third line should somehow frame the previous two lines of the poem. The scene should be related to Winter (granted not every person who contributes to this forum is in the Winter season, so any season would be acceptable I suppose). Some critics of the Westernized haiku argue that we focus too much on syllable count and not on other aspects of the form.

In order to address this, I urge contributors to
  • have a maximum of 17 syllables
  • create three lines that paint a picture for the reader
  • let the third line frame or reflect on the previous two lines
  • have fun with this

So there ya go. Make as many as you want. Go for it. Full steam ahead. :)
 
first attempt

Breath in branches

Winter hones branches,
demands honesty;our words
made visible rise.
 
Before I post a haiku, western haikus are not haikus for the simple reason they aren't composed using Japanese script, which is why they always seem insubstantial and unfinished. Japanese haikus have an internal cross referencing, a sort of puzzle between what is said and the symbols used. My daughter studies Japanese and said, western haikus are like having the skeleton of a voluptuous model and having to imagine her, while Japanese haikus in Japanese script are the voluptuous model, flesh, breathing and all.

A crow
unfolds into flight
night falls​
 
Bogus, I am certain that it is better in Japanese. Nonetheless, these are lovely. Well done so far!
 
snow bursts,
waiting fox lunges;
.....red on white
 
snow clouds hang
tomato soup in a tin
wellies and saucepan ready
 
Found

Pristine forest tract,
snow-tinged dark jade totem;
.....now for a star
 
short days and long cold nights
extended queues in shops
rolled hedgehog snores
 
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I was taught (by an oriental woman) that the first and last lines should oppose each other.
ie: hot/cold, soft/hard, sweet/sour ... the last is called a cutting line if I remember correctly.
...
Japanese winter
Beauty in every leaf falls
America sighs
...
Give thanks for cold days
Frosty drawings on still pond
Take home memories
...
vapored breath fills air
Crunching footsteps cross the field
Clear artic sky shines
..
What fun?
 
Warm winter winds

cold sparrows circle
warm winds blow down valley low
mist over water
 
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cold sparrows circle
as warm winds blow down valley
mist over water
..
nice ...Haiku is perhaps the best example of minimalist poetry. (IMO) I would suggest that you lose the as and add low behind valley; the opposition in the first two lines would be striking.
Respects always in my comments
Harry
 
raven out of place
needs rest upon lavender
crashes into snow​
 
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white ice on still lake
black feather falls in silence
starling flock heads south
 
Fat old man on chimney
chestnuts roast below
did not finish fruitcake​
 
Spring buds remember
frozen branches soon will thaw
weeping willows bloom


.
 
'S no man's barren cold
'S no girl waits forever chaste
Raining tears melt them
 
laying in your arms
feeling safe and protected
regrets melt away

our bond strengthening
love, our fortification
seeds of trust planted

day by day we thrive
ardently clinging as one
beloved, evermore
 
Soft wind drops ripe fruit
Persimmon feeds hungry deer
Hard freeze a blessing
 
Ahh, my favorite type of poetry. I'm sure they can be made better in japanese, but we make do with what we have.
 
Warm weather lingers,
Lilac bushes bud anew.
Tonight comes the ice.​
 
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